{"id":3986,"date":"2025-08-21T20:08:28","date_gmt":"2025-08-21T20:08:28","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=3986"},"modified":"2025-08-21T20:35:38","modified_gmt":"2025-08-21T20:35:38","slug":"volume-xlii-no-1","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-xlii-no-1\/","title":{"rendered":"Volume XLII, No. 1"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2024\/09\/MAR-sm-cover-42_1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"726\" height=\"1024\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2024\/09\/MAR-sm-cover-42_1-726x1024.jpg\" alt=\"Flower people by Jessica Dawn Zinz\" class=\"wp-image-3905\" style=\"width:167px;height:auto\" srcset=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2024\/09\/MAR-sm-cover-42_1-726x1024.jpg 726w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2024\/09\/MAR-sm-cover-42_1-213x300.jpg 213w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2024\/09\/MAR-sm-cover-42_1-768x1083.jpg 768w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2024\/09\/MAR-sm-cover-42_1-1089x1536.jpg 1089w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2024\/09\/MAR-sm-cover-42_1-1452x2048.jpg 1452w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2024\/09\/MAR-sm-cover-42_1.jpg 1500w\" sizes=\"auto, (max-width: 726px) 100vw, 726px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>42.1 Table of Contents<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Poetry<\/strong><\/h3>\n\n\n\n<p>Angie Macri &#8220;Bone Town&#8221;<br>Pat Daneman &#8220;Riddle&#8221;<br>Lauren Camp &#8220;Two Poems&#8221;<br>Carlene Kucharczyk &#8220;Two Poems&#8221;<br>H.K Hummel &#8220;A Short Lecture on Stuckness&#8221;<br>Kim Welliver &#8220;A Diorama of a Widowhood&#8221;<br>Hannah Bradley &#8220;Hereditary&#8221;<br>Erika Goodrich &#8220;Two Poems&#8221;<br>Sarah Destin &#8220;Two Poems&#8221;<br>Chelsea Wagenaar &#8220;Recurring Dream&#8221;<br>Marcus Myers &#8220;Matrices&#8221;<br>Jeffrey Alfier &#8220;Mo\u015bciska in Late March&#8221;<br>Alyse Knorr &#8220;Wolf Tours: Special Full Moon Excursion&#8221;<br>Gabriel Vigh &#8220;Archetype&#8221;<br>Henry Goldkamp &#8220;Forcemeat&#8221;<br>Adam Scheffler &#8220;For I Will Consider This Cockroach Belinda&#8221;<br>Ian Cappelli &#8220;The Prisoner Sees a Hornet&#8217;s Nest Outside the Bars&#8221;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Fiction<\/strong><\/h3>\n\n\n\n<p>Justin Thurman &#8220;Some Kinds of Drifter&#8221;<br>Christine Ma-Kellams &#8220;The Beauty of Xiaohe&#8221;<br>Gabe Congdon &#8220;Terrible Be I&#8221;<br>Alyssa Quinn &#8220;Character Sketch for the Oil CEO&#8221;<br>Michael Caleb Tasker &#8220;Turn the Night into Day&#8221;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Translation Chapbook<\/strong><\/h3>\n\n\n\n<p>Salgado Maranh\u00e3o &#8220;Howls Above the Shipwreck&#8221;<br>Translated from the Portuguese and Introduced by Alexis Levitin<br>Lu\u00eds Miguel Nava &#8220;Slaughterhouse&#8221;<br>Translated from the Portuguese by Alexis Levitin and Ricardo Vasoncelos<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The 2022 AWP Intro Journals Awards<\/strong><\/h3>\n\n\n\n<p>K. Janeschek &#8220;I Dream of Dressing Your Altar with Slaughtered Meat&#8221;<br>Laura Dzubay &#8220;Will You Please Bring It Back to Me?&#8221;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>What We&#8217;re Reading<\/strong><\/h3>\n\n\n\n<p><em>Mother of Strangers<\/em> by Suad Amiry, Reviewed by Mays Kuhail<br><em>Judas Goat <\/em>by Gabrielle Bates, Reviewed by Tyler Michael Jacobs<br><em>I Keep My Exoskeletons to Myself<\/em> by Marisa (Mac) Crane, Reviewed by Gen Greer<br><em>Ceive<\/em> by B.K. Fischer, Reviewed by Christopher McCormick<br><em>The Memory of Animals<\/em> by Claire Fuller, Reviewed by Caitlyn Mlodzik<br><em>still true<\/em> by Maggie Ginsburg, Reviewed by Caitlyn Mlodzik<br><em>Tango Below a Narrow Ceiling<\/em> by Riad Saleh Hussein, Reviewed by Michael J. Morris<br><em>Groundcover<\/em> by Molly Kugel, Reviewed by Allison Turner<br><em>The Distortians<\/em> by Christopher Linforth, Reviewed by Mays Kuhail<br><em>The Red-Headed Pilgrim<\/em> by Kevin Maloney, Reviewed by Tooba Amin<br><em>How We Dissapear<\/em> by Tara Lynn Masih, Reviewed by Sydney Anderson<br><em>Twice-Born World: Stories of Lithuania <\/em>by Wendall Mayo, Reviewed by George Looney<br><em>as mornings and mossgreen I. Step to the window<\/em> by Friederike Mayr\u00f6cker, Reviewed by Lucas Dean Clark<br><em>Here I Am Burn Me<\/em> by Kimberly Nguy\u0113n, Reviewed by Christopher McCormick<br><em>Two Brown Dots<\/em> by Danni Quintos, Reviewed by Tyler Michael Jacobs<br><em>Field Notes from the Flood Zone<\/em> by Heather Sellers, Reviewed by Lucas Dean Clark<br><em>Bad Mothers, Bad Daughters<\/em> by Maya Sonenberg, Reviewed by Dan Marcantuono<br><em>Buffalo Girl<\/em> by Jessica Q, Reviewed by Michael J. Morris<br><em>Helen House<\/em> by Kayla Kumari, Reviewed by Gen Greer<br><em>Kettle Harbour<\/em> by Kyle Vingoe-Cram, Reviewed by Sydney Anderson<br><em>Girl Country<\/em> by Jacqueline Vogtman, Reviewed by Dan Marcantuono<\/p>\n","protected":false},"excerpt":{"rendered":"<p>42.1 Table of Contents Poetry Angie Macri &#8220;Bone Town&#8221;Pat Daneman &#8220;Riddle&#8221;Lauren Camp &#8220;Two Poems&#8221;Carlene Kucharczyk &#8220;Two Poems&#8221;H.K Hummel &#8220;A Short&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3986","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/3986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=3986"}],"version-history":[{"count":2,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/3986\/revisions"}],"predecessor-version":[{"id":3999,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/3986\/revisions\/3999"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=3986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}