{"id":413,"date":"2014-05-03T22:16:58","date_gmt":"2014-05-03T22:16:58","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=413"},"modified":"2014-05-03T22:16:58","modified_gmt":"2014-05-03T22:16:58","slug":"volume-viii-no-2","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-viii-no-2\/","title":{"rendered":"Volume VIII, No. 2"},"content":{"rendered":"<h1><\/h1>\n<table width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td width=\"45%\"><center>&nbsp;<\/p>\n<p><a href=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/aeighttwo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-330\" alt=\"aeighttwo\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/aeighttwo.jpg\" width=\"125\" height=\"195\" \/><\/a><\/p>\n<p>Spring 1988<br \/>\n<span style=\"font-size: medium;\">Cover Art: Tom Morrisey<\/span><\/p>\n<p><\/center><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"55%\">\n<h2>Table of Contents<\/h2>\n<p><strong>Fiction<\/strong><br \/>\nMaria A. Collis &#8220;Confessions of a Former Mermaid&#8221;<br \/>\nKatherine McCracken &#8220;Dans le Michigan&#8221;<br \/>\nDaniel Burke &#8220;Asylum&#8221;<br \/>\nJohn Picard &#8220;Tics&#8221;<br \/>\nTricia Tunstall &#8220;Christmas Party&#8221;<\/p>\n<p><b>Poetry<\/b><br \/>\nCarl Lindner &#8220;Boomerang&#8221;<br \/>\nCF Barnes &#8220;The Alumnium Woman&#8221;<br \/>\nMargaret Gibson Two Poems<br \/>\nElizabeth A. Price &#8220;Element&#8221;<br \/>\nPaul Weinman &#8220;Rafting&#8221;<br \/>\nLucien Stryk Two Poems<br \/>\nJerah Chadwick &#8220;After the Aleut&#8221;<br \/>\nAnn Hinkle &#8220;Appalachian Portrait&#8221;<br \/>\nLaurel Speer &#8220;The Juilliard Mother&#8221;<br \/>\nEd Lahey &#8220;A Different Price&#8221;<br \/>\nRochelle Nameroff &#8220;The Present as Fossil&#8221;<br \/>\nJay Griswold &#8220;Meditations on a Starry Night&#8221;<br \/>\nKip Knott &#8220;van Gogh, &#8216;Self Portrait with Pipe'&#8221;<br \/>\nNancy Manning &#8220;Everyone Thinkin It Mine&#8221;<br \/>\nRoy Bentley &#8220;The Country of the Dead&#8221;<br \/>\nMeg Files &#8220;Island&#8221;<br \/>\nJoe Bolton &#8220;Tropical Lament&#8221;<br \/>\nMercedes Lawry &#8220;Simple as Shadows&#8221;<\/p>\n<p><strong>Essay<\/strong><strong>s<\/strong><br \/>\nPeter O. Stummer &#8220;I Go to the Theatre a Lot Because I Care So Much About Anarchy: The Problems with Contemporary &#8216;Women&#8217;s Theatre'&#8221;<br \/>\nMercedes Junquera &#8220;Ana Maria Fagundo Is\/Is Not an Island?&#8221;<\/p>\n<p><strong>Translations<\/strong><br \/>\nHalina Poswiatowska One Poem<br \/>\nCoral Bracho One Poem<br \/>\nIlse Aichinger Two Poems<\/p>\n<p><strong>Translation Chapbook<\/strong><br \/>\nLeonardo Sinisgalli &#8220;Where the Age of the Rose Burned Proudly&#8221;<br \/>\nTranslated by Rina Ferrarelli<\/p>\n<p><strong>Special Feature<\/strong><br \/>\nJohn Clellon Holmes &#8220;ARM: A Memory of Nelson Algren&#8221;<\/p>\n<p><strong>Commentary<\/strong><br \/>\nWalter Kalaidjian &#8220;Contending with &#8216;Contentions&#8217;: Response to Howard McCord&#8221;<br \/>\nThomas B. Byers &#8220;Mountain Man McCord and the Schoolmarm&#8221;<br \/>\nAlan Golding &#8220;Language-Bashing Again&#8221;<br \/>\nJames Bertolina &#8220;Ruminations after Reading McCord&#8221;<br \/>\nTandy Sturgeon &#8220;From the Margins: Young Writers, Small Presses and Howard McCord&#8221;<\/p>\n<p><b>What We&#8217;re Reading<\/b><br \/>\n<em>Sometimes Music Rises<\/em>\u00a0by Wayne Dodd<br \/>\n<em>An American Childhood\u00a0<\/em>by Annie Dillard<br \/>\n<em>Twilights and Chants<\/em>\u00a0by Ray Gonzalez<br \/>\n<em>The Book of Knowledge<\/em>\u00a0by Dara Wier<br \/>\n<em>The Musician<\/em>\u00a0by Eve Shelnutt<br \/>\n<em>Pilgrims<\/em>\u00a0by Peter Makuck<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Spring 1988 Cover Art: Tom Morrisey Table of Contents Fiction Maria A. Collis &#8220;Confessions of a Former Mermaid&#8221; Katherine&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-413","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=413"}],"version-history":[{"count":1,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/413\/revisions"}],"predecessor-version":[{"id":414,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/413\/revisions\/414"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}