{"id":375,"date":"2014-05-03T21:51:50","date_gmt":"2014-05-03T21:51:50","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=375"},"modified":"2014-05-03T21:51:59","modified_gmt":"2014-05-03T21:51:59","slug":"volume-i-no-2","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-i-no-2\/","title":{"rendered":"Volume I, No. 2"},"content":{"rendered":"<h1><\/h1>\n<p>&nbsp;<\/p>\n<table width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td width=\"45%\"><center><a href=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/a1-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-282\" alt=\"a1-2\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/a1-2.jpg\" width=\"125\" height=\"194\" \/><\/a>Fall 1981<br \/>\n<span style=\"font-size: medium;\">Cover Art: Tom Morrisey<br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><\/center><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"55%\">\n<h2>Table of Contents<\/h2>\n<p><strong>Fiction<\/strong><br \/>\nLester Goldberg &#8220;Two Brothers&#8221;<br \/>\nRebecca Kavaler &#8220;The Zeigarnik Effect&#8221;<br \/>\nCarolyn Osborne &#8220;House of the Blue Woman&#8221;<br \/>\nSteven Schwartz &#8220;Slow-Motion&#8221;<br \/>\nGordon Weaver &#8220;The Good Man of Stillwater, Oklahoma&#8221;<\/p>\n<p><b>Poetry<\/b><br \/>\nAlison Armstrong &#8220;Consubstantiation&#8221;<br \/>\nDavid Baker Two Poems<br \/>\nGreg Bowers &#8220;#24&#8221;<br \/>\nJoan Colby &#8220;Infanticides&#8221;<br \/>\nAlbert Drake &#8220;The Arnold Street Sewer&#8221;<br \/>\nM.R. Doty &#8220;Sex in the 80&#8217;s&#8221;<br \/>\nJoseph Duemer &#8220;Songs I Could Sing You&#8221;<br \/>\nGary Fincke &#8220;Breath&#8221;<br \/>\nStephen Gardner Two Poems<br \/>\nAlbert Goldbarth &#8220;He mounts to the Nine Heavens, wields the Broom Star.&#8221;<br \/>\nFrank Graziani &#8220;Homage to Knut Hamsun&#8221;<br \/>\nVanessa Haley &#8220;How They Remind Us&#8221;<br \/>\nJonathan Holden Two Poems<br \/>\nWilliam Howell Two Poems<br \/>\nCarolyn Kreiter-Kurylo &#8220;The Replica&#8221;<br \/>\nErnest Kroll &#8220;Geronimo&#8221;<br \/>\nGreg Kuzma &#8220;Summer&#8221;<br \/>\nP.V. LeForge &#8220;The Ten Visions&#8221;<br \/>\nPeter Nicolleta Two Poems<br \/>\nJim Peterson &#8220;The Hunkering&#8221;<br \/>\nJohn Quinn Two Poems<br \/>\nThomas Reiter &#8220;Making Up Trains&#8221;<br \/>\nPaul Ruffin &#8220;Jody Walker: The First Voice&#8221;<br \/>\nRon Slate &#8220;The Swimmer&#8221;<br \/>\nKim R. Stafford Two Poems<br \/>\nTerry Stokes &#8220;Oh, It&#8217;s Been Easy&#8221;<br \/>\nGregoire Turgeon &#8220;Six Ways of Keeping Time&#8221;<br \/>\nDavid Wagoner Three Poems<br \/>\nLarkin Warren &#8220;Halfway House&#8221;<\/p>\n<p><strong>Articles<\/strong><br \/>\nLouis Gallo &#8220;W.S. Merwin&#8217;s Ontological Parables&#8221;<br \/>\nMack Smith &#8220;Ulyesses in Penn Villas: Joyce&#8217;s\u00a0<em>Ulysses<\/em>\u00a0as Structural Model for Updike&#8217;s\u00a0<em>Rabbit Redux<\/em>&#8221;<\/p>\n<p><b>What We&#8217;re Reading<\/b><br \/>\n<em>Shooting Rats at the Bibb County<\/em>\u00a0by David Bottoms<br \/>\n<em>Last Rites<\/em>\u00a0by Christopher Buckley<br \/>\n<em>Childhood and Other Neighborhoods<\/em>\u00a0by Stuart Dybek<br \/>\n<em>Notes from the Water Journals<\/em>\u00a0by Rich Ives<br \/>\n<em>Cold Wind River<\/em>\u00a0by Kent Nelson<br \/>\n<em>White Monkeys<\/em>\u00a0by Bin Ramke<br \/>\n<em>Selected Poems<\/em>\u00a0by Mark Strand<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Fall 1981 Cover Art: Tom Morrisey &nbsp; Table of Contents Fiction Lester Goldberg &#8220;Two Brothers&#8221; Rebecca Kavaler &#8220;The Zeigarnik&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-375","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=375"}],"version-history":[{"count":2,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/375\/revisions"}],"predecessor-version":[{"id":377,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/375\/revisions\/377"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}