{"id":81,"date":"2014-03-28T19:08:50","date_gmt":"2014-03-28T19:08:50","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=81"},"modified":"2021-03-08T22:22:46","modified_gmt":"2021-03-08T22:22:46","slug":"volume-xxxiv-no-1","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-xxxiv-no-1\/","title":{"rendered":"Volume XXXIV, no. 1"},"content":{"rendered":"<h1><\/h1>\n<table style=\"height: 594px;\" width=\"569\">\n<tbody>\n<tr valign=\"top\">\n<td id=\"archiveTable\" width=\"45%\">\n<div><center><a href=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/34-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-279\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/34-1-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/34-1-212x300.jpg 212w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/34-1.jpg 534w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><\/a><\/center><\/div>\n<p><center><span style=\"font-family: Garamond; font-size: small;\">Volume XXXIV, Number 1<br \/>\nFall 2013<br \/>\n<span style=\"font-size: medium;\">Cover Art:\u00a0<a href=\"http:\/\/www.fishburnarts.com\/home.html\">Katherine Fishburn<\/a>. Photographed by\u00a0<a href=\"http:\/\/www.youngbloodstudios.com\/mp_client\/gallery.asp\">Mark Youngblood.<\/a><\/span><\/span><\/center><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"55%\">\n<h2>Table of Contents<\/h2>\n<p><b>Poetry<\/b><br \/>\nChelsea Wagenaar &#8211; Two Poems<br \/>\nRochelle Hurt &#8211; &#8220;In the Century of Fumes&#8221;<br \/>\nAlexandra Teague &#8211; &#8220;Sarah Winchester, 23 Years Dead, Watches\u00a0<i>House of Dracula<\/i><br \/>\nG.C. Waldrep &#8211; Two Poems<br \/>\nDaniel Bourne &#8211; &#8220;In the Bottomland&#8221;<br \/>\nJenifer Park &#8211; &#8220;Dinner in a Trench&#8221;<br \/>\nMichael Meyerhofer &#8211; &#8220;Field Trip&#8221;<br \/>\nJudy Halebsky &#8211; &#8220;Upright, Windswept, or Weeping&#8221;<br \/>\nMichael Robins &#8211; &#8220;Poem for Saplings &amp; Guesswork&#8221;<br \/>\nKatharine Johnsen &#8211; &#8220;Quai de Bourbon&#8221;<br \/>\nAmy Ratto Parks &#8211; &#8220;Song of Animals&#8221;<br \/>\nAnne Shaw &#8211; &#8220;At Loyola Beach&#8221;<br \/>\nElizabeth Bradfield &#8211; &#8220;The Problem of Syllogism&#8221;<br \/>\nHaesong Kwon &#8211; &#8220;Many Have Fallen&#8221;<br \/>\nChristopher Kempf &#8211; &#8220;Robison Park&#8221;<br \/>\nJaimien Delp &#8211; &#8220;<i>from<\/i>Letters to Saint-Ex: XVIII&#8221;<br \/>\nBenjamin Landry &#8211; &#8220;Kr (Krypton)&#8221;<br \/>\nHilary Vaughn Dobel &#8211; &#8220;Epistle&#8221;<br \/>\nJay Nebel &#8211; Two Poems<br \/>\nMatthew Moser Miller &#8211; &#8220;Letter to the Monkey Wandering Muskingum County in Need of Medical Attention&#8221;<\/p>\n<p><b>Fiction<\/b><br \/>\nRyan Habermeyer &#8211; &#8220;In Search of Fortunes Not Yet Lost&#8221;<br \/>\nAndrew Brininstool &#8211; &#8220;Group Project&#8221;<br \/>\nJennifer Murvin &#8211; &#8220;What It Was Like to Love Her&#8221;<br \/>\nColleen Hollister &#8211; &#8220;Girl on the Shore of a Lake&#8221;<br \/>\nKawai Strong Washburn &#8211; &#8220;Tantalus&#8221;<br \/>\nRose Whitmore &#8211; &#8220;Avenue of the Giants&#8221;<\/p>\n<p><b>Translation Chapbook<\/b><br \/>\nErnesto D\u00edaz-Rodr\u00edguez &#8211; &#8220;Breaking Open Nuts with Teeth of Rain&#8221;<br \/>\nTranslated From the Spanish by Ricardo Pau-Llosa<\/p>\n<p><b>Nonfiction<\/b><br \/>\nClaudia Cortese &#8211; &#8220;The Red Essay&#8221;<br \/>\nMatthew Gavin Frank &#8211; &#8220;A Blow to the Head for St. Louis Barbecue&#8221;<\/p>\n<p><b>The 2013 Fineline Competition<\/b><br \/>\nWinner: Jennifer S. Cheng &#8211; &#8220;From\u00a0<i>Letters to Mao<\/i>&#8221;<br \/>\nRunner Up: Danielle Lea Buchanan &#8211; &#8220;The Widest of Wanting&#8221;<br \/>\nEditors&#8217; Choice: Anika L. Eide &#8211; &#8220;Some Parents&#8221;<\/p>\n<p><b>The 2013 AWP Intro Journals Awards<\/b><br \/>\nA. B. Francis &#8211; &#8220;Megan&#8217;s Home&#8221;<br \/>\nZackary Medlin &#8211; &#8220;The Collective Nouns of Inanimate Objects&#8221;<\/p>\n<p><b>What We&#8217;re Reading<\/b><br \/>\n<i>Tomorrowland<\/i>\u00a0by Joseph Bates<br \/>\n<i>O Holy Insurgency<\/i>\u00a0by Mary Biddinger<br \/>\n<i>Julia &amp; Rodrigo<\/i>\u00a0by Mark Brazaitis<br \/>\n<i>Lucifer<\/i>\u00a0by Richard Carr<br \/>\n<i>The Brunist Day of Wrath<\/i>\u00a0by Robert Coover<br \/>\n<i>One Hundred Apocalypses and Other Apocalypses<\/i>\u00a0by Lucy Corin<br \/>\n<i>Bangalore<\/i>\u00a0by Kerry James Evans<br \/>\n<i>Women&#8217;s Poetry: Poetry and Advice<\/i>\u00a0by Daisy Fried<br \/>\n<i>Electricity &amp; Other Dreams<\/i>\u00a0by Micah Dean Hicks<br \/>\n<i>The Narrow Circle<\/i>\u00a0by Nathan Hoks<br \/>\n<i>In These Times the Home Is a Tired Place<\/i>\u00a0by Jessica Hollander<br \/>\n<i>Don&#8217;t Kiss Me<\/i>\u00a0by Lindsay Hunter<br \/>\n<i>Meaty: Essays<\/i>\u00a0by Samantha Irby<br \/>\n<i>Lungs Full of Noise<\/i>\u00a0by Tessa Mellas<br \/>\n<i>Body Thesaurus<\/i>\u00a0by Jennifer Militello<br \/>\n<i>If I&#8217;d Known You Were Coming<\/i>\u00a0by Kate Milliken<br \/>\n<i>Mary &amp; the Giant Mechanism<\/i>\u00a0by Mary Molinary<br \/>\n<i>Tampa<\/i>\u00a0by Alissa Nutting<br \/>\n<i>Neighbors of Nothing<\/i>\u00a0by Jason Ockert<br \/>\n<i>citizen j<\/i>\u00a0by Daniela Olszewska<br \/>\n<i>Trace: Poems<\/i>\u00a0by Eric Pankey<br \/>\n<i>Kimonos in the Closet<\/i>\u00a0by David Shumate<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Volume XXXIV, Number 1 Fall 2013 Cover Art:\u00a0Katherine Fishburn. Photographed by\u00a0Mark Youngblood. Table of Contents Poetry Chelsea Wagenaar &#8211; Two&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-81","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=81"}],"version-history":[{"count":5,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/81\/revisions"}],"predecessor-version":[{"id":3711,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/81\/revisions\/3711"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}