Featured Writer: Margaret Kimball

On Thursday, September 21, at 7:30pm, Margaret Kimball, a visual artist and writer, will present on “Word and Image” as part of the Prout Reading Series at Bowling Green State University.

Kimball holds two MFAs, in visual communication and creative writing, both from the University of Arizona. Her first book, published in 2021, is a visual memoir titled And Now I Spill the Family Secrets: An Illustrated Memoir. In it, Kimball traces her family’s history, attempting to reconstruct events from her childhood and adolescence as she rewatches old family videos, interviews family members, and sifts through photographs, diary entries, legal documents, and medical forms. The book centers around mental illness, particularly how her mother’s illness shaped the childhoods of Kimball and her siblings. Throughout, Kimball grapples with the very nature of her project: the illusiveness of the past, the challenge of understanding others’ experiences, and the tensions of putting family secrets into writing. Near the end, she questions her desire to make narrative sense of events that exceed the structure of a linear story, reflecting that “Mental illness defies logic. That was and probably still is the limitation of my pattern-seeking brain, a mind that wants a clear story—point A to point B with narrative arc and all that.”

Kimball’s direct, thoughtfully crafted narration can stand on its own, but is perhaps best encountered in its intended form: a blending of text with beautiful black and white artwork. The pieces below, from a series on Kimball’s website titled “Diagrams for Self Improvement,” complement her reflections in the memoir on the non-linear nature of writing:

In spite of the seriousness of her subject, Kimball’s writing is sprinkled with humor, whether it’s the volume of thoughts impeding meditation, criticism of her childhood clothing and haircut, or commentary on her decision to alter reality a bit by rendering a duvet color in a more pleasing pattern or a cat in her preferred color.

In addition to her memoir, Kimball’s writing has been published in Creative Nonfiction, The Believer, LitHub, Ecotone, Black Warrior Review, South Loop Review, and elsewhere. She created a mural for the city of Cleveland in 2016, as well as a series of postcards. As an illustrator and hand letterer, she has produced work for a wide range of clients, including Verge, Smithsonian Magazine, Macy’s, Marks & Spencer, Boston Globe, Little, Brown, Simon & Schuster, Diageo, Ogilvy, and Random House. Her forthcoming memoir, A Brief History of My Affairs, will be published in 2025.

–Jane Wageman, Mid-American Review

Featured Writer: Sherrie Flick 

On Thursday, August 31st, at 7:30 PM, Sherrie Flick will be reading some of her work for the 2023 Prout Chapel Reading Series at Bowling Green State University. 

We are incredibly excited to be welcoming writer Sherrie Flick to campus. To say she’s covered a lot of ground in the writing world would be an understatement. She is the author / co-editor of five books: Reconsidering Happiness (Bison Books, University of Nebraska Press), I Call This Flirting (Flume), Whiskey, Etc. (Autumn House Press), Thank Your Lucky Star (Autumn House Press), and co-editor of Flash Fiction America: 73 very short stories (W.W. Norton). Her anthology publications include Pie & Whiskey: Writers Under the Influence of Butter and Booze, The Best Small Fictions (2017), Short on Sugar High on Honey: Micro Love Stories, and among others. Her stories have appeared in Black Warrior Review, SmokeLong Quarterly, Passages North, and many others. She’s also an essayist whose work has appeared in quite a few notable publications including The Wall Street Journal, Ploughshares, and Superstition Review. She’s currently a co-editor with James Thomas and John Dufresne for Flash Fiction America (W.W. Norton, February 2023), a senior lecturer in Chatham University’s MFA and Food Studies programs, a manuscript consultant at Randolph Lundine, an urban garden monthly columnist for the Pittsburgh Post-Gazette, and a freelance writer and copy editor. 

Here’s a bite sized sample of Flick’s work:

“There before you, in its quiet glory, is your garden. Finches perch on sunflowers; a blue jay flies paranoid into the neighbor’s yard: precision, noise, grace. The tomatoes heave down on their branches. The petunias have flopped into the lavender, which is touching the morning glories at the ankle of their trellis. The corn is human; the beans hectic.” – “Morning Coffee” Sherrie Flick

Along with being an accomplished author Flick is an avid gardener and baker. I mention this because those two passions are deeply woven into her writing. Flick’s work continually investigates the connections between food, place, character, and belonging with an almost relentless emotional accuracy. She never underestimates the power of details or small gestures: the act of sitting alone, the making of a pie, the falling of snowflakes. It’s these moments that work to elevate narrating occurrences in the world to thoughtfully observing it, something Flick does with a seemingly effortless grace.

–Gen Greer, Blog Co-Editor

Featured Writer: Sara Moore Wagner

Thursday, March 23rd, at 7:30 PM, Sara Moore Wagner will be reading a series of her poems for the 2023 Prout Chapel Reading Series at Bowling Green State University.  

Sara Moore Wagner is the author of multiple collections including Swan Wife, awarded with the 2021 Cider Press Review Editor’s prize, and Hillbilly Madonna, published by Driftwood Press in 2022. Wagner has also authored two chapbooks: Tumbling After released in March of 2022 and Hooked Through published by Five Oaks Press in 2017. Her work has appeared in several publications such as Sixth Finch, Waxwing, Nimrod, Western Humanities Review, Tar River Poetry, and The Cincinnati Review. Wagner has been nominated for a Pushcart Prize multiple times as well as Best of the Net and Best New Poets awards.     

Wagner’s poems explore relationships between mother and child, father and son, and other family ties in Appalachia. Several poems address the opiate crisis that heavily ravaged Appalachia and the entire country. Poems such as “Girlhood Landscape” explore the impermanence of beauty through a young girl waning optimism, stating: “because I want to remember blooming. // Because I think I could just bloom.” These poems also depict moments of trauma associated with miscarriages. Her work incorporates fairy tales and folklore, with several poems devoted to sharpshooter Annie Oakley, myths of Tantalus and Thetis, and Biblical figures in works like “Self Portrait as Judas.” 

In her work entitled “Invasive Species,” published by the Normal School in December 2020, Wagner talks about a nest created in a dated wreath. The relationship of mother/daughter and mother bird/hatchlings seems to blur. Both mothers are “separated […] by a door” from their young. The poem closes with: 

We’re all just waiting to crack open  
or be emptied out, to be forced  
from our homes or windows,  
to destroy what we love  
because we need it,  
because we think  
we’re safe.   

There is a sense here of the complicated necessity of letting our loved ones live their own lives, continuing to love them from a distance. This necessary and natural trajectory of love and how it operates exists in these final lines. Perhaps the complexities of love lead to hurt when love is needed most. The shared habitat of the nest on the house’s door creates all these avenues of focus. 

Poem excerpts appear courtesy of Normal School and Saramoorewagner.com. Biographical info also from saramoorewagner.com. 

–Michael J Morris, MAR

Featured Writer: Dustin Pearson

On Thursday, February 16th, Dustin Pearson will read his poetry as part of the 2023 Prout Chapel Reading Series, hosted by Bowling Green State University. The reading will take place at 7:30 at Prout Chapel at BGSU.

Pearson is the author of A Season in Hell with Rimbaud, Millennial Roost, and A Family Is a House. Dustin also has work which appears in The Nation, The Boiler, Blackbird, Bennington Review, Poetry Daily, The Literary Review, The Cortland Review, among other publications. Dustin is an Assistant Professor teaching creative writing at the University of Toledo.

Pearson’s work explores themes of love, loss, abuse, trauma, and hope. His work is both raw and honest, and while woeful at times, still carries grace and hope in its folds. Pearson views his writing as a way to artfully call on his lived experiences and observations, zooming in on them in the process. In an interview with Florida State University’s English Department, Pearson iterates, “I like to think of the writing as holding a magnifying glass to different aspects of that experience. The aesthetic presentation of the resulting writing is determined by how much I prioritize my internalized perception of what I’ve experienced or a more assimilated or recognizable one, which I think people most often call reality.” Indeed, there is a malleability to truth, experience, and the expression of them; in his poem “Souls Side by Side” Pearson writes to that end:

“He creeps

around us

pining

like he hadn’t died

when he first left.

Father, why

are you dying?

We killed you.

You should be dead.”

(from theboilerjournal dot com)

With the pain in Pearson’s writing, however, love and tenderness comes hand-in-hand. In “A Difference,” a brother’s broken arm is bandaged. In “Fossil Fuel,” hope is within reach: “The loss is overwhelming, but ahead of you, there are tracks. You want to fall but think not again, and you think: no matter the man the tracks belong to, you must find him.”

—Mays Kuhail, MAR

(Poem excerpts courtesy of The Boiler and The Account Magazine, biographical information from dustinkpearson dot com)

Featured Writer: Laura Walter

Laura Maylene Walter will read her work as part of the Prout Reading Series hosted by Bowling Green State University in Prout Chapel, January 26th, at 7:30pm.

Laura Maylene Walter is an author, editor, and BGSU alum currently based in Cleveland Ohio. She has been published in Poets & Writers, The Sun, Literary Hub, Kenyon Review, Slate, Ninth Letter, The Masters Review, and many more journals and publications. Her awards and recognitions are as numerous as her publication locales: a finalist in the Ohioana Book Awards, an Individual Excellence Award from the Ohio Arts Council, achieving fiction book of the month from UK Booksellers Association, etc. To add to her numerous accomplishments, the sheer volume of her pieces makes it impossible to include them all here. Most notably, she is the author of the short story collection “Living Arrangements” and has just debuted her first novel, Body of Stars published by Dutton. 

Walter’s early work explored dark themes, largely based on the death of her mother when she was twenty, “Even so, I often find myself returning to that period of my life, particularly when I write nonfiction. I think it’s because, as difficult as that time was for me, the darkness made it rich” (Kenyonreview). Her most recent piece Body of Stars is a speculative feminist piece that explores the future as it relates to bodies, “an exploration of fate and female agency in a world similar to our own” (Ohiocenterforthebook). The premise of this up-and-coming piece focuses on the placement of women’s moles being able to predict future events. What Book Riot calls “a story of devastation, rebuilding, grief, and hope,” Walker’s Body of Stars is a debut of terrific promise.

—Kennedy Lomont, MAR