{"id":128,"date":"2014-04-18T17:03:07","date_gmt":"2014-04-18T17:03:07","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=128"},"modified":"2014-05-05T03:09:24","modified_gmt":"2014-05-05T03:09:24","slug":"volume-xxxii-nos-1-2","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-xxxii-nos-1-2\/","title":{"rendered":"Volume XXXII, nos. 1 &#038; 2"},"content":{"rendered":"<table width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td id=\"archiveTable\" width=\"45%\">\n<div><center><a href=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/32-11.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-275\" alt=\"32-1\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/04\/32-11.jpg\" width=\"108\" height=\"150\" \/><\/a><\/center><\/div>\n<p><center><span style=\"font-family: Garamond; font-size: small;\">Volume XXXII, Numbers 1 &amp; 2<br \/>\nFall 2011-Spring 2012<br \/>\n<span style=\"font-size: medium;\">Cover Art:\u00a0<a href=\"http:\/\/www.californiaarthome.com\/shawn-savage.html\">Shawn Savage<\/a><\/span><\/span><\/center>&nbsp;<\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"55%\">\n<h2>Table of Contents<\/h2>\n<p><b>Fiction<\/b><br \/>\nBrian Buckbee &#8211; &#8220;Yielding Readily to Pressure&#8221;<br \/>\nJen Fawkes &#8211; &#8220;Tiny Bones&#8221;<br \/>\nLance Olsen &#8211; &#8220;Why, When It Dreams Our World, the Lobster Is Not a Telephone&#8221;<br \/>\nMary Miller &#8211; &#8220;He Says I Am a Little Oven&#8221;<br \/>\nMatt Mullins &#8211; Two Stories<br \/>\nLuke Andrew Geddes &#8211; &#8220;He&#8217;s a Rebel&#8221;<br \/>\nDave Housley &#8211; &#8220;Rock Out, Mate&#8221;<br \/>\nJulie Lekstrom Himes &#8211; &#8220;13 Things I Know&#8221;<br \/>\nChris Smith &#8211; &#8220;Release&#8221;<br \/>\nJames P. Austin &#8211; &#8220;Mentors&#8221;<br \/>\nJ. David Stevens &#8211; &#8220;So You Want to Be a Mujahid&#8221;<\/p>\n<p><b>Poetry<\/b><br \/>\nMeggie Monahan &#8211; &#8220;The Anonymous Old Woman to Jan Palach&#8221;<br \/>\nGeffrey Davis &#8211; &#8220;The Discipline of Waking Love&#8221;<br \/>\nJane Wong &#8211; Three Poems<br \/>\nCorey Van Landingham &#8211; &#8220;Last Year at Marienbad&#8221;<br \/>\nAce Boggess &#8211; &#8220;Potato Chip Sandwich&#8221;<br \/>\nKara van de Graaf &#8211; Two Poems<br \/>\nChrista Romanosky &#8211; &#8220;Exotica&#8221;<br \/>\nPaul Lisson &#8211; &#8220;History&#8221;<br \/>\nDaniela Olszewska &#8211; &#8220;Mala Nostra&#8221;<br \/>\nJeff Hardin &#8211; &#8220;Having Questioned the Difference Anything Makes&#8221;<br \/>\nKeith Montesano &#8211; &#8220;Journey&#8217;s &#8220;Don&#8217;t Stop Believin'&#8221; Finally Collapses the Radio Waves&#8221;<br \/>\nJehanne Dubrow &#8211; &#8220;Before Pleasure&#8221;<br \/>\nKerri French &#8211; &#8220;Frankie Silver Awaits Execution&#8221;<br \/>\nJesse DeLong &#8211; &#8220;Newton and the Law of Grave Eating&#8221;<br \/>\nNora Hickey &#8211; Two Poems<br \/>\nSimone Muench &#8211; Three Poems<br \/>\nSarah Green &#8211; &#8220;Four Leaves&#8221;<br \/>\nMal Westcott &#8211; &#8220;Yes, the Starlings&#8221;<br \/>\nBrieghan Gardner &#8211; Two Poems<br \/>\nCathy Carlisi &#8211; &#8220;Contained&#8221;<br \/>\nBarbara Daniels &#8211; &#8220;Men Working&#8221;<br \/>\nCamille-Yvette Welsch &#8211; Two Poems<br \/>\nPhilip Memmer &#8211; &#8220;Psalm&#8221;<\/p>\n<p><b>Nonfiction<\/b><br \/>\nHadara Bar-Nadav, Jacob Knabb, Kevin Prufer, James Englehardt, and John Gallaher &#8211; &#8220;Rising From the Cornfields: Literary Culture in the Midwest and the World&#8221;<br \/>\nTom Lake &#8211; &#8220;Bessie Harvey&#8217;s Visions&#8221;<\/p>\n<p><b>Translation Chapbook<\/b><br \/>\nTrine Ness &#8211; &#8220;A Name for the Dust That Rises,&#8221; Translated From the Norwegian by Rebecca Wadlinger<br \/>\n<b>2011 Fineline Competition<\/b><br \/>\nWinner: Ashley Davidson, &#8220;Migrations&#8221;<br \/>\nEditor&#8217;s Choice: Arianne Beros, &#8220;Two Selections&#8221;<br \/>\nEditor&#8217;s Choice: Lori Brack, &#8220;Two Selections&#8221;<br \/>\nEditor&#8217;s Choice: Eric Burger, &#8220;Two Selections&#8221;<br \/>\nEditor&#8217;s Choice: Ori Fienberg, &#8220;Sidekicks&#8221;<br \/>\nEditor&#8217;s Choice: Stefanie Freele, &#8220;Removal of Oneself From Corporate Identity&#8221;<br \/>\nEditor&#8217;s Choice: Paula Stacey, &#8220;When the Men Have Left&#8221;<br \/>\nEditor&#8217;s Choice: Mark J. Thiel, &#8220;The Origin of Canines&#8221;<\/p>\n<p><b>AWP Intro Journal Awards<\/b><br \/>\nAdam Price &#8211; &#8220;D-League&#8221;<br \/>\nD.M. Macormic &#8211; &#8220;God Reconsiders Egypt&#8221;<\/p>\n<p><b>What We&#8217;re Reading<\/b><br \/>\n<i>The Yellow House<\/i>\u00a0by Robin Behn<br \/>\n<i>New Stories from the Midwest,<\/i>\u00a0edited by Jason Lee Brown and Jay Prefontaine<br \/>\n<i>gone sane<\/i>\u00a0by Christal Rice Cooper<br \/>\n<i>Body of a Dancer<\/i>\u00a0by Renee E. D&#8217;Aoust<br \/>\n<i>Woodnote<\/i>\u00a0by Christine Deavel<br \/>\n<i>From the Darkness Right Under Our Feet<\/i>\u00a0by Patrick Michael Finn<br \/>\n<i>She Returns to the Floating World<\/i>\u00a0by Jeannine Hall Gailey<br \/>\n<i>Now Trends<\/i>\u00a0by Karl Taro Greenfeld<br \/>\n<i>Trophy<\/i>\u00a0by Michael Griffith<br \/>\n<i>Darling Endangered<\/i>\u00a0by Carol Guess<br \/>\n<i>My Only Wife<\/i>\u00a0by Jac Jemc<br \/>\n<i>Words We Might One Day Say<\/i>\u00a0by Holly Karapetkova<br \/>\n<i>Leaving the Atocha Station<\/i>\u00a0by Ben Lerner<br \/>\n<i>Damnatio Memoraie<\/i>\u00a0by Michael Meyerhofer<br \/>\n<i>hree Ways of the Saw<\/i>\u00a0by Matt Mullins<br \/>\n<i>Our List of Solutions<\/i>\u00a0by Carrie Oeding<br \/>\n<i>Out of Time<\/i>\u00a0by Geoff Schmidt<br \/>\n<i>Kiss Me, Stranger<\/i>\u00a0by Ron Tanner<br \/>\n<i>Shoe Up, Look Good<\/i>\u00a0by Mark Wisniewski<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Volume XXXII, Numbers 1 &amp; 2 Fall 2011-Spring 2012 Cover Art:\u00a0Shawn Savage&nbsp; &nbsp; Table of Contents Fiction Brian Buckbee &#8211;&hellip; <\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-128","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=128"}],"version-history":[{"count":3,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/128\/revisions"}],"predecessor-version":[{"id":513,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/128\/revisions\/513"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}