43.1 Table of Contents
Poetry
Mary Cisper, “Light”
Wendy Drexler, “Notes from Bar Harbor”
Robert Grunst, “Two Andalusian Dogs”
Ayesha Asad, “Second-Generation”
Molly Sutton Kiefer, “The Arrival of a New Glacial Period”
Janée J. Baugher, “Andrew Wyeth’s Footnotes to Baby Owl, 1944″
Alison Thumel, “Orchard”
Blaine Prescott, “Arc”
Teja Sudhakar, “on forgiving”
Cat S. Chen, “Red”
Elisa Karbin, “Nostrum Remedium”
Kate Genevieve, Two Poems
Fiction
Eric Scot Tryon, “When California Finally Breaks Off into the Pacific”
Cameron Vanderwerf, “Municipalities: Three Works”
Brianna Barnes, “The Unbearable”
Alex Capdeville, “Piggies”
Creative Nonfiction
Nicholas Dighiera, “The Book of Love”
Translation Chapbook
Dostena Anguelova, The Emptiness Where Everything Is Born
Translated from the Bulgarian and Introduced by Holly Karapetkova
The 2024 AWP Intro Journals Awards
Em Bober, “Messenger from the Sea God’s Palace”
Natalia Martinez, “El Luchador”
What We’re Reading
Midwestern Poet’s Incomplete Guide to Symbolism by Erica Anderson-Senter, Reviewed by Elly Luisa Salah
Cross-Stitch by Jazmina Barrera, translated by Christina MacSweeney, Reviewed by Jane Wageman
Skies of Blur by Elijah Burrell, Reviewed by Caleb Edmondson
I’m Here: Alaska Stories by David Nikki Crouse, Reviewed by Haley Souders
Enough to Lose by RS Deeren, Reviewed by Ellie Timmins
Bad Mexican, Bad American by Jose Hernandez Diaz, Reviewed by Tyler Michael Jacobs
Dirty Suburbia by Sarah Hosey, Reviewed by Debrah Miszak
In the Country of Hard Life and Rosebuds by Anna Leigh Knowles, Reviewed by Meagan Chandler
The End of Everything and Everything That Comes After That by Nick Lantz, Reviewed by Ahmad Bilal
America Fantastica by Tim O’Brien, Reviewed by William Walton
The Ill-Fitting Skin by Shannon Robinson, Reviewed by Sarah Urbank
Intimacies in Borrowed Light by Darius Stewart, Reviewed by Muhammad Sheeraz Dasti
Lossless by Matthew Tierney, Reviewed by Caleb Edmondson
The Refugee Ocean by Pauls Toutonghi, Reviewed by Aishat Babatunde
Slaughterhouse for Old Wives’ Tales by Hannah Warren, Reviewed by Mary Robles
