{"id":530,"date":"2014-05-05T03:25:47","date_gmt":"2014-05-05T03:25:47","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=530"},"modified":"2015-02-10T05:44:27","modified_gmt":"2015-02-10T05:44:27","slug":"volume-xxv-no-2","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-xxv-no-2\/","title":{"rendered":"Volume XXV, No. 2"},"content":{"rendered":"<table width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td width=\"45%\"><center><a href=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/a25-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-324\" alt=\"a25-2\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/a25-2-197x300.jpg\" width=\"118\" height=\"180\" srcset=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/a25-2-197x300.jpg 197w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/a25-2.jpg 600w\" sizes=\"auto, (max-width: 118px) 100vw, 118px\" \/><\/a>Spring 2005<br \/>\n<b>The Unpublished Writers Issue<\/b><br \/>\n<span style=\"font-size: medium;\">Cover Art:Wolff Bowden:<br \/>\n<i>Night Spiders<\/i><em><\/em><br \/>\n<\/span>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><\/center><center><span style=\"font-family: Garamond;\">Cover design by Mark Daley &amp; Michael Czyzniejewski<\/span><\/center><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"55%\">There are very few copies of this issue left in stock.<\/p>\n<h2>Table of Contents<\/h2>\n<p><b>Fiction<\/b><br \/>\nKyla Carter &#8220;Dirt&#8221;<br \/>\nMalia E. Collins &#8220;Lovers Returned, Guaranteed&#8221;<br \/>\nTom Fleischmann &#8220;At the Funeral of Christopher James Honeycut<br \/>\na.k.a. Stiltso, the World&#8217;s Tallest Man&#8221;<br \/>\nLaura Hendrix &#8220;The Drowning Season&#8221;<br \/>\nAngelina Mirabella &#8220;That\u00b9s What You Get&#8221;<\/p>\n<p><b>Poetry<\/b><br \/>\nStephanie Balzer Three Poems<br \/>\nEmily E. Bright &#8220;After Vincent Van Gogh Died, His Letters<br \/>\nto His Brother Kept Arriving for Some Time&#8221;<br \/>\nAmy Clark &#8220;Ravenous&#8221;<br \/>\nCindy Clem &#8220;Blond Joke&#8221;<br \/>\nSara Cooper &#8220;How Us?&#8221;<br \/>\nSusan Cronin Two Poems<br \/>\nRobin Dare &#8220;Echo&#8221;<br \/>\nJoe DeLong &#8220;You\u00b9d Have to Get Up Pretty Early&#8221;<br \/>\nClare Drobot &#8220;Blink Twice for Yes&#8221;<br \/>\nNava EtShalom Two Poems<br \/>\nLorilee Evans-Lynn &#8220;Answering Pablo Neruda&#8221;<br \/>\nJohn Findura &#8220;What Do We Know?&#8221;<br \/>\nPatricia Glover &#8220;Flight&#8221;<br \/>\nJoanna Ialuna &#8220;The Visit&#8221;<br \/>\nJessica Johnson Two Poems<br \/>\nK. Keener &#8220;Edible Packages&#8221;<br \/>\nMichael Kocinski &#8220;June for Right Now&#8221;<br \/>\nJedd McFatter Two Poems<br \/>\nAnn McKinley &#8220;During the Divorce&#8221;<br \/>\nRegina McMorris &#8220;What Love Has Become&#8221;<br \/>\nChris Million &#8220;Mississippi&#8221;<br \/>\nMarcus Myers &#8220;There will come a moment when the city stops&#8221;<br \/>\nChristina Olson &#8220;I Keep Goldfish &#8221;<br \/>\nLaura Quek &#8220;On Seventy Times Seven&#8221;<br \/>\nValerie Reed &#8220;Epiphany&#8221;<br \/>\nDan Rosenberg &#8220;Again With You&#8221;<br \/>\nWendy Scofield &#8220;Motion\/Silence&#8221;<br \/>\nYael Shinar &#8220;The Living&#8221;<br \/>\nJason Skipper &#8220;Cigarette&#8221;<br \/>\nElizabeth Smucker &#8220;East of Mending&#8221;<br \/>\nLaura Sommers &#8220;What the Possum Knows About Dying&#8221;<br \/>\nJen Town &#8220;Carnival&#8221;<br \/>\nPatrick Scott Vickers &#8220;Overnight in November&#8221;<br \/>\nJennifer Whitaker &#8220;Understanding Harvest&#8221;<br \/>\nChristine Whitney Two Poems<\/p>\n<p><b>Nonfiction<\/b><br \/>\nFritz Swanson &#8220;The Invisible Girl&#8221;<\/p>\n<p><b>The 2004 Sherwood Anderson Fiction Award<\/b><br \/>\nFirst Prize: Charles Yu &#8220;Class Three Superhero&#8221;<br \/>\nEditors&#8217; Choice: J.D. Chapman &#8220;Amanuensis&#8221;<\/p>\n<p><strong>The 2004 James Wright Poetry Award<\/strong><br \/>\nFirst Prize: Nancy Taylor Everett &#8220;Glossolalia&#8221;<br \/>\nEditors&#8217; Choice: John Pursley III &#8220;Through the Slats of a Hay Truck&#8221;<br \/>\nEditors&#8217; Choice: Maggie Smith &#8220;Ohio&#8221;<\/p>\n<p><strong>The 2004 Creative Nonfiction Award<\/strong><br \/>\nFirst Prize: Joseph Murtagh &#8220;To Noah Daniel Kooperman&#8221;<br \/>\nEditors&#8217; Choice: Jerry D. Mathes II &#8220;An Absence of Motion&#8221;<br \/>\nEditors&#8217; Choice: Brenda Miller &#8220;Virtuoso&#8221;<\/p>\n<p><b>Featured Poet<\/b><br \/>\nCarl Adamshick &#8220;The Ingrown Room&#8221; (Six Poems)<\/p>\n<p><b>What We&#8217;re Reading<\/b>\u2014<strong>Books<\/strong><strong>\u00a0by First Time Authors<\/strong><br \/>\n<i>The Green Age of Asher Witherow<\/i>\u00a0by M. Allen Cunningham<br \/>\n<i>The Circus in Winter<\/i>\u00a0by Cathy Day<br \/>\n<i>Rhinoceros<\/i>\u00a0by Kevin Ducey<br \/>\n<i>Matadora<\/i>\u00a0by Sarah Gambito<br \/>\n<i>Autopsy of an Engine and Other Stories From the Cadillac Plant<\/i>\u00a0by Lolita Hernandez<br \/>\n<i>In a Combination of Practices<\/i>\u00a0by Barbara Maloutas<br \/>\n<i>Let&#8217;s Do<\/i>\u00a0by Rebecca Meacham<br \/>\n<i>The Optimist<\/i>\u00a0by Joshua Mehigan<br \/>\n<i>Instrumentality<\/i>\u00a0by Ravi Shankar<br \/>\n<i>The Send-Away Girl<\/i>\u00a0by Barbara Sutton<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Spring 2005 The Unpublished Writers Issue Cover Art:Wolff Bowden: Night Spiders &nbsp; &nbsp; Cover design by Mark Daley &amp; Michael&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-530","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=530"}],"version-history":[{"count":4,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/530\/revisions"}],"predecessor-version":[{"id":1264,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/530\/revisions\/1264"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}