{"id":592,"date":"2014-05-06T09:01:30","date_gmt":"2014-05-06T09:01:30","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=592"},"modified":"2014-05-06T09:01:30","modified_gmt":"2014-05-06T09:01:30","slug":"the-last-words-of-pancho-villa-by-nick-lantz","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/the-last-words-of-pancho-villa-by-nick-lantz\/","title":{"rendered":"The Last Words of Pancho Villa &#8211; by Nick Lantz"},"content":{"rendered":"<p>Thomas Edison, his body unwinding<br \/>\non a bed in Menlo Park, turned his head<\/p>\n<p>toward the window.\u00a0<em>It&#8217;s very beautiful<\/em><br \/>\n<em>over there,<\/em>\u00a0he said. I imagine him<\/p>\n<p>lying on a litter of the flotsam and jetsam<br \/>\nof invention, his delicate head propped<\/p>\n<p>on an old phonograph cylinder. What<br \/>\nis the recording? An assistant singing?<\/p>\n<p>The long, low whistle of a distant train?<br \/>\nA projector chatters as it throws an image<\/p>\n<p>against a wall: a man sneezing, another<br \/>\nperforming the Ghost Dance, a team<\/p>\n<p>of assistants electrocuting an elephant.<br \/>\nWhat did he see through that window,<\/p>\n<p>and when he called it beautiful, did he<br \/>\nwish he was somewhere or someone else,<\/p>\n<p>that the world in which he was dying<br \/>\nwas not beautiful at all? It&#8217;s easy<\/p>\n<p>to imagine this, though I don&#8217;t know<br \/>\nmuch about Edison, or anyone, really,<\/p>\n<p>though I like to believe that listening<br \/>\nbrings us closer, sometimes against<\/p>\n<p>our will. I can&#8217;t help but love the jokes<br \/>\nof killers with a sense of humor,<\/p>\n<p>condemned men of vaudevillian wit.<br \/>\nAs they strapped him into the chair,<\/p>\n<p>Appel said:\u00a0<em>Well, gentlemen, you<br \/>\nare about to see a baked apple.<\/em><\/p>\n<p>And French, when his turn came<br \/>\nsaid:\u00a0<em>How about this for a headline?<\/em><\/p>\n<p><em>French fries.<\/em>\u00a0Even the worst villains<br \/>\nsometimes have a gift for poetry.<\/p>\n<p>Standing at the gallows, Carl Panzram<br \/>\nsaid:\u00a0<em>I wish the whole human race<\/em><\/p>\n<p><em>had one neck and I had my hands on it.<\/em><br \/>\nI can&#8217;t argue with such deft aphorisms,<\/p>\n<p>no matter how venomous. Words<br \/>\nwork that way, ratcheting us closer<\/p>\n<p>to one another, even as the gaps<br \/>\nbetween us grow wider and more<\/p>\n<p>perilous. Amelia Earhart beamed<br \/>\nher voice out to the earless lull<\/p>\n<p>of radio waves:\u00a0<em>We must be on you,<br \/>\nbut we cannot see you. Fuel<\/em><\/p>\n<p><em>is running low<\/em>. I wonder if she knew<br \/>\nthat no one would answer back,<\/p>\n<p>that while her words found someone,<br \/>\nshe would not be found? And if<\/p>\n<p>she had known, what would she toss<br \/>\ninto the pool of air and static?<\/p>\n<p>A letter to a secret lover, a testament<br \/>\nof faith, or something more mundane?<\/p>\n<p>Would she beg for the last pages<br \/>\nof a book left unfinished on land,<\/p>\n<p>an apple from a certain orchard,<br \/>\nor to hold a glass of cold tea against<\/p>\n<p>her wrist? I would believe any<br \/>\nof this\u2014we want the smallest pleasures<\/p>\n<p>most of all, don&#8217;t we? Conrad Hilton,<br \/>\ndying, said only:<em>\u00a0Leave the curtain<\/em><\/p>\n<p><em>on the inside of the tub.\u00a0<\/em>Thomas Grasso,<br \/>\nmurderer, complained:\u00a0<em>I did not get<\/em><\/p>\n<p><em>my Spaghetti-Os. I got spaghetti.<br \/>\nI want the press to know this.<\/em>\u00a0Details.<\/p>\n<p>matter, even when we&#8217;re dying:<br \/>\nwe ask the condemned for last words<\/p>\n<p>because to deny them that, somehow,<br \/>\nseems worse than death. Einstein&#8217;s<\/p>\n<p>last words vanished into his nurse&#8217;s<br \/>\nignorant ear like a stone thrown down<\/p>\n<p>a long, dry well\u2014she mistook his German<br \/>\nfor babble. And even with four gospels,<\/p>\n<p>the Christians can&#8217;t get their Messiah&#8217;s<br \/>\nlast breath straight, though I suppose<\/p>\n<p>it makes sense to keep their options<br \/>\nopen, to reserve those different verses\u2014<\/p>\n<p>despair or resignation\u2014for the days<br \/>\nthat need them. Most tragic of all,<\/p>\n<p>however, are those who have nothing<br \/>\nto say, no word to draw us close<\/p>\n<p>one last time. Seven riflemen shot<br \/>\nPancho Villa while he was driving<\/p>\n<p>through Parral, his roadster loaded<br \/>\ndown with gold, flanked by bodyguards.<\/p>\n<p>I imagine this scene as the finale<br \/>\nof an epic western film: Villa staggers<\/p>\n<p>into the dusty street to fire a shot<br \/>\nat one of the riflemen, who crumples<\/p>\n<p>and falls from the roof to the wooden<br \/>\nsidewalk. One of Villa&#8217;s Dorades,<\/p>\n<p>his golden ones, closer to Villa than<br \/>\nany other\u2014a cousin perhaps\u2014rushes<\/p>\n<p>over and, weeping, lifts the revolutionary<br \/>\nby his bandoliers, whispers something<\/p>\n<p>into his ear. Villa, coughing blood,<br \/>\ndelivers a monologue\u2014inspirational,<\/p>\n<p>but short\u2014and dies. Of course,<br \/>\nthis does not happen. Death is never<\/p>\n<p>as romantic as we hope. In reality,<br \/>\nVilla has no time for soliloquies,<\/p>\n<p>only time to say:\u00a0<em>Don&#8217;t let it end<br \/>\nlike this. Tell them I said something.<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thomas Edison, his body unwinding on a bed in Menlo Park, turned his head toward the window.\u00a0It&#8217;s very beautiful over&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-592","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=592"}],"version-history":[{"count":1,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/592\/revisions"}],"predecessor-version":[{"id":593,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/592\/revisions\/593"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}