{"id":131,"date":"2014-04-18T17:03:58","date_gmt":"2014-04-18T17:03:58","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=131"},"modified":"2014-05-05T03:11:11","modified_gmt":"2014-05-05T03:11:11","slug":"volume-xxxi-no-2","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-xxxi-no-2\/","title":{"rendered":"Volume XXXI, no. 2"},"content":{"rendered":"<table width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td id=\"archiveTable\" width=\"45%\">\n<div><center><a href=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/31-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-274\" alt=\"31-2\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/31-2.jpg\" width=\"108\" height=\"150\" \/><\/a><\/center><\/div>\n<p><center><span style=\"font-family: Garamond; font-size: small;\">Volume XXXI, Number 2<br \/>\nSpring 2011<br \/>\n<span style=\"font-size: medium;\">Cover Art: Nikkita Cohoon<\/span><\/span><\/center><center><span>Cover design by Nikkita Cohoon &amp; Michael Czyzniejewski<\/span><\/center><span style=\"font-family: Garamond; font-size: small;\"><span style=\"font-size: medium;\"><span><br \/>\n<\/span><\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"55%\">\n<h2>Table of Contents<\/h2>\n<p><b>Fiction<\/b><br \/>\nMark Mayer &#8220;The Evasive Magnolio&#8221;<br \/>\nKate Finlinson &#8220;Transliteration&#8221;<br \/>\nMatt Mullins&#8221;The Braid&#8221;<br \/>\nRavi Mangla &#8220;Better Halves&#8221;<br \/>\nBrandi Wells &#8220;Contortionist Ballerina&#8221;<br \/>\nJames Tadd Adcox &#8220;Divination&#8221;<br \/>\nScott Onak Two Stories<br \/>\nShannon Cain &#8220;I Love Bob&#8221;<br \/>\nMathew Eck &#8220;The Many Inventions of Walt Whitman, Jr.&#8221;<\/p>\n<p><b>Poetry<\/b><br \/>\nMichael Robins Two poems<br \/>\nMichael Schmeltzer &#8220;Elegy\/Ghost&#8221;<br \/>\nMary Ann Samyn Three Poems<br \/>\nKimberly Coutlier Green &#8220;For the Young Woman I Pass on the Beach&#8221;<br \/>\nJennifer Militello Two poems<br \/>\nCarrie Meadows Two poems<br \/>\nChristopher Shannon &#8220;Aircrafting&#8221;<br \/>\nSydney Lea Two Poems<br \/>\nMark Wagenaar Two poems<br \/>\nJim Daniels &#8220;Premature Aging&#8221;<br \/>\nAmy McInnus &#8220;Crab Spiders Have Eight Eyes&#8221;<br \/>\nCatherine Pierce &#8220;A Catalogue of My Desires From Age Sixteen to the Present&#8221;<br \/>\nAshley E. Booth &#8220;Crush&#8221;<br \/>\nClaire McQuerry &#8220;Pearls&#8221;<br \/>\nDavid Starkey &#8220;MMI&#8221;<br \/>\nJoe Wilkins &#8220;Anyone who has eyes for seeing should see&#8221;<br \/>\nAshley Danielle Ryle Two poems<\/p>\n<p><b>Nonfiction<\/b><br \/>\nM. Ann Hull &#8220;Sound is a wave of pressure&#8221;<br \/>\nMatt Forsythe &#8220;Rev. Blankesoor&#8211;Or, How I Scrapped the Semicolon and Learned to Love the Dash&#8221;<br \/>\nLindsey Drager &#8220;Lament for a Dead Sister&#8221;<\/p>\n<p><b>Featured Poet<\/b><br \/>\nTarfia Faizulla &#8220;Words for Every Kind of Woman&#8221;<\/p>\n<p><b>2010-11 Sherwood Anderson Fiction Award<\/b><br \/>\nWinner: Helen Klein Ross &#8220;Parrotfish&#8221;<\/p>\n<p><b>2010-11 James Wright Poetry Award<\/b><br \/>\nWinner: Katie Umans &#8220;Forecast&#8221;<br \/>\nEditor&#8217;s Choice: Katie Umans &#8220;The Body Near the Paintings&#8221;<br \/>\nEditor&#8217;s Choice: Michele Battiste &#8220;In the House&#8221;<br \/>\nEditor&#8217;s Choice: Lauren Jensen &#8220;It&#8217;s as hard as so much is&#8221;<br \/>\nEditor&#8217;s Choice: Melanie McCabe &#8220;Beneath the Code&#8221;<\/p>\n<p><b>Translations<\/b><br \/>\nEnrique Lihn &#8220;Dream and Variations&#8221;, Translated from the Spanish by Mary Crow<br \/>\nGuy Jean &#8220;If I were born in Florence&#8221;, Translated from the French by Katie Farris and Ilya Kaminsky<br \/>\nJuan Carlos Galeano &#8220;Leticia&#8221;, Translated from the Spanish by Jim Murphy<\/p>\n<p><b>Translation Chapbook<\/b><br \/>\nMira Ku\u015b &#8220;Beneath an Avalanche of Waking&#8221;<br \/>\nTranslated from the Polish by Karen Kovacik<\/p>\n<p>&nbsp;<\/p>\n<p><b>What We&#8217;re Reading<\/b><br \/>\n<i>Weather Stations<\/i>\u00a0by Ryan Call<br \/>\n<i>You&#8217;d Be a Stranger, Too: Stories by Weston Cutter<\/i><br \/>\n<i>Rendered Invisible: Stories of Blacks and Whites, Love and Death<\/i>\u00a0by Frank E. Dobson, Jr.<br \/>\n<i>Here and Now<\/i>\u00a0by Stephen Dunn<br \/>\n<i>Suspended Heart<\/i>\u00a0by Heather Fowler<br \/>\n<i>The Great Frustration<\/i>\u00a0by Seth Fried<br \/>\n<i>Busy Monsters<\/i>\u00a0by William Giraldi<br \/>\n<i>Le Spleen de Poughkeepsie<\/i>\u00a0by Joshua Harmon<br \/>\n<i>Volt<\/i>\u00a0by Alan Heathcock<br \/>\n<i>Busy Monsters<\/i>\u00a0by William Giraldi<br \/>\n<i>Pictures of Houses With Water Damage<\/i>\u00a0by Michael Hemmingson<br \/>\n<i>The Language of Shedding Skin<\/i>\u00a0by Niki Herd.<br \/>\n<i>Sightseer<\/i>\u00a0by Cynthia Marie Hoffman<br \/>\n<i>Avata<\/i>r by Evan Lavender-Smith<br \/>\n<i>Remnants of Another Age<\/i>\u00a0by Nikola<br \/>\nMadzirov.\u00a0<i>House Inspections<\/i>\u00a0by Carsten Ren\ufffd Nielsen (translated by David Keplinger)<br \/>\n<i>Prayer and Parable: Stories by Paul Maliszewski<\/i><br \/>\n<i>Makeshift Instructions for Vigilant Girls<\/i>\u00a0by Erika Meitner<br \/>\n<i>Lucky Fish<\/i>\u00a0by Aimee Nezhukumatathil<br \/>\n<i>Damn Sure Right<\/i>\u00a0by Meg Pokrass<br \/>\n<i>Simple Weight<\/i>\u00a0by Tania Runyan<br \/>\n<i>Wait<\/i>\u00a0by Alison Stine<br \/>\n<i>Historic Diary<\/i>\u00a0by Tony Trigilio<br \/>\n<i>Look! Look! Feathers<\/i>\u00a0by Mike Young<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Volume XXXI, Number 2 Spring 2011 Cover Art: Nikkita CohoonCover design by Nikkita Cohoon &amp; Michael Czyzniejewski Table of Contents&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-131","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=131"}],"version-history":[{"count":4,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/131\/revisions"}],"predecessor-version":[{"id":515,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/131\/revisions\/515"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}