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Fall 1992
The Strangest of Tongues: In Praise of William Goyen
Cover Art: Francis Mockel:
Suite Funebre
Cover Design: Laurieann McLaughlin

 

Table of Contents

Fiction
William Goyen “The Dangerous Archipelago”
William Goyen “The House on the River”
William Goyen “The Vision of Saint Eustace”

Drama
William Goyen “The Diamond Rattler: Excerpts”

Critical Essays
Douglas Smith “The Strangest of Tongues”
Patrice Repusseau “Lunar Plexus: On William Goyen’s ‘In the Icebound Hothouse'”
George Angel “Goyen Canto”
Katherine Lederer “Of Time, William Goyen, and His River”
Dart Lindsley “So Holy and So Flesh: The Boundless Fiction of William Goyen”
Cathryn Hankla “The Door to the Mansion of Memory and of Art”
Eleanor Wilner “‘The Roadrunner in Woolworth’s’: An Appreciation”
Lois Parkinson Zamora “The Animate Earth: American Books of the Dead by William Goyen, Elena Garro, and Juan Rulfo”

Letters
Robert Phillips “What We Ask of Each Other: Letters by William Goyen”

Interview
Fred Chappell “The Making of Wonderful Plant: An Interview with Stuart Wright”

Essays
William Goyen “On the Failure of Work to Find a Life When Published”
William Goyen “Palm”
William Goyen “Frieda”

Memoirs
Allen Wier “William Goyen: In the Current of Life”
Madison Smartt Bell “That Powerful Sense of Wonder: A Memory of William Goyen”
Naomi Shihab Nye “Music of the Deep Well”
Doris Roberts Goyen “Gifts: A Mosaic”

Translation Chapbook
Claudio Rodriguez The Gaze That Nothing Owns Translated by Elizabeth Gamble Miller

What We’re Reading
William Goyen: A Study of the Short Fiction by Reginald Gibbons

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