{"id":454,"date":"2014-05-05T00:59:51","date_gmt":"2014-05-05T00:59:51","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=454"},"modified":"2014-05-05T00:59:51","modified_gmt":"2014-05-05T00:59:51","slug":"volume-xii-no-2","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-xii-no-2\/","title":{"rendered":"Volume XII, No. 2"},"content":{"rendered":"<table width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td width=\"45%\"><center><a href=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/a12-2.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"a12-2\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/a12-2.jpg\" width=\"125\" height=\"195\" \/><\/a><\/p>\n<p>Spring 1992<br \/>\nCover Art: Adrian Tio:<br \/>\n&#8220;The Universe is Dying&#8221; from\u00a0<em>Cerro de La Estrella<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><\/center><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"55%\">\n<h2>Table of Contents<\/h2>\n<p><b>Fiction<\/b><br \/>\nGregory L. Anderson &#8220;The Stone Angel&#8221;<br \/>\nAlicia Delserone &#8220;Shedding Skin&#8221;<br \/>\nElizabeth Logan Harris &#8220;Cul-de-Sac&#8221;<br \/>\nJoseph Kostolefsky &#8220;Monopoly&#8221;<br \/>\nPaul Witherington &#8220;The Thief of Skokie&#8221;<\/p>\n<p><b>Poetry<\/b><br \/>\nLaurie Blauner &#8220;Theories of Failure&#8221;<br \/>\nLynne H. deCourcy &#8220;The Fire at the Rin&#8221;<br \/>\nGerard Donovan &#8220;Two Poems&#8221;<br \/>\nMichael Evans &#8220;Cutting the Apple Tree&#8221;<br \/>\nBob Hicok &#8220;A Way Home&#8221;<br \/>\nJohn Maner &#8220;Witching Season&#8221;<br \/>\nWilliam Meissner &#8220;Summer of 1963: The Orbit of the Wiffle Ball&#8221;<br \/>\nRobert Nagler &#8220;After a Picture Called The Tempest by Giorgione&#8221;<br \/>\nAlan Napier &#8220;Two Cocks Die&#8221;<br \/>\nRobert Nosow &#8220;Dialogue\/Canyon&#8221;<br \/>\nGreg Pape &#8220;Two Poems&#8221;<br \/>\nVeronica Patterson &#8220;Two Poems&#8221;<br \/>\nJohn E. Poch &#8220;The Recompense&#8221;<br \/>\nRobert Randolph &#8220;Old Stove Dance Hall, Circa 1967&#8221;<br \/>\nMargaret Remple &#8220;George Bush Returns from Hell to Live and Work in a Prosthesis Factory&#8221;<br \/>\nDonelle Ruwe &#8220;Two Poems&#8221;<br \/>\nDavid James Smith &#8220;The Quiet Ambition of Grass&#8221;<br \/>\nPamela Uschuk &#8220;Hunter&#8217;s Moon, Fire Moon&#8221;<\/p>\n<p><strong>The Women&#8217;s Positions Forum<\/strong><br \/>\nPat Carr &#8220;American Women and the Missed Opportunity&#8221;<br \/>\nCynthia Crane &#8220;Re-Creating the Invisible City: A Situated Reading&#8221;<br \/>\nKatharyn Howd Machan &#8220;Breath Into Fire: Feminism and Poetry Readings&#8221;<br \/>\nSandra Nelson &#8220;Blood Taboo: A Response to Margaret Atwood&#8217;s &#8216;Lives of the Poets'&#8221;<br \/>\nTam Lin Neville &#8220;I Write in a Diary for Kathy&#8221;<br \/>\nPatti Patton &#8220;Three Poems&#8221;<br \/>\nStephanie Sallaska &#8220;She&#8217;ll Be Writing Around the Erection When She Comes&#8221;<\/p>\n<p><strong>Translations<\/strong><br \/>\nAles Debeljak &#8220;Daybreak&#8221;<br \/>\nMario Luzi &#8220;Nighttime Washes the Mind&#8221;<\/p>\n<p><strong>Translation Chapbook<\/strong><br \/>\nKarl Krolow &#8220;The Landscape Where Illusion Begins&#8221;<br \/>\nTranslated by Stuart Friebert<\/p>\n<p><b>What We&#8217;re Reading<\/b><br \/>\n<em>Words for My Daughter<\/em>\u00a0by John Balaban<br \/>\n<em>The Jazz Poetry Anthology<\/em>\u00a0edited by Sascha Feinstein and Yusek Komunyakaa<br \/>\n<em>Mean Spirit<\/em>\u00a0by Linda Hogan<br \/>\n<em>The Interpretation of Waking Life<\/em>\u00a0by Eric Nelson<br \/>\n<em>The Makings of Happiness<\/em>\u00a0by Ronald Wallace<br \/>\n<em>The Desert Reader\u00a0<\/em>edited by Peter Wild<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Spring 1992 Cover Art: Adrian Tio: &#8220;The Universe is Dying&#8221; from\u00a0Cerro de La Estrella &nbsp; Table of Contents Fiction Gregory&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-454","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=454"}],"version-history":[{"count":1,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/454\/revisions"}],"predecessor-version":[{"id":455,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/454\/revisions\/455"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}