In Honor of the Eclipse
As BGSU is abuzz with excitement for the total eclipse, we at MAR can’t help but consider how the moon has been reflected in literature, more specifically, poetry. The moon has been an object of curiosity since the beginning of time, with many cultures regarding the moon as a symbol of power that holds the...
An Interview with Jose Hernandez Diaz
Jose Hernandez Diaz is a 2017 NEA Poetry Fellow. He is the author of The Fire Eater (Texas Review Press, 2020) Bad Mexican, Bad American (Acre Books, 2024), The Parachutist (Sundress Publications, 2025) and Portrait of the Artist as a Brown Man (Red Hen Press, 2025). He has been published in The Yale Review, The...
An Interview with Han VanderHart
Han VanderHart is a queer writer and arts organizer living in Durham, North Carolina. Han is the author of the poetry collection What Pecan Light (Bull City Press, 2021) and the chapbook Hands Like Birds (Ethel Zine Press, 2019). They have poetry and essays published in The Boston Globe, Kenyon Review, The American Poetry Review, The Rumpus,...
A Forcerant: My Descent Into Muskmelon/Muskrat Madness
Our favorite game is Muskmelon or Muskrat. Think of anything in the world, then ask: Is it closer to a muskmelon, or a muskrat? ––Henry Goldkamp, “Forcemeat,” Mid-American Review, issue 42.1 That’s it. That’s the game that “Forcemeat” is built around. Before adapting this poem into a full-blown board game, I liked it just fine....
On Sara Moore Wagner’s Swan Wife
Swan Wife by Sara Moore Wagner. San Diego, CA: Cider Press Review, 2022. 88 pages. $18.95. Paper. A book of poetry that simultaneously frightens and beguiles is a rare treasure; and Swan Wife, by Sara Moore Wagner, does precisely that. These original poems are often startling in their fearlessness and beauty. Each piece resonates with the astounding...
Why We Chose It: “Do Not Hold the Birds” by Carlene Kucharczyk
“Do Not Hold the Birds” by Carlene Kucharczyk was selected for publication by Mid-American Review poetry staff in Volume XLII, Number 1. When I read this poem, I can’t help but think of those little workshops that Home Depot, Lowe’s, and other home improvement retailers held back in the day. The ones kids would be dragged to...
Why We Chose It: “Wolf Tours: Special Full Moon Excursion” by Alyse Knorr
Mid-American Review poetry staff selected “Wolf Tours: Special Full Moon Excursion” by Alyse Knorr for publication in Volume 42.1 In MAR, we gravitate toward poems that create a peculiar and uncanny feeling in the readers. Knorr’s poem was selected for its overall strength, particularly the lyrical meter and cadence. The poem successfully takes on the mystical...
Winter Wheat Writing Festival Is Back to BGSU!
We’re thrilled to announce that Mid-American Review’s twenty-third Winter Wheat Writing Festival is back to BGSU from November 9th to November 11th. This year’s festival boasts an exciting lineup of over 45 in-person and online workshops covering fiction, poetry, non-fiction, and more. The full workshop schedule can be found here. We’re honored to introduce our...
Featured Writer: Charles Fort + Interview
On Thursday October 26th at 7:30pm, Poet Charles Fort will be reading some of his work for the Fall 2023 Prout Chapel Reading Series at Bowling Green State University. The reading will be held in the Prout Chapel on the BGSU campus. The event is open to the public. Charles Fort has preserved a decades long...
Why We Chose It: “Forcemeat” by Henry Goldkamp
“Forcemeat” by Henry Goldkamp was selected for publication by Mid-American Review poetry staff for issue 42.1. “Forcemeat” brings you into a unique moment between two people as they play a game of deciding if something is more like a muskmelon or muskrat. “The felled log we set on this noon. // That would be muskmelon.” But, more...
Craft Corner: Code-Switching as Shapeshifting in Poetry
A poem that moves between languages has a special mystery. As a Mexican American writer, the Spanish/English code-switch speaks to me in a personal, almost mystical way. Through its agility, I feel the fluidity and tension of dual language, culture, myth, and perception. I sense the poem’s exploration of “otherness,” but also its “both-ness,” which...