{"id":3626,"date":"2020-06-11T23:34:03","date_gmt":"2020-06-11T23:34:03","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=3626"},"modified":"2020-06-11T23:34:04","modified_gmt":"2020-06-11T23:34:04","slug":"volume-xxxix-no-2","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-xxxix-no-2\/","title":{"rendered":"Volume XXXIX, no. 2"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><a href=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2019\/08\/MARcover39_2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"211\" height=\"300\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2019\/08\/MARcover39_2-211x300.jpg\" alt=\"\" class=\"wp-image-3521\" srcset=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2019\/08\/MARcover39_2-211x300.jpg 211w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2019\/08\/MARcover39_2-768x1093.jpg 768w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2019\/08\/MARcover39_2-720x1024.jpg 720w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2019\/08\/MARcover39_2.jpg 1950w\" sizes=\"auto, (max-width: 211px) 100vw, 211px\" \/><\/a><figcaption><em>MAR<\/em>\u00a0Cover 39.2:\u00a0<em>The Gilded Age\u2014With Deer<\/em>, by Sarah Nguyen<\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">39.2 Table of Contents<\/h2>\n\n\n\n<p><strong>Poetry<\/strong><br>Holly Karapetkova, Three Poems<br>Alyssa Froehling, \u201cthe maidenhair tree\u201d<br>Stacy Boe Miller, \u201cHomage to My Being a Woman\u201d<br>Bilinda Straight, \u201cFirst Cut\u201d<br>Daniel Biegelson, \u201cLet There Be Dark\u201d<br>Brett Elizabeth Jenkins, \u201cEmotional Dictionary\u201d<br>Angela Bilger, \u201cHeart\u201d<br>Mary Cisper, Three Poems<br>A. Anupama, \u201cSoon\u201d<br>Cynthia Hughes, \u201cDriving the Bread to New Jersey in the Middle of the Night\u201d<br>Benjamin Landry, Two Poems<br>Jane Zwart, \u201cAn Asterisk\u201d<br>Samantha Leigh Futhey, \u201cGeophagy\u201d<br>Bonnie Jill Emmanuel, \u201cAfter a Massacre\u201d<br>Amy Roa, \u201cThe Food Chain\u201d<\/p>\n\n\n\n<p><strong>Fiction<\/strong><br>Wendy Chen, \u201cThe Scarecrow\u201d<br>C.R. Beideman, \u201cWhere the Children Play\u201d<br>Alyse Knorr, \u201cHercules and the Snake\u201d<br>Nathan Sindelar, \u201cCharades\u201d<br>Aurelie Sheehan, \u201cFunerals for Introverts\u201d<br>Nick Almeida, \u201cElectric Nothing\u201d<\/p>\n\n\n\n<p><strong>Creative Nonfiction<\/strong><br>Denise Duhamel, \u201cIt\u2019s Not Nice to Fool Mother Nature\u201d<br>Kathleen McGookey, \u201cThe Available Light\u201d<\/p>\n\n\n\n<p><strong>The 2019 AWP Intro Journals Awards<\/strong><br>McKayla Conahan, \u201cIn the Sedge\u201d<br>Mirri Glasson-Darling, \u201cThe Root of My Family\u201d<\/p>\n\n\n\n<p><strong>Translation<\/strong><br>Dimitra Kotoula,&nbsp;<em>from<\/em>&nbsp;Prayer (<em>or<\/em>&nbsp;The Apple, 7\/28\/2013)<br>Translated from the Greek by Maria Nazos<\/p>\n\n\n\n<p><strong>Translation Chapbook<\/strong><br>Anna Maria Carpi,&nbsp;<em>By the Board of Departures and Arrivals<\/em><br>Translated from the Italian and Introduced by Lisa Mullenneaux<\/p>\n\n\n\n<p><strong>The 2018-2019 James Wright Competition<\/strong><br><em>&nbsp; &nbsp; &nbsp;First Prize<\/em><br>Mark Wagenaar, \u201cPsalm XXXI\u201d<br><em>&nbsp; &nbsp; &nbsp;Runner-Up<\/em><br>Cynthia X. Hua, \u201cAfter Dark\u201d<br><em>&nbsp; &nbsp; &nbsp;Finalists<\/em><br>Kim Garcia, \u201cA pheasant\u2019s burbling call\u201d<br>Jason Roberts, \u201cChamber III: Walker County as the Image of a Heart Sufficiently Broken\u201d<br>Jacqueline Winter Thomas, \u201cOne Year of Winter\u201d<br>Alexa Winik, \u201cParable of the Bobbit Worm\u201d<\/p>\n\n\n\n<p><strong>The 2018-2019 Sherwood Anderson Competition<\/strong><br><em>&nbsp; &nbsp; &nbsp;First Prize<\/em><br>Chris Morgan, \u201cA Short History of Violence\u201d<br><em>&nbsp; &nbsp; &nbsp;Runner-Up<\/em><br>Patricia Sammon, \u201cThe Forest\u201d<\/p>\n\n\n\n<p><strong>What We\u2019re Reading<\/strong><\/p>\n\n\n\n<p><em>Fossils in the Making<\/em>&nbsp;by Kristin George Bagdanov, reviewed by Aryanna Faulkner<br><em>Phantom Signs: The Muse in Universe City<\/em>&nbsp;by Philip Brady, reviewed by Matthew Stewart<br><em>Secret Formulas &amp; Techniques of the Masters<\/em>&nbsp;by Jackie Craven, reviewed by Julie Webb<br><em>Fluid States<\/em>&nbsp;by Heidi Czerwiec, reviewed by Abigail Cloud<br><em>Dark Horse<\/em>&nbsp;by Kristina Marie Darling, reviewed by Erin Carlyle<br><em>The Road to Lilac Hill<\/em>&nbsp;by Barbara Drake, reviewed by Craig Cotter<br><em>The Darkness Call<\/em>&nbsp;by Gary Fincke, reviewed by Joshua Cobb<br><em>When We Were Someone Else<\/em>&nbsp;by Rachel Groves, reviewed by Annie Cigic<br><em>dark \/\/ thing<\/em>&nbsp;by Ashley M Jones, reviewed by Sherrel McLafferty<br><em>Brother Bullet<\/em>&nbsp;by Casandra L\u00f3pez, reviewed by Tanja Vierrether<br><em>Museum of Stones<\/em>&nbsp;by Lynn Lurie, reviewed by Ali Miller<br><em>When They Say You Can\u2019t Go Home Again, What They Mean Is You Were Never There<\/em>&nbsp;by Marty McConnell, reviewed by Madeline Grigg<br><em>Sweet Herbaceous Miracle<\/em>&nbsp;by Berwyn Moore, reviewed by Lucas Fulton<br><em>Be With Me Always<\/em>&nbsp;by Randon Billings Noble, reviewed by Kari Hanlin<br><em>Dresses from the Old Country<\/em>&nbsp;by Laura Read, reviewed by Shay Hawkins<br><em>Sweet World<\/em>&nbsp;by Maureen Seaton, reviewed by Micaela Tore<br><em>Quantum Convention<\/em>&nbsp;by Eric Schlich, reviewed by Neeru Nagarajan<br><em>Pulver Maar<\/em>&nbsp;by Zachary Schomburg, reviewed by Evan Blake<\/p>\n","protected":false},"excerpt":{"rendered":"<p>39.2 Table of Contents PoetryHolly Karapetkova, Three PoemsAlyssa Froehling, \u201cthe maidenhair tree\u201dStacy Boe Miller, \u201cHomage to My Being a Woman\u201dBilinda&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3626","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/3626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=3626"}],"version-history":[{"count":1,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/3626\/revisions"}],"predecessor-version":[{"id":3627,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/3626\/revisions\/3627"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=3626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}