{"id":607,"date":"2014-05-06T10:58:45","date_gmt":"2014-05-06T10:58:45","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=607"},"modified":"2025-08-21T21:29:43","modified_gmt":"2025-08-21T21:29:43","slug":"latest-issue-2","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/latest-issue-2\/","title":{"rendered":"Latest Issues"},"content":{"rendered":"\n

Volume XLIII, No. 2<\/strong><\/h2>\n\n\n
\n
\"Art<\/a>
Art by Sheila Squillante<\/figcaption><\/figure>\n<\/div>\n\n\n

Fiction<\/strong><\/h3>\n\n\n\n

Michael Garcia Bertrand, \u201cThe Fall of Virgilio\u201d
Jonathan Johnson, \u201cChorus of the Cold Weather Body Farm\u201d
Ryan Habermeyer, \u201cGutwise\u201d
Mason Koa, \u201cDominion\u201d
Jane Camoleze, \u201cLady Pig\u201d
RJ Steele, \u201cAn Incident Requiring the Intervention of Verakov Capital Private Wealth Investment Firm\u2019s Human Resources Department\u201d<\/p>\n\n\n\n

Poetry<\/strong><\/h3>\n\n\n\n

Philip Pardi, \u201cOnly the Living Are Bewildered\u201d
Clayton Adam Clark, \u201cBefore Me Is Always Fled\u201d
Maya Jewell Zeller, \u201cHex as Fairy Tale\u201d
Cora Clark, Two Poems
Cara Dees, Two Poems
Gabrielle Grace Hogan, Two Poems
Jason Fraley, Two Poems
Kristina Faust, Two Poems
Charity Ketz, Two Poems
JoAnne Tillemans, \u201cPheasants\u201d
Sonja Vitow, \u201cSevenling (re: Mutualism)\u201d
Kimberly Cloutier Green, Two Poems
Marjorie Saiser, \u201cJake Showed Up at His Sister\u2019s Place\u201d
Caleb Scott, \u201cBeetle Song\u201d
Ruth Dickey, \u201c[I feel green space]\u201d<\/p>\n\n\n\n

Translation Chapbook<\/strong><\/h3>\n\n\n\n

Juan Armando Rojas Joo, The Path That Carries Our Names
Translated from the Spanish and Introduced by Paula J. Lambert<\/p>\n\n\n\n

What We\u2019re Reading<\/strong><\/h3>\n\n\n\n

Smothermoss<\/em> by Alissa Alering, Reviewed by Matthew J. Kreglow
The Mirror of Simple Souls<\/em> by Leah Flax Barber, Reviewed by Nathan Fako
Twist: Tales of a Queer Girlhood<\/em> by Adele Bertei, Reviewed by Melayna Pongratz
Cheap Motels of My Youth<\/em> by George Bilgere, Reviewed by Garret Miller
Leaving Biddle City<\/em> by Marianne Chan, Reviewed by Nathan Fako
The Theme Park of Women\u2019s Bodies<\/em> by Maggie Cooper, Reviewed by Hannah Goss
Arrangement<\/em> by Merridawn Duckler, Reviewed by Meg Spring
Where Babies Come From <\/em>by Ori Fienberg, Reviewed by Mary Robles
Don\u2019t Do It\u2014We Love You, My Heart<\/em> by Jonathan Fink, Reviewed by Jaden Gootjes
You Are Leaving the American Sector: Love Poems<\/em> by Rebecca Foust, Reviewed by Garret Miller
The Spring Before Obergefell<\/em> by Ben Grossberg, Reviewed by Liz Barnett
Disapparitions<\/em> by Joseph Harrington, Reviewed by Caleb Edmondson
Year of Plenty: A Family\u2019s Season of Grief<\/em> by B.J. Hollars, Reviewed by Serenity Dieufaite
True Believer<\/em> by Jeff Kass, Reviewed by Michelle Altstaetter
French Girl<\/em> by Jesse Lee Kercheval, Reviewed by Amanda McGuire Rzicznek
The End of Everything and Everything That Comes after That<\/em> by Nick Lantz, Reviewed by Elly Luisa Salah
Ninetails: Nine Tales<\/em> by Sally Wen Mao, Reviewed by Sydney Koeplin
Break Self: Feed<\/em> by Gabrielle Myers, Reviewed by Anna Vaughn
Bingo Bango Boingo<\/em> by Alan Michael Parker, Reviewed by Hannah Goss
Camera Lake<\/em> by Alex Pickett, Reviewed by Liz Barnett
Bitter Water Opera<\/em> by Nicolette Polek, Reviewed by Jane Wageman
Kin: Practically True Stories<\/em> by V Efua Prince, Reviewed by Carolyn Hogg
Good Dress<\/em> by Brittney Rogers, Reviewed by Elly Luisa Salah
Sour Cherry<\/em> by Natalia Theodoridou, Reviewed by Sydney Koeplin
Unfinished Acts of Wild Creation<\/em> by Sarah Yahm, Reviewed by Serenity Dieufaite
<\/strong><\/p>\n\n\n\n

Volume XLIII, No. 1<\/strong><\/h2>\n\n\n
\n
\"MAR<\/a>
Art by Sheila Squillante<\/figcaption><\/figure>\n<\/div>\n\n\n

Poetry<\/strong><\/h3>\n\n\n\n

Mary Cisper, “Light”
Wendy Drexler, “Notes from Bar Harbor”
Robert Grunst, “Two Andalusian Dogs”
Ayesha Asad, “Second-Generation”
Molly Sutton Kiefer, “The Arrival of a New Glacial Period”
Jan\u00e9e J. Baugher, “Andrew Wyeth’s Footnotes to Baby Owl<\/em>, 1944″
Alison Thumel, “Orchard”
Blaine Prescott, “Arc”
Teja Sudhakar, “on forgiving”
Cat S. Chen, “Red”
Elisa Karbin, “Nostrum Remedium”
Kate Genevieve, Two Poems<\/p>\n\n\n\n

Fiction<\/strong><\/h3>\n\n\n\n

Eric Scot Tryon, “When California Finally Breaks Off into the Pacific”
Cameron Vanderwerf, “Municipalities: Three Works”
Brianna Barnes, “The Unbearable”
Alex Capdeville, “Piggies”<\/p>\n\n\n\n

Creative Nonfiction<\/strong><\/h3>\n\n\n\n

Nicholas Dighiera, “The Book of Love”<\/p>\n\n\n\n

Translation Chapbook<\/strong><\/h3>\n\n\n\n

Dostena Anguelova, The Emptiness Where Everything Is Born
Translated from the Bulgarian and Introduced by Holly Karapetkova<\/p>\n\n\n\n

The 2024 AWP Intro Journals Awards<\/strong><\/h3>\n\n\n\n

Em Bober, “Messenger from the Sea God’s Palace”
Natalia Martinez, “El Luchador”<\/p>\n\n\n\n

What We’re Reading<\/strong><\/h3>\n\n\n\n

Midwestern Poet\u2019s Incomplete Guide to Symbolism<\/em> by Erica Anderson-Senter, Reviewed by Elly Luisa Salah
Cross-Stitch<\/em> by Jazmina Barrera, translated by Christina MacSweeney, Reviewed by Jane Wageman
Skies of Blur<\/em> by Elijah Burrell, Reviewed by Caleb Edmondson
I’m Here: Alaska Stories<\/em> by David Nikki Crouse, Reviewed by Haley Souders
Enough to Lose<\/em> by RS Deeren, Reviewed by Ellie Timmins
Bad Mexican, Bad American<\/em> by Jose Hernandez Diaz, Reviewed by Tyler Michael Jacobs
Dirty Suburbia<\/em> by Sarah Hosey, Reviewed by Debrah Miszak
In the Country of Hard Life and Rosebuds <\/em>by Anna Leigh Knowles, Reviewed by Meagan Chandler
The End of Everything and Everything That Comes After That<\/em> by Nick Lantz, Reviewed by Ahmad Bilal
America Fantastica<\/em> by Tim O’Brien, Reviewed by William Walton
The Ill-Fitting Skin<\/em> by Shannon Robinson, Reviewed by Sarah Urbank
Intimacies in Borrowed Light<\/em> by Darius Stewart, Reviewed by Muhammad Sheeraz Dasti
Lossless<\/em> by Matthew Tierney, Reviewed by Caleb Edmondson
The Refugee Ocean<\/em> by Pauls Toutonghi, Reviewed by Aishat Babatunde
Slaughterhouse for Old Wives’ Tales<\/em> by Hannah Warren, Reviewed by Mary Robles<\/p>\n\n\n\n


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