{"id":3977,"date":"2025-08-21T19:40:54","date_gmt":"2025-08-21T19:40:54","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=3977"},"modified":"2025-08-21T20:29:14","modified_gmt":"2025-08-21T20:29:14","slug":"volume-xl-no-2","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-xl-no-2\/","title":{"rendered":"Volume XL, No. 2"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2022\/07\/40_2coversm.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"715\" height=\"1024\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2022\/07\/40_2coversm-715x1024.jpg\" alt=\"MAR 40.2 cover image, red decorative objects\" class=\"wp-image-3818\" style=\"width:148px;height:auto\" srcset=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2022\/07\/40_2coversm-715x1024.jpg 715w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2022\/07\/40_2coversm-209x300.jpg 209w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2022\/07\/40_2coversm-768x1100.jpg 768w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2022\/07\/40_2coversm-1072x1536.jpg 1072w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2022\/07\/40_2coversm.jpg 1200w\" sizes=\"auto, (max-width: 715px) 100vw, 715px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">40.2 Table of Contents<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Poetry<\/h3>\n\n\n\n<p>Reilly D. Cox, Two Poems<br>Amorak Huey, &#8220;So Far from That River, We Listen to a Single Storm from Opposite Sides&#8221;<br>Clare Paniccia, Two Poems<br>Alix Anne Shaw, &#8220;Grid&#8221;<br>Mark Pursell, Two Poems<br>Alex Greenberg, &#8220;Snapshot:&#8221;<br>Natalie Crick, &#8220;Vessel&#8221;<br>Brianna Flavin, &#8220;At the Bible school, they talk about the eternal&#8221;<br>Kat Neis, &#8220;Assemblage&#8221;<br>Maddie Pospisil, &#8220;The Physics of Blueberry Earth&#8221;<br>Ja&#8217;net Danielo, Two Poems<br>Jake Bailey, &#8220;Thirteen Ways of Looking at a Schizo Self&#8221;<br>Lori Propheter, Two Poems<br>Genevieve N. Williams, &#8220;Tall Bluestem&#8221;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Fiction<\/h3>\n\n\n\n<p>Joseph Levens, &#8220;Clarification&#8221;<br>Shane Page, &#8220;One Guy Says to the Other&#8221;<br>Saul Alpert-Abrams, &#8220;Special Treatment&#8221;<br>Sam Asher, &#8220;Where I&#8217;m From&#8221;<br>Amanda Funk-Hilton, &#8220;Anne Practicing in a Mirror When She Was Young<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Translation Chapbooks<\/h3>\n\n\n\n<p>Felipe Moncada Mijic, In the Region of the Inexpressible<br>Translated from the Spanish and Introduced by Robert A. Keiser<br>Fabio Pusterla, Starved for Everything<br>Translated from the Italian and Introduced by Will Schutt<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The 2019-2020 James Wright Poetry Award<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">First Prize<\/h4>\n\n\n\n<p>Sarah Burke, &#8220;Open Letter to Frida Kahlo&#8221;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Runner-Up<\/h4>\n\n\n\n<p>Abby E. Murray, &#8220;Drone Song&#8221;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Finalists<\/h4>\n\n\n\n<p>Gregory Emilio, &#8220;Meditation at Waffle House&#8221;<br>Simon Shieh, &#8220;Clearing the Hills&#8221;<br>Laura Stott, &#8220;Colony Collapse Disorder&#8221;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The 2019-2020 Sherwood Anderson Fiction Award<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">First Prize<\/h4>\n\n\n\n<p>Bethany Kaylor, &#8220;Ghost World&#8221;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Runner-Up<\/h4>\n\n\n\n<p>S.J. MacLean, &#8220;Splitting the Horse&#8221;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">What We&#8217;re Reading<\/h3>\n\n\n\n<p><em>Look Look Look<\/em> by Callista Buchen, reviewed by Michelle Bellman<br><em>The Tethered Ground<\/em> by Lanette Cadle, reviewed by Matt Miller<br><em>RESPECT: The Poetry of Detroit Music<\/em>, edited by Jim Daniels and M.L. Liebler, reviewed by Cassandra Caverhill<br><em>Pagan Virtues<\/em> by Stephen Dunn, reviewed by George Looney<br><em>I Am Here to Make Friends<\/em> by Robert Long Foreman, reviewed by Angela Kramer<br><em>The Unexploded Ordnance Bin<\/em> by Rebecca Foust, reviewed by Allie Pavy<br><em>The Soft Path<\/em> by Joshua Harmon, reviewed by Turner Wilson<br><em>Cage of Lit Glass<\/em> by Charles Kell, reviewed by Nicholas Gardner<br><em>Stone Skimmers<\/em> by Jennifer Wisner Kelly, reviewed by Brenna Hosman<br><em>Virtuoso <\/em>by Yelena Moskovich, reviewed by Nicholas Gardner<br><em>Some of Us Are Very Hungry Now<\/em> by Andre Perry, reviewed by Matthew Stewart<br><em>The Prettiest Star<\/em> by Carter Sickels, reviewed by Chad Merrell<br><em>We Are Called Specimens: An Oral Archive of Deity Marjorie<\/em> by Jason Teal, reviewed by Alise Miller<br><em>The Spinning Place<\/em> by Chelsea Wagenaar, reviewed by Cloe Watson<br><em>Cyborg Detective<\/em> by Jillian Weise, reviewed by Aryanna Falkner<br><em>The Marriage of the Moon and the Field<\/em> by Sunni Brown Wilkinson, reviewed by Micaela Tore<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>40.2 Table of Contents Poetry Reilly D. Cox, Two PoemsAmorak Huey, &#8220;So Far from That River, We Listen to a&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3977","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/3977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=3977"}],"version-history":[{"count":1,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/3977\/revisions"}],"predecessor-version":[{"id":3978,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/3977\/revisions\/3978"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=3977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}