{"id":421,"date":"2014-05-03T22:23:30","date_gmt":"2014-05-03T22:23:30","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=421"},"modified":"2015-03-17T17:59:31","modified_gmt":"2015-03-17T17:59:31","slug":"volume-x-no-2","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-x-no-2\/","title":{"rendered":"Volume X, No. 2"},"content":{"rendered":"<table width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td width=\"45%\"><center><a href=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/a10-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-297\" alt=\"a10-2\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/a10-2.jpg\" width=\"125\" height=\"195\" \/><\/a>Spring 1990<br \/>\n<span style=\"font-size: medium;\">Cover Art: Deborah Mae Broad<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><\/center><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"55%\">\n<h2>Table of Contents<\/h2>\n<p><strong>Fiction<\/strong><br \/>\nBeth Adamour &#8220;Close-Ups&#8221;<br \/>\nMary Golden &#8220;Opening Day&#8221;<br \/>\nS. Michael Lenington &#8220;Billy Gets Drunk to be Somebody&#8221;<br \/>\nYao-wen Li &#8220;Madeleine&#8221;<br \/>\nMargot Massey &#8220;Inspongeleons&#8221;<br \/>\nSteven Schwartz &#8220;Q12081011&#8221;<\/p>\n<p><b>Poetry<\/b><br \/>\nC.A. Dubielak &#8220;The Note&#8221;<br \/>\nKevin Griffith Two Poems<br \/>\nEdward Haworth Hoeppner Two Poems<br \/>\nEric Horsting &#8220;Swimming Laps and Mozart&#8221;<br \/>\nChristopher Howell &#8220;The Good Job&#8221;<br \/>\nKip Knott &#8220;Pictures from El Salvador&#8221;<br \/>\nNaton Leslie &#8220;The Final Terms&#8221;<br \/>\nBill Meissner &#8220;1955: James Dean Does a TV Public Service Announcement about Speeding&#8221;<br \/>\nAlan Napier &#8220;Breaking&#8221;<br \/>\nEric Nelson &#8220;The Interpretation of Waking Life&#8221;<br \/>\nFrankie Paino &#8220;Fourth of July&#8221;<br \/>\nKevin Stein &#8220;Goldfinch at the Window Feeder&#8221;<br \/>\nRonald Wallace &#8220;Plowing&#8221;<\/p>\n<p><strong>Essay<\/strong><strong>s<\/strong><br \/>\nClyde Cox &#8220;A Lasting Legacy: Brotherly Love and the Language of Jazz in &#8216;Sonny&#8217;s Blues'&#8221;<br \/>\nKirkland C. Jones &#8220;Love and Lovemaking: Spiritual Dimensions in Just Above My Head&#8221;<\/p>\n<p><strong>Musicality Forum:<\/strong><br \/>\nDoris Davenport &#8220;Music in Poetry: if you can&#8217;t feel it\/you can&#8217;t fake it&#8221;<br \/>\nTheodore Enslin &#8220;Where There is Life&#8221;<br \/>\nYusef Komunyakaa &#8220;Changes: or, Reveries at a Window Overlooking a Country Road, with Two Women Talking Blues in the Kitchen&#8221;<br \/>\nHilda Morley &#8220;Music and Poetry&#8221;<\/p>\n<p><strong>Translations<\/strong><br \/>\nMempo Giardinelli &#8220;The Interview&#8221;<br \/>\nTomasz Jastrun Five Poems<br \/>\nBoris A. Novak &#8220;Still Life and Death&#8221;<br \/>\nOtto Orban Three Poems<br \/>\nElias Papadimitrakopoulos &#8220;Dancing Lessons&#8221;<\/p>\n<p><strong>Translation Chapbook<\/strong><br \/>\nRolf Jacobsen\u00a0<em>In Lands Where Light Has Another Color<\/em><br \/>\nTranslated by Robert Hedin<\/p>\n<p><b>What We&#8217;re Reading<\/b><br \/>\n<em>Building the Cold from Memory<\/em>\u00a0by Jack Driscoll<br \/>\n<em>The Gandolph Poems<\/em>\u00a0by Simon Perchik<br \/>\n<em>Sudden Fiction International<\/em>\u00a0edited by Robert Shapard and James Thomas<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Spring 1990 Cover Art: Deborah Mae Broad &nbsp; Table of Contents Fiction Beth Adamour &#8220;Close-Ups&#8221; Mary Golden &#8220;Opening Day&#8221; S.&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-421","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=421"}],"version-history":[{"count":2,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/421\/revisions"}],"predecessor-version":[{"id":1403,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/421\/revisions\/1403"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}