{"id":1483,"date":"2015-07-07T00:26:18","date_gmt":"2015-07-07T00:26:18","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=1483"},"modified":"2016-08-05T00:53:23","modified_gmt":"2016-08-05T00:53:23","slug":"volume-xxxv-no-1","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-xxxv-no-1\/","title":{"rendered":"Volume  XXXV, No. 1"},"content":{"rendered":"<h2><\/h2>\n<p><a href=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/05\/MARwebcover35_1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-1179\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/05\/MARwebcover35_1.jpg\" alt=\"MARcover35_1.indd\" width=\"633\" height=\"462\" srcset=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/05\/MARwebcover35_1.jpg 1500w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/05\/MARwebcover35_1-300x219.jpg 300w, https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/05\/MARwebcover35_1-1024x749.jpg 1024w\" sizes=\"auto, (max-width: 633px) 100vw, 633px\" \/><\/a><\/p>\n<table width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td style=\"text-align: center;\" width=\"45%\"><center>\u00a0<\/center><strong><strong>Fall 2014: 35th Anniversary I<strong>ssue 1<br \/>\n<span style=\"font-size: medium;\">\u00a0Cover Art:\u00a0<a href=\"http:\/\/www.gregoryeuclide.com\">Gregory Euclide<\/a>. <\/span><\/strong><\/strong><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2>Table of Contents<\/h2>\n<p><strong>Poetry<\/strong><br \/>\nJennifer K. Sweeney &#8211; &#8220;Parenthetical at 35&#8221;<br \/>\nKristin George Bagdanov &#8211; &#8220;Purge Body&#8221;<br \/>\nDoug Ramspeck &#8211; &#8220;Unblessing&#8221;<br \/>\nClaire Wahmanholm &#8211; &#8220;Theory of Primogeniture&#8221;<br \/>\nRachel Rinehart &#8211; &#8220;Eier Schmaltz&#8221;<br \/>\nSally Wen Mao &#8211; &#8220;House Arrest&#8221;<br \/>\nYael Massen &#8211; &#8220;The Cartographer&#8217;s Daughter&#8221;<br \/>\nRonda Broatch &#8211; &#8220;Some Have Become White Birds&#8221;<br \/>\nMatt Sumpter &#8211; &#8220;Dead Zoo&#8221;<br \/>\nKyle McCord &#8211; &#8220;Portrait of Rossetti Obsessed&#8221;<br \/>\nAmy L. Ellison &#8211; &#8220;Parachuting over Osan, 1950&#8221;<br \/>\nLuisa Caycedo-Kimura &#8211; &#8220;Un Jardin en Tolima&#8221;<br \/>\nEmily Schulten &#8211; &#8220;Navigating the Afterlife (Book of the Dead)&#8221;<br \/>\nMolly Spencer &#8211; &#8220;Aubade with Book and Angel&#8221;<br \/>\nRebecca Foust &#8211; &#8220;Dynamic Response of Multi-Layered Soil Media in the Frequency Domain&#8221;<br \/>\nElisabeth Sharp McKetta &#8211; &#8220;Cartography of Human Bridges&#8221;<br \/>\nDavid Greenspan &#8211; Two Poems<br \/>\nRachel Morgan &#8211; &#8220;Fever of Unknown Origin&#8221;<br \/>\nSarah Burke &#8211; Two Poems<\/p>\n<p><strong>Fiction<\/strong><br \/>\nGeorge Choundas &#8211; &#8220;The Girl Who Not Once Cried Wolf&#8221;<br \/>\nTravis Vick &#8211; &#8220;Inaccurate (self) Portraits of Water by the Artist Victor Vaughn&#8221;<br \/>\nKendra Langford Shaw &#8211; &#8220;Puffin Season&#8221;<br \/>\nSean Hammer &#8211; &#8220;The Charity Diet&#8221;<br \/>\nBrenda Peynado &#8211; &#8220;Blue Baby&#8221;<\/p>\n<p><strong>Non-Fiction<\/strong><br \/>\nB. J. Miller &#8211; &#8220;Good Night&#8221;<br \/>\nJoey Franklin &#8211; &#8220;Houseguest&#8221;<\/p>\n<p><strong>Translation Chapbook<\/strong><br \/>\nLuis Garc\u00eda Montero &#8211; &#8220;To Be Left Without City&#8221;<br \/>\nTranslated from the Spanish and Introduced by Alice McAdams<\/p>\n<p><strong>The 2014 AWP Intro Journals Awards<\/strong><br \/>\nAnne Barngrover &#8211; &#8220;Site Fidelity&#8221;<br \/>\nChristopher Connor &#8211; &#8220;The Last Best Place&#8221;<\/p>\n<p><strong>Special Section<\/strong><br \/>\nJen Fawkes &#8211; &#8220;Burro&#8221;<br \/>\nJennifer Militello &#8211; &#8220;The Problems of the Mothers&#8221;<br \/>\nMichael McGriff and J. M. Tyree &#8211; &#8220;from <em>Our Secret Lives in the Movies<\/em>&#8221;<br \/>\nBryce Emley &#8211; &#8220;Diving Deep (My Father as Octopus)&#8221;<br \/>\nAlyse Bensel &#8211; &#8220;Glossary for Metamorphosis I&#8221;<br \/>\nLucilena Jones &#8211; &#8220;The Neighbor&#8217;s Lemons&#8221;<br \/>\nMichael Alessi &#8211; &#8220;Insulaphobia&#8221;<br \/>\nJerry Dennis &#8211; &#8220;If You List Your Fears You Will Vanquish Them&#8221;<br \/>\nSteve Lapinsky &#8211; &#8220;The Delirium of Ponce de Le\u00f3n&#8221;<br \/>\nLisa J. Cihlar &#8211; &#8220;Irruption&#8221;<br \/>\nLisa C. Krueger &#8211; &#8220;Violet on a Plane&#8221;<br \/>\nAndrea Witzke Slot &#8211; &#8220;Panoply&#8221;<br \/>\nWendy Cannella &#8211; &#8220;Immortality&#8221;<br \/>\nClaire Guyton &#8211; &#8220;Three Things&#8221;<br \/>\nKendra Chapman &#8211; &#8220;Transliteration&#8221;<br \/>\nDonna Steiner &#8211; &#8220;Sinkers&#8221;<br \/>\nRyan Teitman &#8211; &#8220;One Hundred Names for the Moon&#8221;<br \/>\nBrian Phillip Whalen &#8211; &#8220;Palimpsest&#8221;<br \/>\nMatthew Minicucci &#8211; &#8220;Lemma&#8221;<br \/>\nNate Pillman &#8211; &#8220;The Rest of Us&#8221;<br \/>\nKatie Booth &#8211; &#8220;Still&#8221;<br \/>\nAlan Elyshevitz &#8211; &#8220;Deep&#8221;<br \/>\nRobert Thomas &#8211; &#8220;Songbird&#8221;<br \/>\nCynthia Marie Hoffman &#8211; &#8220;Open Window&#8221;<br \/>\nNina Boutsikaris &#8211; &#8220;What Doo-Wop Does&#8221;<br \/>\nMatt Maki &#8211; &#8220;How to Use a Map&#8221;<\/p>\n<p><strong>2014 Fineline Award<\/strong><br \/>\nWinner: Allison Adair &#8211; &#8220;Letter to My Niece, in Silverton, Colorado&#8221;<br \/>\nRunner-Up: Becky Hagenston &#8211; &#8220;Owls&#8221;<br \/>\nEditors&#8217; Choices:<br \/>\nCherie Hunter Day &#8211; &#8220;Fisher Scientific&#8221;<br \/>\nNancy Hewitt &#8211; &#8220;Measured&#8221;<\/p>\n<p><b>What We&#8217;re Reading<\/b><br \/>\n<em><br \/>\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0Fall 2014: 35th Anniversary Issue 1 \u00a0Cover Art:\u00a0Gregory Euclide. Table of Contents Poetry Jennifer K. Sweeney &#8211; &#8220;Parenthetical at 35&#8221;&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1483","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/1483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=1483"}],"version-history":[{"count":4,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/1483\/revisions"}],"predecessor-version":[{"id":2297,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/1483\/revisions\/2297"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=1483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}