{"id":3147,"date":"2018-02-23T20:35:17","date_gmt":"2018-02-23T20:35:17","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=3147"},"modified":"2018-02-23T23:23:03","modified_gmt":"2018-02-23T23:23:03","slug":"volume-xxxvii-no-1","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-xxxvii-no-1\/","title":{"rendered":"Volume XXXVII, No. 1"},"content":{"rendered":"<h2>\u00a0Volume XXXVII, no. 1<\/h2>\n<figure id=\"attachment_2698\" aria-describedby=\"caption-attachment-2698\" style=\"width: 213px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/05\/MARcover37_1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2698 size-medium\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/05\/MARcover37_1-213x300.jpg\" alt=\"MARcover37_1.indd\" width=\"213\" height=\"300\" srcset=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/05\/MARcover37_1-213x300.jpg 213w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/05\/MARcover37_1-725x1024.jpg 725w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/05\/MARcover37_1.jpg 1966w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/><\/a><figcaption id=\"caption-attachment-2698\" class=\"wp-caption-text\">37.1: Fall 2016 Cover Art: Sarah Knill<\/figcaption><\/figure>\n<h2>37.1 Table of Contents<\/h2>\n<p><strong>Fiction<\/strong><\/p>\n<p>Micah Cratty &#8220;Goon&#8221;<br \/>\nFelicia Krol &#8220;Anything at All&#8221;<br \/>\nReem Abu-Baker &#8220;My Mother, the Volatile Elements&#8221;<br \/>\nThea Swanson &#8220;Madonna Girls&#8221;<br \/>\nClaire Nuttall &#8220;As We Did&#8221;<br \/>\nThomas White &#8220;Bendle&#8221;<\/p>\n<p><strong>Poetry<\/strong><\/p>\n<p>Andres Rojas &#8220;American Piece&#8221;<br \/>\nRicardo Pau-Llosa &#8220;Farm&#8221;<br \/>\nGabrielle Bates &#8220;Monologue with a Flat Hand&#8221;<br \/>\nAndrew Collard &#8220;Silent Tires&#8221;<br \/>\nJulie Henson &#8220;Last Stand&#8221;<br \/>\nMadeleine Wattenberg &#8220;Two Poems&#8221;<br \/>\nM. E. MacFarland &#8220;Three Poems&#8221;<br \/>\nStephanie Bryant Anderson &#8220;The Visit to Fort Defiance&#8221;<br \/>\nCorrie Lynn White &#8220;Object Permanence&#8221;<br \/>\nStephanie Dickinson &#8220;Two Poems&#8221;<br \/>\nDenise Jarrott &#8220;Nude, Partially Draped&#8221;<br \/>\nJaya Stenquist &#8220;Glass Complex&#8221;<br \/>\nKristina Marie Darling &#8220;Jane Dark Goes to Sleep&#8221;<br \/>\nChris Haven &#8220;The Underneath&#8221;<\/p>\n<p><strong>Non-Fiction<\/strong><\/p>\n<p>Caroline Crew &#8220;Divisions of the Body&#8221;<br \/>\nAmelia Fowler &#8220;Moonrise in Utero&#8221;<\/p>\n<p><strong>Translation<\/strong><\/p>\n<p>Ruy Belo \u00a0Two Poems<br \/>\nTranslated from the Portuguese by Alexis Levitin<\/p>\n<p><strong>Translation Chapbook<\/strong><\/p>\n<p>Circe Mala \u00a0<em>A Confused Choir of Intermingled Voices<\/em><br \/>\nTranslated from the Spanish and Introduced by Jesse Lee Kercheval<\/p>\n<p><strong>The 2016 Fineline Competition<\/strong><\/p>\n<p><em>First Prize<\/em><\/p>\n<p>John Sibley Williams &#8220;We Can Make a Home of It Still&#8221;<\/p>\n<p><em>Runner-Up<\/em><\/p>\n<p>Micah Dean Hicks &#8220;Our Sun&#8221;<br \/>\nFelicia Zamora &#8220;Crow &amp; the Plow&#8221;<\/p>\n<p><em>Finalists<\/em><\/p>\n<p>Jaclyn Bergamino &#8220;Release&#8221;<br \/>\nBrian Clifton &#8220;The Introvert&#8217;s Guide to Dreams&#8221;<br \/>\nOri Fienberg &#8220;Minotaur Seeks Real Estate Agent to Find New Maze&#8221;<br \/>\nAndy Fogle &#8220;Field Trip&#8221;<br \/>\nJustin Herrmann &#8220;Early Harvest&#8221;<br \/>\nCatherine Moore &#8220;Collapsed&#8221;<br \/>\nKristen Steenbeeke &#8220;I Keep My Visions to Myself&#8221;<\/p>\n<p><strong>The 2016 AWP Intro Journals Awards<\/strong><\/p>\n<p>Anna Caritj &#8220;A Short Walk up Graves Hill&#8221;<br \/>\nAudrey Gradzewicz &#8220;Poem for the God of Cities Left Burning&#8221;<\/p>\n<p><b>What We&#8217;re Reading<\/b><\/p>\n<p><em>Estranger<\/em> by Erik Anderson, reviewed by Rebecca Orchard<br \/>\n<em>Playful Song Called Beautiful<\/em> by John Blair, reviewed by Benji Katz<br \/>\n<em>Remarkable<\/em> by Dinah Cox, reviewed by Olivia Buzzacco<br \/>\n<em>Of Poetry and Protest<\/em>, edited and compiled by Philip Cushway, reviewed by Coral Nardandrea<br \/>\n<em>Bob Serger&#8217;s House And Other Stories<\/em>, edited by Michael Delp and M.L. Liebler, reviewed by Samuel J. Adams<br \/>\n<em>Field Guide to the End of the World<\/em> by Jeannine Hall Gailey, reviewed by Tanja Vierrether<br \/>\n<em>The Capital of Kansas City<\/em> by Gary Gildner, reviewed by Nick Heeb<br \/>\n<em>Landscape with Headless Mama<\/em> by Jennifer Givhan, reviewed by Lisa Favicchia<br \/>\n<em>One-Hundred-Knuckled Fist<\/em> by Dustin M. Hoffman, reviewed by Teri Dederer<br \/>\n<em>The Grass Labyrinth<\/em> by Charlotte Holmes, reviewed by Elena M. Aponte<br \/>\n<em>Of This New World<\/em> by Allegra Hyde, reviewed by Raegen Pietrucha<br \/>\n<em>Transient<\/em> by Gail Carson Levine, reviewed by Roseanna Boswell<br \/>\n<em>Magpies in the Valley of Oleanders<\/em> by Kyle McCord, reviewed by Eric Komosa<br \/>\n<em>Mysteries in a World That Thinks There Are None<\/em> by Gary McDowell, reviewed by Jacob Hall<br \/>\n<em>Where We Go When All We Were Is Gone<\/em> by Sequoia Nagamatsu, reviewed by Nathaniel Meals<br \/>\n<em>The Divine Magnet: Herman Melville&#8217;s Letters to Nathaniel Hawthorne<\/em>, edited by Mark Niemeyer, reviewed by Olivia Zolciak<br \/>\n<em>The End of Pink<\/em> by Kathryn Nuernberger, reviewed by Remi Recchia<br \/>\n<em>Local Extinctions<\/em> by Mary Quade, reviewed by Jen Pelto<br \/>\n<em>Book of No Ledge: Visual Poems<\/em> by Nance Van Winckel, reviewed by Luke Marinac<br \/>\n<em>When We Were Birds<\/em> by Joe Wilkins, reviewed by Dan Gualtieri<br \/>\n<em>Prayer Book of the Anxious<\/em> by Josephine Yu, reviewed by Abigail Cloud<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0Volume XXXVII, no. 1 37.1 Table of Contents Fiction Micah Cratty &#8220;Goon&#8221; Felicia Krol &#8220;Anything at All&#8221; Reem Abu-Baker &#8220;My&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3147","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/3147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=3147"}],"version-history":[{"count":7,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/3147\/revisions"}],"predecessor-version":[{"id":3195,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/3147\/revisions\/3195"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=3147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}