{"id":120,"date":"2014-04-16T18:03:08","date_gmt":"2014-04-16T18:03:08","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=120"},"modified":"2024-10-28T21:17:19","modified_gmt":"2024-10-28T21:17:19","slug":"author-index-reviews","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/author-index-reviews\/","title":{"rendered":"Author Index: Reviews"},"content":{"rendered":"

A<\/strong><\/h3>\n

Ack<\/span>erman,<\/span> Di<\/span>ane.<\/span>\u00a0<\/span>Lady Faustus.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> J. Bu<\/span>geja.<\/span> v. I<\/span>V,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nAd<\/span>cox,<\/span> J<\/span>ames<\/span> T<\/span>add.<\/span>\u00a0<\/span>The Map of the System of Human Knowledge.<\/i>\u00a0Re<\/span>viewed<\/span> by N<\/span>ick<\/span> K<\/span>ocz.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nAdno<\/span>t-Haynes,<\/span> Be<\/span>cky.<\/span>\u00a0<\/span>T<\/span>he<\/span> Y<\/span>ear<\/span> of Pe<\/span>rfect<\/span> Hap<\/span>piness.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> R<\/span>ose.<\/span> v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nA<\/span>gee,<\/span> Jo<\/span>nis.<\/span>\u00a0<\/span>A<\/span>cts<\/span> of L<\/span>ove<\/span> on In<\/span>digo<\/span> R<\/span>oad.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by L<\/span>isa<\/span> De<\/span>Cook.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nA<\/span>i.<\/span>\u00a0<\/span>Sin.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nAk<\/span>ers,<\/span> M<\/span>ary.<\/span>\u00a0<\/span>W<\/span>omen<\/span> Up on Bl<\/span>ocks:<\/span> St<\/span>ories.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Sr<\/span>uthi<\/span> The<\/span>kkiam.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nAlb<\/span>ergotti,<\/span> D<\/span>an.<\/span>\u00a0<\/span>The Boatloads.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>eter<\/span> Jo<\/span>seph<\/span> Glo<\/span>viczki.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nAlb<\/span>ergotti,<\/span> D<\/span>an.<\/span>\u00a0<\/span>Mil<\/span>lennial<\/span> Te<\/span>eth.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by N<\/span>aomi<\/span> No<\/span>rth.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nAl<\/span>egr\u00eda,<\/span> Cl<\/span>aribel<\/span> a<\/span>nd<\/span> Da<\/span>rwin<\/span> J. Fl<\/span>akoll.<\/span>\u00a0<\/span>Ashes of Izalco.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>rian<\/span> Ru<\/span>sso.<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nAl<\/span>egr\u00eda,<\/span> Cla<\/span>ribel.<\/span>\u00a0<\/span>Woman of the River.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>rian<\/span> Ru<\/span>sso.<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nAl<\/span>egr\u00eda,<\/span> Cl<\/span>aribel<\/span> a<\/span>nd<\/span> Da<\/span>rwin<\/span> J. Fl<\/span>akoll,<\/span> E<\/span>ds.<\/span> a<\/span>nd<\/span> Tr<\/span>ans.<\/span>\u00a0<\/span>On the Front Line.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>rian<\/span> Ru<\/span>sso.<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nA<\/span>li,<\/span> A<\/span>gha<\/span> Sh<\/span>ahid.<\/span>\u00a0<\/span>C<\/span>all<\/span> Me Is<\/span>hmael<\/span> To<\/span>night<\/span><\/span><\/em>. Re<\/span>viewed<\/span> by Ma<\/span>ureen<\/span> Pas<\/span>smore.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nAl<\/span>len,<\/span> P<\/span>aula<\/span> G<\/span>unn.<\/span>\u00a0<\/span>Skins and Bones.<\/i>\u00a0Re<\/span>viewed<\/span> by M<\/span>ary<\/span> Cat<\/span>herine<\/span> Ha<\/span>rper.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nAl<\/span>ley,<\/span> R<\/span>ick.<\/span>\u00a0<\/span>The Talking Book of July.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>enae<\/span> Nof<\/span>ziger.<\/span> v. X<\/span>IX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nAl<\/span>mond,<\/span> St<\/span>eve.<\/span>\u00a0<\/span>My Life in Heavy Metal.<\/i>\u00a0Re<\/span>viewed<\/span> by Pa<\/span>trick<\/span> Cr<\/span>erand.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nAl<\/span>mond,<\/span> St<\/span>eve.<\/span>\u00a0<\/span>Candyfreak: A Journey Through the Chocolate Underbelly of America.<\/i>\u00a0Re<\/span>viewed<\/span> by T<\/span>essa<\/span> Me<\/span>llas.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nAl<\/span>mond,<\/span> St<\/span>eve.<\/span>\u00a0<\/span>(Not That You Asked): Rants, Exploits, and Obsessions.<\/i>\u00a0Re<\/span>viewed<\/span> by An<\/span>drew<\/span> Sc<\/span>ott.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nAm<\/span>end,<\/span> Al<\/span>lison.<\/span>\u00a0<\/span>A Nearly Perfect Copy.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ill<\/span> Me<\/span>yers.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nAm<\/span>end,<\/span> Al<\/span>lison.<\/span>\u00a0<\/span>Th<\/span>ings<\/span> T<\/span>hat<\/span> P<\/span>ass<\/span> f<\/span>or<\/span> L<\/span>ove.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by B<\/span>eth<\/span> Ka<\/span>ufka.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nAn<\/span>ania,<\/span> Mi<\/span>chael,<\/span> E<\/span>d.<\/span>\u00a0<\/span>Gardening the Skies: The Missouri Writers’ Biennial Anthology.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>en<\/span> R<\/span>obb.<\/span> v. X, n<\/span>o.<\/span> 1.<\/span>
\nAnd<\/span>erson,<\/span> Ma<\/span>ggie.<\/span>\u00a0<\/span>A Space Filled With Moving.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>ee<\/span> Up<\/span>ton.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nAr<\/span>ias,<\/span> Ar<\/span>turo.<\/span>\u00a0<\/span>After the Bombs.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>rian<\/span> C. Ru<\/span>sso.<\/span> v. X<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nAu<\/span>ster,<\/span> P<\/span>aul.<\/span>\u00a0<\/span>City of Glass.<\/i>\u00a0Re<\/span>viewed<\/span> by C<\/span>athy<\/span> Pe<\/span>ppers.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nAu<\/span>ster,<\/span> P<\/span>aul,<\/span> E<\/span>d.<\/span>\u00a0<\/span>The Random House Book of Twentieth-Century French Poetry.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> K<\/span>arl.<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

B<\/b><\/h3>\n

Ba<\/span>bine,<\/span> Ka<\/span>ren.<\/span>\u00a0<\/span>W<\/span>ater<\/span> a<\/span>nd<\/span> W<\/span>hat<\/span> We K<\/span>now:<\/span> Fol<\/span>lowing<\/span> t<\/span>he<\/span> R<\/span>oots<\/span> of a No<\/span>rthern<\/span> L<\/span>ife.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by L<\/span>ydia<\/span> Mu<\/span>nnell.<\/span>\u00a0v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBac<\/span>harach,<\/span> Ja<\/span>cob.<\/span>\u00a0<\/span>T<\/span>he<\/span> B<\/span>end<\/span> of t<\/span>he<\/span> Wo<\/span>rld.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by S<\/span>asha<\/span> Kha<\/span>lifeh.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nB<\/span>air,<\/span> Ju<\/span>lene.<\/span>\u00a0<\/span>T<\/span>he<\/span> Og<\/span>allala<\/span> R<\/span>oad:<\/span> A Me<\/span>moir<\/span> of L<\/span>ove<\/span> a<\/span>nd<\/span> Rec<\/span>koning.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Sop<\/span>hfronia<\/span> Sc<\/span>ott.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBa<\/span>ker,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>Changeable Thunder.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBa<\/span>ker,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>Laws of the Land.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>cott<\/span> Ca<\/span>irns.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBa<\/span>kken,<\/span> K<\/span>erry<\/span> Ne<\/span>ville.<\/span>\u00a0<\/span>Necessary Lies.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>ate<\/span> L<\/span>ane.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBa<\/span>laban,<\/span> J<\/span>ohn.<\/span>\u00a0<\/span>Words for My Daughter.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>cott<\/span> Mi<\/span>nar.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBa<\/span>renti,<\/span> Jo<\/span>seph.<\/span>\u00a0<\/span>Kayaking Alone: Nine Hundred Miles from Idaho’s Mountains to the Pacific Ocean.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>imee<\/span> Po<\/span>gson.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBar<\/span>-Nadav,<\/span> Ha<\/span>dara.<\/span>\u00a0<\/span>The Frame Called Ruin.<\/i>\u00a0Re<\/span>viewed<\/span> by E<\/span>rin<\/span> L. Mi<\/span>ller.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBa<\/span>rry,<\/span> Re<\/span>becca.<\/span>\u00a0<\/span>Later, at the Bar: A Novel in Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>awn<\/span> Gol<\/span>dsmith.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBar<\/span>tlett,<\/span> A<\/span>my.<\/span>\u00a0<\/span>Afterwards.<\/i>\u00a0Re<\/span>viewed<\/span> by Be<\/span>rwyn<\/span> J. Mo<\/span>ore.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBa<\/span>rnes,<\/span> J<\/span>im.<\/span>\u00a0<\/span>The American Book of the Dead.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>cott<\/span> Ca<\/span>irns.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBa<\/span>rnes,<\/span> J<\/span>im.<\/span>\u00a0<\/span>La Plata Cantata.<\/i>\u00a0Re<\/span>viewed<\/span> by Sa<\/span>muel<\/span> M<\/span>aio.<\/span> v. X, n<\/span>o.<\/span> 1.<\/span>
\nBa<\/span>rrett,<\/span> An<\/span>drea.<\/span>\u00a0<\/span>Servants of the Map.<\/i>\u00a0Re<\/span>viewed<\/span> by Al<\/span>icia<\/span> Co<\/span>nroy.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBar<\/span>nstone,<\/span> T<\/span>ony.<\/span>\u00a0<\/span>To<\/span>ngue<\/span> of W<\/span>ar:<\/span> F<\/span>rom<\/span> P<\/span>earl<\/span> Ha<\/span>rbor<\/span> To Nag<\/span>asaki.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> S<\/span>hea.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nB<\/span>ass,<\/span> R<\/span>ick.<\/span>\u00a0<\/span>The Ninemile Wolves.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>rian<\/span> Be<\/span>atty.<\/span> v. X<\/span>IV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBa<\/span>tes,<\/span> Jo<\/span>seph.<\/span>\u00a0<\/span>Tommorowland.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>lake<\/span> Ki<\/span>mzey.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBa<\/span>xter,<\/span> Ch<\/span>arles.<\/span>\u00a0<\/span>The Soul Thief.<\/i>\u00a0Re<\/span>viewed<\/span> by Ma<\/span>rsha<\/span> McS<\/span>padden.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBa<\/span>zzett,<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>Y<\/span>ou<\/span> M<\/span>ust<\/span> Re<\/span>member<\/span> T<\/span>his.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Br<\/span>andon<\/span> Am<\/span>ico.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBe<\/span>atty,<\/span> J<\/span>an.<\/span>\u00a0<\/span>R<\/span>ed<\/span> Su<\/span>gar.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by J<\/span>ulie<\/span> Pl<\/span>att.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBe<\/span>chdel,<\/span> Al<\/span>ison.<\/span>\u00a0<\/span>Are You My Mother?: A Comic Drama.\u00a0<\/i>Re<\/span>viewed<\/span> by L<\/span>uca<\/span> Zu<\/span>llo.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBe<\/span>dard,<\/span> Br<\/span>ian.<\/span>\u00a0<\/span>H<\/span>our<\/span> of t<\/span>he<\/span> B<\/span>east<\/span> a<\/span>nd<\/span> O<\/span>ther<\/span> St<\/span>ories.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Li<\/span>ncoln<\/span> Ko<\/span>nkle.<\/span> v. V, n<\/span>o.<\/span> 1.<\/span>
\nB<\/span>ehn,<\/span> Ro<\/span>bin.<\/span>\u00a0<\/span>Horizon Note.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>nna<\/span> M<\/span>arie<\/span> Be<\/span>cker.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nB<\/span>ehn,<\/span> Ro<\/span>bin.<\/span>\u00a0<\/span>The Yellow House.<\/i>\u00a0Re<\/span>viewed<\/span> by Ch<\/span>risty<\/span> Vel<\/span>adota.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nB<\/span>ell,<\/span> Ma<\/span>dison<\/span> Sm<\/span>artt.<\/span>\u00a0<\/span>Save Me, Joe Louis.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>rian<\/span> Be<\/span>atty.<\/span> v. X<\/span>V,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nB<\/span>ell,<\/span> M<\/span>att.<\/span>\u00a0<\/span>Cataclysm Baby.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> Na<\/span>rdone.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nB<\/span>ell,<\/span> M<\/span>att.<\/span>\u00a0<\/span>H<\/span>ow<\/span> T<\/span>hey<\/span> W<\/span>ere<\/span> Fo<\/span>und.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by Mo<\/span>rris<\/span> Co<\/span>llins.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nB<\/span>ell,<\/span> M<\/span>att.<\/span>\u00a0<\/span>In the House Upon the Dirt Between the Lake and the Woods.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>ndy<\/span> Me<\/span>yers.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nB<\/span>ell,<\/span> Sa<\/span>lly.<\/span>\u00a0<\/span>Annus Mirabilis.\u00a0<\/i>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBen<\/span>edict,<\/span> El<\/span>inor.<\/span>\u00a0<\/span>L<\/span>ate<\/span> N<\/span>ews<\/span> f<\/span>rom<\/span> t<\/span>he<\/span> Wil<\/span>derness.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by \u00a0Ca<\/span>llista<\/span> Bu<\/span>chen.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nBen<\/span>nardo,<\/span> Ma<\/span>tthew,<\/span> D<\/span>avid<\/span> M<\/span>alki<\/span> !, a<\/span>nd<\/span> R<\/span>yan<\/span> No<\/span>rth,<\/span> E<\/span>ds.<\/span>\u00a0<\/span>Ma<\/span>chine<\/span> of De<\/span>ath:<\/span> A Col<\/span>lection<\/span> of St<\/span>ories<\/span> A<\/span>bout<\/span> Pe<\/span>ople<\/span> W<\/span>ho<\/span> K<\/span>now<\/span> H<\/span>ow<\/span> T<\/span>hey<\/span> W<\/span>ill<\/span> D<\/span>ie.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by J<\/span>ames<\/span> Du<\/span>nham.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBe<\/span>nson,<\/span> A<\/span>my.<\/span>\u00a0<\/span>The Sparkling-Eyed Boy: A Memoir of Love, Grown Up.<\/i>\u00a0Re<\/span>viewed<\/span> by R<\/span>ajni<\/span> Ge<\/span>orge.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nB<\/span>erg,<\/span> S<\/span>eth.<\/span>\u00a0<\/span>M<\/span>uted<\/span> L<\/span>ines<\/span> F<\/span>rom<\/span> So<\/span>meone<\/span> El<\/span>se’s<\/span> Me<\/span>mory.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Chr<\/span>istina<\/span> Vel<\/span>adota.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBe<\/span>rge,<\/span> Ca<\/span>rol.<\/span>\u00a0<\/span>Fierce Metronome: The One-Page Novels, and Other Short Fiction.<\/i>\u00a0Re<\/span>viewed<\/span> by Ro<\/span>bert<\/span> Ea<\/span>rly.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBe<\/span>rgman,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>Cr<\/span>acking<\/span> t<\/span>he<\/span> C<\/span>ode.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by K<\/span>en<\/span> Sh<\/span>edd.<\/span> v. V, n<\/span>o.<\/span> 2.<\/span>
\nBe<\/span>rry,<\/span> We<\/span>ndell.<\/span>\u00a0<\/span>A Part.<\/i>\u00a0Re<\/span>viewed<\/span> by Ho<\/span>ward<\/span> Mc<\/span>Cord.<\/span> v. 1, n<\/span>o.<\/span> 1.<\/span>
\nBe<\/span>rry,<\/span> We<\/span>ndell.<\/span>\u00a0<\/span>What Are People For?.<\/i>\u00a0Re<\/span>viewed<\/span> by An<\/span>drew<\/span> J. An<\/span>gyal.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBie<\/span>rlein,<\/span> St<\/span>acy.<\/span>\u00a0<\/span>A Vacation on the Island of Ex-Boyfriends.<\/i>\u00a0Re<\/span>viewed<\/span> by Me<\/span>lissa<\/span> Mi<\/span>ckael.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBid<\/span>dinger,<\/span> M<\/span>ary.<\/span>\u00a0<\/span>Pr<\/span>arie<\/span> Fe<\/span>ver.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ga<\/span>briel<\/span> We<\/span>lsch.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBid<\/span>dinger,<\/span> M<\/span>ary.<\/span>\u00a0<\/span>O Holy Insurgency.<\/i>\u00a0Re<\/span>viewed<\/span> by Chr<\/span>istina<\/span> Vel<\/span>adota.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBi<\/span>lgere,<\/span> Ge<\/span>orge.<\/span>\u00a0<\/span>T<\/span>he<\/span> W<\/span>hite<\/span> Mu<\/span>seum.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by B<\/span>rad<\/span> Mo<\/span>dlin.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nBla<\/span>ckmon,<\/span> W<\/span>.D.<\/span>\u00a0<\/span>Blood and Milk: A Novel in Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by M<\/span>ark<\/span> D. Baum<\/span>gartner.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBla<\/span>keslee,<\/span> Va<\/span>nessa.<\/span>\u00a0<\/span>T<\/span>rain<\/span> Sh<\/span>ots.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Eli<\/span>zabeth<\/span> Bre<\/span>azeale.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBoi<\/span>sseau,<\/span> Mic<\/span>helle.<\/span>\u00a0<\/span>No Private Life.<\/i>\u00a0Re<\/span>viewed<\/span> by N<\/span>aton<\/span> Le<\/span>slie.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBoi<\/span>sseau,<\/span> Mic<\/span>helle.<\/span>\u00a0<\/span>Trembling Air.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> Fr<\/span>eeman.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBo<\/span>ren,<\/span> K<\/span>aren<\/span> L<\/span>ee.<\/span>\u00a0<\/span>Girls in Peril.<\/i>\u00a0Re<\/span>viewed<\/span> by An<\/span>drew<\/span> Co<\/span>hen.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBo<\/span>ruch,<\/span> Mar<\/span>ianne.<\/span>\u00a0<\/span>View From the Gazebo.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>nne<\/span> C. Br<\/span>omley.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBo<\/span>swell,<\/span> Ro<\/span>bert.<\/span>\u00a0<\/span>T<\/span>he<\/span> Hal<\/span>f-Known<\/span> Wo<\/span>rld:<\/span> On Wr<\/span>iting<\/span> Fi<\/span>ction.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by An<\/span>drew<\/span> Sc<\/span>ott.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBo<\/span>ttoms,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>Shooting Rats at the Bibb County Dump.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>ex<\/span> Run<\/span>ciman.<\/span> v. I, n<\/span>o.<\/span> 2.<\/span>
\nBr<\/span>adley,<\/span> J<\/span>ohn,<\/span> E<\/span>d.<\/span>\u00a0<\/span>Atomic Ghost: Poets Respond to the Nuclear Age.<\/i>\u00a0Re<\/span>viewed<\/span> by Th<\/span>omas<\/span> S. Ed<\/span>wards.<\/span> v. X<\/span>VI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBr<\/span>adley,<\/span> J<\/span>ohn.<\/span>\u00a0<\/span>Y<\/span>ou<\/span> D<\/span>on’t<\/span> K<\/span>now<\/span> W<\/span>hat<\/span> Y<\/span>ou<\/span> D<\/span>on’t<\/span> K<\/span>now.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ca<\/span>llista<\/span> Bu<\/span>chen.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBr<\/span>andon,<\/span> J<\/span>ohn.<\/span>\u00a0<\/span>Ci<\/span>trus<\/span> Co<\/span>unty.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Pa<\/span>trick<\/span> Fa<\/span>ller.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBra<\/span>zaitis,<\/span> M<\/span>ark.<\/span>\u00a0<\/span>The Incurables.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>lake<\/span> Ki<\/span>mzey.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBra<\/span>zaitis,<\/span> M<\/span>ark.<\/span>\u00a0<\/span>Julia & Rodrigo.<\/i>\u00a0Re<\/span>viewed<\/span> by Ro<\/span>nald<\/span> Fis<\/span>chman.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBr<\/span>aziel,<\/span> Ja<\/span>mes.<\/span>\u00a0<\/span>Birmingham, 35 Miles.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>oe<\/span> Ce<\/span>lizic.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBr<\/span>aziel,<\/span> Ja<\/span>mes.<\/span>\u00a0<\/span>Sna<\/span>keskin<\/span> R<\/span>oad.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by J<\/span>oe<\/span> Ce<\/span>lizic.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nBr<\/span>ewer,<\/span> Ga<\/span>ylord.<\/span>\u00a0<\/span>Barbaric Mercies.<\/i>\u00a0Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> A. Cl<\/span>oud.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBri<\/span>mhall,<\/span> Tr<\/span>aci.<\/span>\u00a0<\/span>Our Lady of Ruins.<\/i>\u00a0Re<\/span>viewed<\/span> by RJ In<\/span>gram.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBr<\/span>own,<\/span> Fl<\/span>eda.<\/span>\u00a0<\/span>Women Who Loved Elvis All Their Lives.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBr<\/span>own,<\/span> J<\/span>ason<\/span> L<\/span>ee<\/span> a<\/span>nd<\/span> J<\/span>ay<\/span> Pref<\/span>ontaine,<\/span> E<\/span>d.<\/span>\u00a0<\/span>New Stories from the Midwest.<\/i>\u00a0Re<\/span>viewed<\/span> by Sh<\/span>aron<\/span> Har<\/span>rigan.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nBr<\/span>uchac,<\/span> Jo<\/span>seph,<\/span> E<\/span>d.<\/span>\u00a0<\/span>Songs From This Earth of Turtle’s Back: Contemporary American Indian Poetry.<\/i>\u00a0Re<\/span>viewed<\/span> by Ph<\/span>ilip<\/span> S<\/span>t.<\/span> Cl<\/span>air.<\/span> v. I<\/span>V,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

Buchen, Callista. <\/span>Look Look Look. <\/span><\/i>Reviewed by Michelle Bellman. v.XL, no. 2.<\/span>
\nBu<\/span>ckley,<\/span> Chri<\/span>stopher.<\/span>\u00a0<\/span>Blue Autumn.<\/i>\u00a0Re<\/span>viewed<\/span> by N<\/span>aton<\/span> Le<\/span>slie.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBu<\/span>ckley,<\/span> Chri<\/span>stopher.<\/span>\u00a0<\/span>Last Rites.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>ex<\/span> Run<\/span>ciman.<\/span> v. I, n<\/span>o.<\/span> 2.<\/span>
\nBu<\/span>ckley,<\/span> Chri<\/span>stopher.<\/span>\u00a0<\/span>Star Apocrypha.<\/i>\u00a0Re<\/span>viewed<\/span> by La<\/span>nette<\/span> Ca<\/span>dle.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBu<\/span>ntin,<\/span> Si<\/span>mmons<\/span> B.\u00a0<\/span>Bl<\/span>oom.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> Fr<\/span>eeman.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nBu<\/span>rns,<\/span> Cu<\/span>llen<\/span> Ba<\/span>iley.<\/span>\u00a0<\/span>S<\/span>lip.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by Ro<\/span>berto<\/span> C. Eli<\/span>zondo.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nBu<\/span>shell,<\/span> Ag<\/span>nes.<\/span>\u00a0<\/span>Local Deities.<\/i>\u00a0Re<\/span>viewed<\/span> by La<\/span>urie<\/span> Buc<\/span>hanan.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

C<\/b><\/h3>\n

Cadle, Lanette. <\/span>The Tethered Ground. <\/span><\/i>Reviewed by Matt Miller. v.XL, no. 2.<\/span><\/p>\n

Ca<\/span>irns,<\/span> Sc<\/span>ott.<\/span>\u00a0<\/span>Finding the Broken Man.<\/i>\u00a0Re<\/span>viewed<\/span> by Ro<\/span>bert<\/span> Ea<\/span>rly.<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCa<\/span>irns,<\/span> Sc<\/span>ott.<\/span>\u00a0<\/span>The Theology of Doubt.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>en<\/span> Sh<\/span>edd.<\/span> v. V<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nC<\/span>all,<\/span> R<\/span>yan.<\/span>\u00a0“Sn<\/span>owden’s<\/span> De<\/span>ath:<\/span> An Appr<\/span>eciation.”<\/span> P<\/span>art<\/span> of <\/span>Rev<\/span>isiting<\/span> t<\/span>he<\/span> 1962 Na<\/span>tional<\/span> B<\/span>ook<\/span> Aw<\/span>ards.<\/span><\/span><\/em> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1<\/span>
\nC<\/span>all,<\/span> R<\/span>yan.<\/span>\u00a0<\/span>Weather Stations.<\/i>\u00a0Re<\/span>viewed<\/span> by Je<\/span>ssica<\/span> Vo<\/span>zel.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCa<\/span>lvino,<\/span> It<\/span>alo.<\/span>\u00a0<\/span>Difficult Loves.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> B<\/span>yk.<\/span> v. V<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCam<\/span>pbell,<\/span> Bo<\/span>nnie<\/span> J<\/span>o.<\/span>\u00a0<\/span>Am<\/span>erican<\/span> Sa<\/span>lvage.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Du<\/span>stin<\/span> M. Ho<\/span>ffman.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCam<\/span>pbell,<\/span> Ew<\/span>ing.<\/span>\u00a0<\/span>T<\/span>he<\/span> Ri<\/span>ncon<\/span> Tri<\/span>ptych.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by J<\/span>eff<\/span> Bo<\/span>yer.<\/span> v. V, n<\/span>o.<\/span> 1.<\/span>
\nCam<\/span>pbell,<\/span> Ew<\/span>ing.<\/span>\u00a0<\/span>Piranesi’s Dream.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Rue<\/span>ckert.<\/span> v. I<\/span>X,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nC<\/span>arr,<\/span> Ri<\/span>chard.<\/span>\u00a0<\/span>Lucifer.\u00a0<\/i>Re<\/span>viewed<\/span> by An<\/span>thony<\/span> I<\/span>saac<\/span> Br<\/span>adley.<\/span><\/span>\u00a0<\/i>v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nC<\/span>arr,<\/span> Ri<\/span>chard.<\/span>\u00a0<\/span>Mi<\/span>ster<\/span> Ma<\/span>rtini.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by D<\/span>avid<\/span> D. Wil<\/span>liams.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCa<\/span>rruth.<\/span> Ha<\/span>yden.<\/span>\u00a0<\/span>The Sleeping Beauty.<\/i>\u00a0Re<\/span>viewed<\/span> by N<\/span>aton<\/span> Le<\/span>slie.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCa<\/span>rter,<\/span> Ja<\/span>red.<\/span>\u00a0<\/span>Work for the Night is Coming.<\/i>\u00a0Re<\/span>viewed<\/span> by Cl<\/span>audia<\/span> Wi<\/span>lley.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCa<\/span>rter,<\/span> Ja<\/span>red.<\/span>\u00a0<\/span>After the Rain.<\/i>\u00a0Re<\/span>viewed<\/span> by Sa<\/span>muel<\/span> M<\/span>aio.<\/span> v. X<\/span>VI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCa<\/span>rver,<\/span> Ra<\/span>ymond.<\/span>\u00a0<\/span>Cathedral.<\/i>\u00a0Re<\/span>viewed<\/span> by Do<\/span>uglas<\/span> Sm<\/span>ith.<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCa<\/span>ughey,<\/span> J<\/span>ohn<\/span> L.\u00a0<\/span>Ima<\/span>ginary<\/span> So<\/span>cial<\/span> Wo<\/span>rlds<\/span><\/span><\/em>. Re<\/span>viewed<\/span> by D<\/span>ale<\/span> Ritt<\/span>erbusch.<\/span> v. V, n<\/span>o.<\/span> 1.<\/span>
\nCe<\/span>ssac,<\/span> Chri<\/span>stopher.<\/span>\u00a0<\/span>Republic Sublime.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>arin<\/span> Wr<\/span>aley.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCh<\/span>ang,<\/span> Vic<\/span>toria.<\/span>\u00a0<\/span>Ci<\/span>rcle<\/span><\/span><\/em>.\u00a0<\/em>Re<\/span>viewed<\/span> by Ga<\/span>briel<\/span> We<\/span>lsch.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCh<\/span>aon,<\/span> D<\/span>an.<\/span>\u00a0<\/span>Among the Missing.<\/i>\u00a0Re<\/span>viewed<\/span> by Du<\/span>stin<\/span> Pa<\/span>rsons.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCh<\/span>aon,<\/span> D<\/span>an.<\/span>\u00a0<\/span>You Remind Me of Me.<\/i>\u00a0Re<\/span>viewed<\/span> by J. A<\/span>lbin<\/span> La<\/span>rson.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCha<\/span>ppell,<\/span> F<\/span>red.<\/span>\u00a0<\/span>More Shapes Than One.<\/i>\u00a0Re<\/span>viewed<\/span> by Da<\/span>niel<\/span> J<\/span>ames<\/span> Su<\/span>ndhal.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nChri<\/span>stopher,<\/span> Nic<\/span>holas.<\/span>\u00a0<\/span>A Short History of the Island of Butterflies.<\/i>\u00a0Re<\/span>viewed<\/span> by Be<\/span>rwyn<\/span> J. Mo<\/span>ore.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCi<\/span>tino,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>The Appassionata Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> K<\/span>arl<\/span> (Ri<\/span>tchie).<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCl<\/span>auser,<\/span> Gr<\/span>ant.<\/span>\u00a0<\/span>The Trouble with Rivers.\u00a0<\/i>Re<\/span>viewed<\/span> by J<\/span>ason<\/span> Ta<\/span>ndon.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCl<\/span>ifton,<\/span> Lu<\/span>cille.<\/span>\u00a0<\/span>Blessing the Boats: New and Selected Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by Ju<\/span>stin<\/span> Fi<\/span>ore.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCl<\/span>inton,<\/span> D, T<\/span>om<\/span> Mo<\/span>ntag,<\/span> a<\/span>nd<\/span> C. W. Tru<\/span>esdale,<\/span> E<\/span>d.<\/span>\u00a0<\/span>An Am<\/span>erican<\/span> Ant<\/span>hology:<\/span> A Geo<\/span>poetics<\/span> Lan<\/span>dmark.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by D<\/span>ale<\/span> Ritt<\/span>erbusch.<\/span> v. V, n<\/span>o.<\/span> 2.<\/span>
\nCl<\/span>over,<\/span> Jo<\/span>shua.<\/span>\u00a0<\/span>The Totality for Kids.<\/i>\u00a0Re<\/span>viewed<\/span> by Am<\/span>anda<\/span> Mc<\/span>Guire.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCo<\/span>ates,<\/span> Law<\/span>rence.<\/span>\u00a0<\/span>C<\/span>amp<\/span> Ol<\/span>vido.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span>\u00a0v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCo<\/span>ates,<\/span> Law<\/span>rence.<\/span>\u00a0<\/span>The Master of Monterey.<\/i>\u00a0Re<\/span>viewed<\/span> by J. A<\/span>lbin<\/span> La<\/span>rson.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCo<\/span>hen,<\/span> Ju<\/span>lia.<\/span>\u00a0<\/span>Col<\/span>lateral<\/span> Li<\/span>ght.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ka<\/span>rissa<\/span> Mo<\/span>rton.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCo<\/span>kinos,<\/span> Chri<\/span>stopher.<\/span>\u00a0<\/span>Bo<\/span>dies,<\/span> of t<\/span>he<\/span> Hol<\/span>ocene.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by L<\/span>aura<\/span> Ma<\/span>ylene<\/span> Wa<\/span>lter.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nco<\/span>nkle,<\/span> d st<\/span>even.<\/span>\u00a0<\/span>OHIO ZEN POEMS: all the difference.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>eff<\/span> Gu<\/span>ndy.<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nCo<\/span>nnell,<\/span> E<\/span>van<\/span> S.\u00a0<\/span>Saint Augustine’s Pigeon.<\/i>\u00a0Re<\/span>viewed<\/span> by Ph<\/span>ilip<\/span> O’C<\/span>onnor.<\/span> v. I, n<\/span>o.<\/span> 1.<\/span>
\nCo<\/span>nners,<\/span> Pe<\/span>ter.<\/span>\u00a0<\/span>Of Whiskey and Winter.<\/i>\u00a0Re<\/span>viewed<\/span> by We<\/span>ston<\/span> Cu<\/span>tter.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCo<\/span>nroy,<\/span> Al<\/span>icia<\/span> L.\u00a0<\/span>Lives of Mapmakers.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>eth<\/span> Po<\/span>lzin.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCo<\/span>oper,<\/span> Ch<\/span>ristal<\/span> R<\/span>ice.<\/span>\u00a0<\/span>gone sane.\u00a0<\/i>\u00a0Re<\/span>viewed<\/span> by An<\/span>gela<\/span> Ge<\/span>ntry.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nCo<\/span>over,<\/span> Ro<\/span>bert.<\/span>\u00a0<\/span>The Brunist Day of Wrath.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>eth<\/span> Fr<\/span>ied.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCo<\/span>rin,<\/span> L<\/span>ucy.<\/span>\u00a0<\/span>One Hundred Apocalypses and Other Apocalypses.\u00a0<\/i>Re<\/span>viewed<\/span> by Tr<\/span>ista<\/span> Ed<\/span>wards.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCo<\/span>rman,<\/span> C<\/span>id.<\/span>\u00a0<\/span>And the Word.<\/i>\u00a0Re<\/span>viewed<\/span> by C<\/span>raig<\/span> Pau<\/span>lenich.<\/span> v. X, n<\/span>o.<\/span> 1.<\/span>
\nCo<\/span>uch,<\/span> Le<\/span>ann.<\/span>\u00a0<\/span>Houses Fly Away.<\/i>\u00a0Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> A. Cl<\/span>oud.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCou<\/span>rtright,<\/span> N<\/span>ick.<\/span>\u00a0<\/span>Punchline.<\/i>\u00a0Re<\/span>viewed<\/span> by Je<\/span>ssica<\/span> D. Z<\/span>inz.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCr<\/span>ace,<\/span> J<\/span>im.<\/span>\u00a0<\/span>The Devil’s Larder.<\/i>\u00a0Re<\/span>viewed<\/span> by Pa<\/span>trick<\/span> Cr<\/span>erand.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCr<\/span>aig,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>Peter Maurin and other poems.<\/i>\u00a0Re<\/span>viewed<\/span> by Ma<\/span>urice<\/span> Ki<\/span>lwein.<\/span> v. V<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCr<\/span>oss,<\/span> Eu<\/span>gene.<\/span>\u00a0<\/span>Fires of Our Choosing.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>lake<\/span> Ki<\/span>mzey.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCr<\/span>ouse,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>Copy Cats.<\/i>\u00a0Re<\/span>viewed<\/span> by Li<\/span>ndsey<\/span> Ik<\/span>egami.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCs<\/span>o\u00f3ri,<\/span> S\u00e1<\/span>ndor.<\/span>\u00a0<\/span>Before and After the Fall<\/i>, Tra<\/span>nslated<\/span> by L<\/span>en<\/span> Ro<\/span>berts.<\/span> Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCum<\/span>mings,<\/span> J<\/span>ohn<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>The Night I Freed John Brown.<\/i>\u00a0Re<\/span>viewed<\/span> by Ga<\/span>briel<\/span> We<\/span>lsch.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.2.<\/span><\/span>
\nCun<\/span>ningham,<\/span> M. Al<\/span>len.<\/span>\u00a0<\/span>The Green Age of Asher Witherow.<\/i>\u00a0Re<\/span>viewed<\/span> by E<\/span>rik<\/span> Esc<\/span>kilsen.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCu<\/span>rley,<\/span> Da<\/span>niel.<\/span>\u00a0<\/span>Living With Snakes.<\/i>\u00a0Re<\/span>viewed<\/span> by R<\/span>ick<\/span> He<\/span>nry.<\/span> v. V<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nCu<\/span>tter,<\/span> We<\/span>ston.<\/span>\u00a0<\/span>You’d Be a Stranger, Too: Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>rad<\/span> Fe<\/span>lver.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nCzyz<\/span>niejewski,<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>I W<\/span>ill<\/span> L<\/span>ove<\/span> Y<\/span>ou<\/span> F<\/span>or<\/span> t<\/span>he<\/span> R<\/span>est<\/span> of My L<\/span>ife:<\/span> Br<\/span>eakup<\/span> St<\/span>ories.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by K<\/span>elly<\/span> Ki<\/span>ehl.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

D<\/b><\/h3>\n

D’<\/span>Agata,<\/span> J<\/span>ohn.<\/span>\u00a0<\/span>Halls of Fame.<\/i>\u00a0Re<\/span>viewed<\/span> by Du<\/span>stin<\/span> Pa<\/span>rsons.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nDa<\/span>niels,<\/span> J<\/span>im.<\/span>\u00a0<\/span>B<\/span>irth<\/span> Ma<\/span>rks.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Y<\/span>osef<\/span> Ro<\/span>sen.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nDa<\/span>niels,<\/span> J<\/span>im<\/span> R<\/span>ay.<\/span>\u00a0<\/span>E<\/span>ight<\/span> M<\/span>ile<\/span> H<\/span>igh.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by L<\/span>aura<\/span> Ma<\/span>ylene<\/span> Wa<\/span>lter.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

Da<\/span>niels,<\/span> J<\/span>im<\/span> a<\/span>nd<\/span> Li<\/span>ebler<\/span> M<\/span>.L.,<\/span> e<\/span>ds.<\/span> <\/span><\/span>RESPECT: The Poetry of Detroit Music. <\/span><\/i>Re<\/span>viewed<\/span> by Cas<\/span>sandra<\/span> Cav<\/span>erhill.<\/span> v<\/span>.XL,<\/span> n<\/span>o.<\/span> 2.<\/span><\/span><\/p>\n

D<\/span>ao,<\/span> B<\/span>ei.<\/span>\u00a0<\/span>Old Snow.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> K<\/span>arl<\/span> (Ri<\/span>tchie).<\/span> v. X<\/span>IV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nD’<\/span>Aoust,<\/span> R<\/span>en\u00e9e<\/span> E.\u00a0<\/span>Body of\u00a0\u00a0Dancer.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>aren<\/span> Ba<\/span>bine.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nDa<\/span>rling,<\/span> Kr<\/span>istina<\/span> Ma<\/span>rie.<\/span>\u00a0<\/span>V<\/span>ow.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Co<\/span>oper<\/span> Re<\/span>nner.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nDav<\/span>idson,<\/span> C<\/span>had.<\/span>\u00a0<\/span>T<\/span>he<\/span> L<\/span>ast<\/span> Pre<\/span>dicta.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by P<\/span>aul<\/span> Bi<\/span>ssa.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nDa<\/span>vies,<\/span> A<\/span>dam.<\/span>\u00a0<\/span>The Frog King.<\/i>\u00a0Re<\/span>viewed<\/span> by Do<\/span>uglas<\/span> Die<\/span>senhaus.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nD<\/span>ay,<\/span> Ca<\/span>thy.<\/span>\u00a0<\/span>The Circus Winter.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>nna<\/span> Le<\/span>ahy.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nDe<\/span>avel,<\/span> Chr<\/span>istine.<\/span>\u00a0<\/span>Woodnote.<\/i>\u00a0Re<\/span>viewed<\/span> by Ka<\/span>thleen<\/span> Fle<\/span>nniken.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nDeb<\/span>eljak,<\/span> A<\/span>le\u0161.<\/span>\u00a0<\/span>Smu<\/span>gglers.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by E<\/span>ric<\/span> Ko<\/span>mosa.<\/span>\u00a0v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nDe<\/span>nis,<\/span> Phi<\/span>lippe.<\/span>\u00a0<\/span>No<\/span>tebook<\/span> of Sh<\/span>adows:<\/span> Se<\/span>lected<\/span> P<\/span>oems<\/span> 1974-1980.\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> K<\/span>arl<\/span> (Ri<\/span>tchie).<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nDi<\/span>llard,<\/span> An<\/span>nie.<\/span>\u00a0<\/span>An Am<\/span>erican<\/span> Chi<\/span>ldhood.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Sa<\/span>ndra<\/span> Hu<\/span>mble<\/span> Jo<\/span>hnson.<\/span> v. V<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nDo<\/span>bson<\/span> J<\/span>r.,<\/span> F<\/span>rank<\/span> E.\u00a0<\/span>Rendered Invisible: Stories of Blacks and Whites, Love and Death.<\/i>\u00a0Re<\/span>viewed<\/span> by Ro<\/span>semary<\/span> H<\/span>arp.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nD<\/span>odd,<\/span> Eli<\/span>zabeth.<\/span>\u00a0<\/span>Prospect: Journeys and Landscapes.<\/i>\u00a0Re<\/span>viewed<\/span> by Du<\/span>stin<\/span> Pa<\/span>rsons.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nD<\/span>odd,<\/span> S<\/span>usan<\/span> M.\u00a0<\/span>Old Wives’ Tales.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>isa<\/span> Ch<\/span>urch.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nD<\/span>odd,<\/span> Wa<\/span>yne.<\/span>\u00a0<\/span>Som<\/span>etimes<\/span> M<\/span>usic<\/span> R<\/span>ises<\/span><\/span><\/em>. Re<\/span>viewed<\/span> by G<\/span>reg<\/span> Ku<\/span>zma.<\/span> v. V<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nDo<\/span>err,<\/span> An<\/span>thony.<\/span>\u00a0<\/span>About Grace.<\/i>\u00a0Re<\/span>viewed<\/span> by Ga<\/span>briel<\/span> We<\/span>lsch.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nD<\/span>oty,<\/span> M<\/span>ark.<\/span>\u00a0<\/span>My Alexandria.<\/i>\u00a0Re<\/span>viewed<\/span> by Co<\/span>lleen<\/span> Mo<\/span>rton.<\/span> v. X<\/span>V,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nD<\/span>oty,<\/span> M<\/span>ark.<\/span>\u00a0<\/span>Still Life With Oysters and Lemon.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nDou<\/span>gherty,<\/span> S<\/span>ean<\/span> Th<\/span>omas.<\/span>\u00a0<\/span>Nightshift Belonging to Lorca.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nDou<\/span>gherty,<\/span> S<\/span>ean<\/span> Th<\/span>omas.<\/span>\u00a0<\/span>Broken Hallelujahs.<\/i>\u00a0Re<\/span>viewed<\/span> by G<\/span>ary<\/span> L. McD<\/span>owell.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nDri<\/span>scoll,<\/span> J<\/span>ack.<\/span>\u00a0<\/span>Building the Cold from Memory.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nDri<\/span>scoll,<\/span> J<\/span>ack.<\/span>\u00a0<\/span>Fishing the Backwash.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. I<\/span>V,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nDri<\/span>scoll,<\/span> J<\/span>ack.<\/span>\u00a0<\/span>Wanting Only To Be Heard.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>eter<\/span> Ma<\/span>rkus.<\/span> v. X<\/span>V,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nDu<\/span>brow,<\/span> Je<\/span>hanne.<\/span>\u00a0<\/span>T<\/span>he<\/span> Ar<\/span>ranged<\/span> Mar<\/span>riage.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by Ni<\/span>cole<\/span> Con<\/span>nolly.<\/span>\u00a0v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nDu<\/span>brow,<\/span> Je<\/span>hanne.<\/span>\u00a0<\/span>Red Army Red.<\/i>\u00a0Re<\/span>viewed<\/span> by Je<\/span>annine<\/span> H<\/span>all<\/span> Ga<\/span>iley.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nDu<\/span>bus,<\/span> An<\/span>dre.<\/span>\u00a0<\/span>Selected Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by Do<\/span>uglas<\/span> Sm<\/span>ith.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nDu<\/span>cey,<\/span> Ke<\/span>vin.<\/span>\u00a0<\/span>Rhinoceros.<\/i>\u00a0Re<\/span>viewed<\/span> by F. Da<\/span>niel<\/span> Rzi<\/span>cznek.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nD<\/span>uff,<\/span> Ge<\/span>rald.<\/span><\/span>\u00a0Blue Sabrine.\u00a0<\/i>Re<\/span>viewed<\/span> by Sop<\/span>hfronia<\/span> Sc<\/span>ott.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nDu<\/span>hamel,<\/span> De<\/span>nise.<\/span>\u00a0<\/span>Ka-<\/span>Ching!<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Je<\/span>annine<\/span> H<\/span>all<\/span> Ca<\/span>iley.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nD<\/span>unn,<\/span> St<\/span>ephen.<\/span>\u00a0<\/span>Different Hours.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nD<\/span>unn,<\/span> St<\/span>ephen.<\/span>\u00a0<\/span>Here and Now.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nD<\/span>unn,<\/span> St<\/span>ephen.<\/span>\u00a0<\/span>Local Time.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nD<\/span>unn,<\/span> St<\/span>ephen.<\/span>\u00a0<\/span>Local Visitations.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nD<\/span>unn,<\/span> St<\/span>ephen.<\/span>\u00a0<\/span>N<\/span>ot<\/span> Da<\/span>ncing.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. V, n<\/span>o.<\/span> 2.<\/span><\/p>\n

Dunn, Stephen. <\/span>Pagan Virtues. <\/span><\/i>Reviewed by George Looney. v.XL, no. 2.<\/span>
\nD<\/span>unn,<\/span> St<\/span>ephen.<\/span>\u00a0<\/span>Riffs and Reciprocities: Prose Pairs.<\/i>\u00a0Re<\/span>viewed<\/span> by Ro<\/span>bert<\/span> Mi<\/span>ltner.<\/span> v. X<\/span>IX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nDy<\/span>bek,<\/span> St<\/span>uart.<\/span>\u00a0<\/span>Childhood and Other Neighborhoods.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>im<\/span> Da<\/span>niels.<\/span> v. I, n<\/span>o.<\/span> 2.<\/span>
\nDy<\/span>bek,<\/span> St<\/span>uart.<\/span>\u00a0<\/span>I Sailed with Magellan.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nDy<\/span>bek,<\/span> St<\/span>uart.<\/span>\u00a0<\/span>Streets in Their Own Ink.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>aul<\/span> Bi<\/span>ssa.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

E<\/b><\/h3>\n

En<\/span>gman,<\/span> J<\/span>ohn.<\/span>\u00a0<\/span>Keeping Still, Mountain.<\/i>\u00a0Re<\/span>viewed<\/span> by W<\/span>yn<\/span> Co<\/span>oper.<\/span> v. V, n<\/span>os.<\/span> 1 & 2.<\/span>
\nEr<\/span>does,<\/span> Ri<\/span>chard<\/span> a<\/span>nd<\/span> Al<\/span>fonso<\/span> Or<\/span>tiz,<\/span> E<\/span>d.<\/span>\u00a0<\/span>Am<\/span>erican<\/span> In<\/span>dian<\/span> M<\/span>yths<\/span> A<\/span>nd<\/span> Le<\/span>gends.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ph<\/span>ilip<\/span> S<\/span>t.<\/span> Cl<\/span>air.<\/span> v. V, n<\/span>o.<\/span> 2.<\/span>
\nEr<\/span>vin,<\/span> An<\/span>drew.<\/span>\u00a0<\/span>Extr<\/span>aordinary<\/span> Ren<\/span>ditions.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Jo<\/span>seph<\/span> Ce<\/span>lizic.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nEs<\/span>pada,<\/span> Ma<\/span>rt\u00edn.<\/span>\u00a0<\/span>Rebellion is the Circle of a Lover’s Hands.<\/i>\u00a0Re<\/span>viewed<\/span> by Sa<\/span>muel<\/span> M<\/span>aio.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nEs<\/span>tes,<\/span> An<\/span>gie.<\/span>\u00a0<\/span>C<\/span>hez<\/span> N<\/span>ous.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Am<\/span>anda<\/span> Mc<\/span>Guire.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nEs<\/span>tes,<\/span> An<\/span>gie.<\/span>\u00a0<\/span>Tr<\/span>yst.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Tr<\/span>ista<\/span> Ed<\/span>wards.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nEs<\/span>tes,<\/span> An<\/span>gie.<\/span>\u00a0<\/span>Voice-Over.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nEv<\/span>ans,<\/span> C<\/span>J.<\/span>\u00a0<\/span>A Penance.<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>an<\/span> La<\/span>mbert.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nEv<\/span>ans,<\/span> K<\/span>erry<\/span> Ja<\/span>mes.<\/span>\u00a0<\/span>Bangalore.<\/i>\u00a0Re<\/span>viewed<\/span> by E<\/span>mily<\/span> M<\/span>ay<\/span> And<\/span>erson.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nEv<\/span>enson,<\/span> Br<\/span>ian.<\/span>\u00a0<\/span>The Open Curtain.\u00a0<\/i>Re<\/span>viewed<\/span> by Je<\/span>nnifer<\/span> Br<\/span>yan.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

F<\/b><\/h3>\n

Fa<\/span>gan,<\/span> Ka<\/span>thy.<\/span>\u00a0<\/span>The Charm.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nFai<\/span>rchild,<\/span> H<\/span>.H.<\/span>\u00a0<\/span>E<\/span>arly<\/span> Oc<\/span>cult<\/span> Me<\/span>mory<\/span> Sy<\/span>stems<\/span> of t<\/span>he<\/span> Mi<\/span>dwest:<\/span> Po<\/span>ems.<\/span> <\/span><\/em>Re<\/span>viewed<\/span> by S<\/span>eth<\/span> B<\/span>erg.<\/span>\u00a0v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nFai<\/span>zullah,<\/span> Ta<\/span>rfia.<\/span>\u00a0<\/span>S<\/span>eam.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by S<\/span>arah<\/span> R<\/span>ose<\/span> Nor<\/span>dgren.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nFar<\/span>gnoli,<\/span> Pat<\/span>ricia.<\/span>\u00a0<\/span>Small Songs of Pain.<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>iane<\/span> Loc<\/span>kwood.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nFei<\/span>nstein,<\/span> Sa<\/span>scha<\/span> a<\/span>nd<\/span> Y<\/span>usef<\/span> Kom<\/span>unyakaa,<\/span> E<\/span>ds.<\/span>\u00a0<\/span>The Jazz Poetry Anthology.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>eff<\/span> Gu<\/span>ndy.<\/span> v. X<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nFe<\/span>llner,<\/span> St<\/span>eve.<\/span>\u00a0<\/span>Blind Date With Cavafy.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>aul<\/span> Bi<\/span>ssa.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nFen<\/span>nelly,<\/span> B<\/span>eth<\/span> A<\/span>nn.<\/span>\u00a0<\/span>Open House.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>nna<\/span> Le<\/span>ahy.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nFi<\/span>ncke,<\/span> G<\/span>ary.<\/span>\u00a0<\/span>Sorry I Worried You.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>isa<\/span> De<\/span>Cook.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nF<\/span>inn,<\/span> Pa<\/span>trick<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>From the Darkness Right Under Out Feet.\u00a0<\/i>Re<\/span>viewed<\/span> by Me<\/span>lissa<\/span> Mi<\/span>ckael.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nFit<\/span>zgerald,<\/span> Ro<\/span>bert,<\/span> Tr<\/span>ans.<\/span>\u00a0<\/span>Virgil’s The Aeneid.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> K<\/span>arl<\/span> (Ri<\/span>tchie).<\/span> v. I<\/span>V,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nFl<\/span>akoll,<\/span> Da<\/span>rwin<\/span> J, Tr<\/span>ans.<\/span><\/span>Woman of the River by Claribel Alegria.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>rian<\/span> Ru<\/span>sso.<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nFle<\/span>nniken,<\/span> Kat<\/span>hleen.<\/span>\u00a0<\/span>Plume: Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>aul<\/span> Ro<\/span>dgers.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nFl<\/span>ynn,<\/span> N<\/span>ick.<\/span>\u00a0<\/span>B<\/span>lind<\/span> Hu<\/span>ber.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by M<\/span>ark<\/span> Je<\/span>nkins.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nFoe<\/span>rster,<\/span> Ri<\/span>chard.<\/span>\u00a0<\/span>The Burning of Troy.<\/i>\u00a0Re<\/span>viewed<\/span> by Ga<\/span>briel<\/span> We<\/span>lsch.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nFo<\/span>rch\u00e9,<\/span> Ca<\/span>rolyn.<\/span>\u00a0<\/span>B<\/span>lue<\/span> H<\/span>our:<\/span> Po<\/span>ems.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> Fr<\/span>eeman.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

Fo<\/span>reman,<\/span> Ro<\/span>bert<\/span> L<\/span>ong.<\/span> <\/span><\/span>I Am Here to Make Friends. <\/span><\/i>Re<\/span>viewed<\/span> by An<\/span>gela<\/span> Kr<\/span>amer.<\/span> v<\/span>.XL,<\/span> n<\/span>o.<\/span> 2.<\/span><\/span><\/p>\n

F<\/span>ort,<\/span> Ch<\/span>arles.<\/span>\u00a0<\/span>The Town Clock Burning.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>en<\/span> Sh<\/span>edd.<\/span> v. V<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nFo<\/span>ster,<\/span> L<\/span>inda<\/span> Ne<\/span>mec.<\/span>\u00a0<\/span>Amber Necklace from Gdansk.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>eth<\/span> B<\/span>erg.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

Fo<\/span>ust,<\/span> Re<\/span>becca.<\/span> <\/span><\/span>The Unexploded Ordnance Bin. <\/span><\/i>Re<\/span>viewed<\/span> by A<\/span>llie<\/span> P<\/span>avy.<\/span> v<\/span>.XL,<\/span> n<\/span>o.<\/span> 2.<\/span><\/span><\/p>\n

Fo<\/span>wler,<\/span> He<\/span>ather.<\/span>\u00a0<\/span>Suspended Heart.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chelle<\/span> Zu<\/span>ppa.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nFra<\/span>ngello,<\/span> G<\/span>ina.<\/span>\u00a0<\/span>My Sister’s Continent.<\/i>\u00a0Re<\/span>viewed<\/span> by Je<\/span>nnifer<\/span> Br<\/span>yan.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nFr<\/span>ank,<\/span> Ma<\/span>tthew<\/span> Ga<\/span>vin.<\/span>\u00a0<\/span>The Morrow Plots.<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>iane<\/span> Se<\/span>uss.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nFr<\/span>ank,<\/span> Re<\/span>becca<\/span> Mo<\/span>rgan.<\/span>\u00a0<\/span>Little Murders Everywhere.<\/i>\u00a0Re<\/span>viewed<\/span> by M<\/span>ark<\/span> A<\/span>llen<\/span> Je<\/span>nkins.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nFra<\/span>terrigo,<\/span> Me<\/span>lissa.<\/span>\u00a0<\/span>The Longest Pregnancy.<\/i>\u00a0Re<\/span>viewed<\/span> by Ch<\/span>arles<\/span> Y<\/span>u.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nFr<\/span>eele,<\/span> Ste<\/span>fanie.<\/span>\u00a0<\/span>Fe<\/span>eding<\/span> St<\/span>rays:<\/span> S<\/span>hort<\/span> St<\/span>ories.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by As<\/span>hley<\/span> Ka<\/span>ine.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nFr<\/span>eeman,<\/span> C<\/span>al.<\/span>\u00a0<\/span>Br<\/span>other<\/span> of Le<\/span>aving.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span>\u00a0v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nFr<\/span>eligh,<\/span> Sa<\/span>rah.<\/span>\u00a0<\/span>S<\/span>ad<\/span> M<\/span>ath<\/span><\/span><\/em>. Re<\/span>viewed<\/span> by K<\/span>elly<\/span> Ki<\/span>ehl.<\/span>\u00a0v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nFr<\/span>ied,<\/span> Da<\/span>isy.<\/span>\u00a0<\/span>Women’s Poetry: Poetry and Advice.\u00a0<\/i>Re<\/span>viewed<\/span> by S<\/span>ara<\/span> Bu<\/span>rge.<\/span><\/span>\u00a0<\/i>v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nFr<\/span>ied,<\/span> S<\/span>eth.<\/span>\u00a0<\/span>The Great Frustration.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ack<\/span> Sm<\/span>ith.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nFri<\/span>edman,<\/span> P<\/span>aul.<\/span>\u00a0<\/span>Serious Trouble.<\/i>\u00a0Re<\/span>viewed<\/span> by Ro<\/span>bert<\/span> Sil<\/span>verman.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nFur<\/span>uness,<\/span> Br<\/span>yan.<\/span>\u00a0<\/span>The Lost Episodes of Revie Bryson.<\/i>\u00a0Re<\/span>viewed<\/span> by Tr<\/span>ista<\/span> M. Ed<\/span>wards.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

G<\/b><\/h3>\n

Ga<\/span>iley,<\/span> Je<\/span>annine<\/span> H<\/span>all.<\/span>\u00a0<\/span>She Returns to the Floating World.\u00a0<\/i>Re<\/span>viewed<\/span> by Ka<\/span>thleen<\/span> Fle<\/span>nniken.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nGa<\/span>lang,<\/span> M. Ev<\/span>elina.<\/span>\u00a0<\/span>A<\/span>ngel<\/span> De La L<\/span>una<\/span> & T<\/span>he<\/span> F<\/span>ifth<\/span> Gl<\/span>orious<\/span> My<\/span>stery.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Me<\/span>lissa<\/span> R. Si<\/span>pon.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGal<\/span>laher,<\/span> J<\/span>ohn.<\/span>\u00a0<\/span>M<\/span>ap<\/span> of t<\/span>he<\/span> Fo<\/span>lded<\/span> Wo<\/span>rld.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> Fr<\/span>eeman.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGal<\/span>laher,<\/span> J<\/span>ohn<\/span> a<\/span>nd<\/span> G<\/span>.C.<\/span> Wa<\/span>ldrep.<\/span>\u00a0<\/span>You Father on the Train of Ghosts.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ason<\/span> Ta<\/span>ndon.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nGa<\/span>mbito,<\/span> Sa<\/span>rah.<\/span>\u00a0<\/span>Matadora.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>imee<\/span> Nezhu<\/span>kumatathil.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGa<\/span>rcia,<\/span> Ri<\/span>chard.<\/span>\u00a0<\/span>T<\/span>he<\/span> Ch<\/span>air.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ch<\/span>elsea<\/span> Ke<\/span>rwin.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGa<\/span>rdner,<\/span> Isa<\/span>bella.<\/span>\u00a0<\/span>Isabella Gardner: The Collected Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>ee<\/span> Up<\/span>ton.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGa<\/span>rdner,<\/span> J<\/span>ohn<\/span> a<\/span>nd<\/span> Sh<\/span>annon<\/span> Ra<\/span>venel,<\/span> E<\/span>ds.<\/span>\u00a0<\/span>The Best American Short Stories 1982.<\/i>\u00a0Re<\/span>viewed<\/span> by W. P. Os<\/span>born.<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nGar<\/span>stang,<\/span> Cli<\/span>fford.<\/span>\u00a0<\/span>In an Unc<\/span>harted<\/span> Co<\/span>untry.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ja<\/span>nelle<\/span> Ad<\/span>sit.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nGau<\/span>treaux,<\/span> T<\/span>im.<\/span>\u00a0<\/span>Welding with Children.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>lan<\/span> Hea<\/span>thcock.<\/span> v. X<\/span>X,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nGa<\/span>vin,<\/span> Ma<\/span>tthew.<\/span>\u00a0<\/span>Sag<\/span>ittarius<\/span> Agi<\/span>tprop.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Chr<\/span>istina<\/span> Vel<\/span>adota.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nG<\/span>ay,<\/span> Ro<\/span>xane.<\/span> “Sen<\/span>timental<\/span> L<\/span>ies,<\/span> Mar<\/span>velous<\/span> Cre<\/span>atures,<\/span> S<\/span>till<\/span> Cr<\/span>eams,<\/span> a<\/span>nd<\/span> Vel<\/span>out\u00e9.”<\/span>\u00a0P<\/span>art<\/span> of <\/span>Rev<\/span>isiting<\/span> t<\/span>he<\/span> 1962 Na<\/span>tional<\/span> B<\/span>ook<\/span> Aw<\/span>ards.<\/span><\/span><\/em> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1<\/span>
\nGer<\/span>stler,<\/span> A<\/span>my.<\/span>\u00a0<\/span>Crown of Weeds.<\/i>\u00a0Re<\/span>viewed<\/span> by T<\/span>om<\/span> Ha<\/span>nsen.<\/span> v. X<\/span>IX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nGi<\/span>bbons,<\/span> Reg<\/span>inald.<\/span>\u00a0<\/span>William Goyen: A Study of the Short Fiction.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nGil<\/span>christ,<\/span> El<\/span>len.<\/span>\u00a0<\/span>A<\/span>cts<\/span> of G<\/span>od.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Eli<\/span>zabeth<\/span> Bre<\/span>azeale.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nGi<\/span>raldi,<\/span> Wi<\/span>lliam.<\/span>\u00a0<\/span>Busy Monsters.\u00a0<\/i>Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> Na<\/span>rdone.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGl<\/span>aser,<\/span> El<\/span>ton.<\/span>\u00a0<\/span>Color Photographs of the Ruins.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>lan<\/span> Na<\/span>pier.<\/span> v. X<\/span>III,<\/span> no 2.<\/span>
\nGl<\/span>aser,<\/span> E<\/span>lton<\/span> & Wi<\/span>lliam<\/span> Gre<\/span>enway,<\/span> E<\/span>ds.<\/span>\u00a0<\/span>I Have My Own Song For It: Modern Poems of Ohio.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>aren<\/span> Cr<\/span>aigo.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGl<\/span>\u00fcck,<\/span> Lo<\/span>uise.<\/span>\u00a0<\/span>The Triumph of Achilles.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nGl<\/span>\u00fcck,<\/span> Lo<\/span>uise.<\/span>\u00a0<\/span>The Wild Iris.<\/i>\u00a0Re<\/span>viewed<\/span> by Co<\/span>lleen<\/span> Mo<\/span>rton.<\/span> v. X<\/span>IV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGo<\/span>bble,<\/span> Ty<\/span>ler.<\/span>\u00a0<\/span>M<\/span>ore<\/span> W<\/span>reck<\/span> M<\/span>ore<\/span> Wr<\/span>eck.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ju<\/span>stin<\/span> Ca<\/span>rter.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGol<\/span>dbarth,<\/span> Al<\/span>bert.<\/span>\u00a0<\/span>Original Light.<\/i>\u00a0Re<\/span>viewed<\/span> by Ma<\/span>riann<\/span> Ho<\/span>fer.<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGol<\/span>dfaden,<\/span> J<\/span>osh.<\/span>\u00a0<\/span>Human Resources: Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>eth<\/span> Fr<\/span>ied.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGon<\/span>z\u00e1lez,<\/span> R<\/span>ay.<\/span>\u00a0<\/span>C<\/span>ool<\/span> Au<\/span>ditor.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by Ca<\/span>llista<\/span> Bu<\/span>chen.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nGon<\/span>z\u00e1lez,<\/span> R<\/span>ay.<\/span>\u00a0<\/span>Twi<\/span>lights<\/span> a<\/span>nd<\/span> Ch<\/span>ants.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> Br<\/span>adley.<\/span> v. V<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGon<\/span>z\u00e1lez,<\/span> R<\/span>ay,<\/span> e<\/span>d.<\/span>\u00a0<\/span>After Aztlan: Latino Poets of the Nineties.<\/i>\u00a0Re<\/span>viewed<\/span> by Sa<\/span>muel<\/span> M<\/span>aio.<\/span> v. X<\/span>IV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGo<\/span>odman,<\/span> Hen<\/span>rietta.<\/span>\u00a0<\/span>Take What You Want.<\/i>\u00a0Re<\/span>viewed<\/span> by Ri<\/span>chard<\/span> Pa<\/span>rks.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nGot<\/span>tshall,<\/span> Ka<\/span>rin.<\/span>\u00a0<\/span>Crocus<\/i>\u00a0Rev<\/span>iewed.<\/span> by J<\/span>ulie<\/span> Pl<\/span>att.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nGr<\/span>ace,<\/span> An<\/span>drew.<\/span>\u00a0<\/span>Sancta.<\/i>\u00a0Re<\/span>viewed<\/span> by Chr<\/span>istina<\/span> Vel<\/span>adota.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nGr<\/span>aham,<\/span> Jo<\/span>rie.<\/span>\u00a0<\/span>The Errancy.<\/i>\u00a0Re<\/span>viewed<\/span> by Ro<\/span>bert<\/span> Mi<\/span>ltner.<\/span> v. X<\/span>IX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nGr<\/span>een,<\/span> Ti<\/span>mothy.<\/span>\u00a0<\/span>Am<\/span>erican<\/span> Fr<\/span>actal.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ba<\/span>rbara<\/span> Cr<\/span>ooker.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGr<\/span>een,<\/span> Ti<\/span>mothy.<\/span>\u00a0<\/span>Am<\/span>erican<\/span> Fr<\/span>actal.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Mo<\/span>rris<\/span> Co<\/span>llins.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nGre<\/span>enberg,<\/span> Al<\/span>vin.<\/span>\u00a0<\/span>D<\/span>elta<\/span> q.\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by D<\/span>ale<\/span> Ritt<\/span>erbusch.<\/span> v. V, n<\/span>o.<\/span> 1.<\/span>
\nGre<\/span>enberg,<\/span> Al<\/span>vin.<\/span>\u00a0<\/span>The Dog of Memory: A Family Album of Secrets and Silences.<\/i>\u00a0Re<\/span>viewed<\/span> by Du<\/span>stin<\/span> Pa<\/span>rsons.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGre<\/span>enfeld,<\/span> K<\/span>arl<\/span> T<\/span>aro.<\/span>\u00a0<\/span>NowTrends.<\/i>\u00a0Re<\/span>viewed<\/span> by R<\/span>en\u00e9e<\/span> Nic<\/span>holson.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nGri<\/span>ffith,<\/span> Ke<\/span>vin.<\/span>\u00a0<\/span>Denmark, Kangaroo, Orange.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>aul<\/span> Bi<\/span>ssa.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nGri<\/span>ffith,<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>Trophy.<\/i>\u00a0Re<\/span>viewed<\/span> by M<\/span>isha<\/span> R<\/span>ai.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nGro<\/span>ssberg,<\/span> Be<\/span>njamin<\/span> S.\u00a0<\/span>Underwater Lengths in a Single Breath.<\/i>\u00a0Re<\/span>viewed<\/span> by Jea<\/span>n-Paul<\/span> Pec<\/span>queur.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGro<\/span>ssberg,<\/span> Be<\/span>njamin<\/span> S.\u00a0<\/span>S<\/span>pace<\/span> Tra<\/span>veler.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ch<\/span>elsea<\/span> Ke<\/span>rwin.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nGu<\/span>ess,<\/span> Ca<\/span>rol.<\/span>\u00a0<\/span>Darling Endangered.\u00a0<\/i>Re<\/span>viewed<\/span> by G<\/span>ary<\/span> McD<\/span>owell.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nGu<\/span>ess,<\/span> Ca<\/span>rol.<\/span>\u00a0<\/span>Tin<\/span>derbox<\/span> L<\/span>awn:<\/span> P<\/span>rose<\/span> Po<\/span>ems.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by An<\/span>gela<\/span> Ge<\/span>ntry.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nGu<\/span>ndy,<\/span> J<\/span>eff.<\/span>\u00a0<\/span>Spoken Among the Trees.<\/i>\u00a0Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nGu<\/span>ndy,<\/span> J<\/span>eff.<\/span>\u00a0<\/span>Som<\/span>ewhere<\/span> N<\/span>ear<\/span> Def<\/span>iance.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Je<\/span>nelle<\/span> Cl<\/span>ausen.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

H<\/b><\/h3>\n

Hag<\/span>enston,<\/span> Be<\/span>cky.<\/span>\u00a0<\/span>St<\/span>range<\/span> We<\/span>ather.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Je<\/span>ssica<\/span> Vo<\/span>zel.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nH<\/span>all,<\/span> T<\/span>ina<\/span> M<\/span>ay.<\/span>\u00a0<\/span>T<\/span>he<\/span> Ph<\/span>ysics<\/span> of Ima<\/span>ginary<\/span> Ob<\/span>jects.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by R<\/span>enee<\/span> K. Nic<\/span>holson.<\/span>\u00a0v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nHa<\/span>rdin,<\/span> J<\/span>eff.<\/span>\u00a0<\/span>Notes for\u00a0\u00a0Praise Book.\u00a0<\/i>Re<\/span>viewed<\/span> by M<\/span>att<\/span> Mc<\/span>Bride.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHa<\/span>rjo,<\/span> J<\/span>oy<\/span> a<\/span>nd<\/span> St<\/span>ephen<\/span> St<\/span>rom.<\/span>\u00a0<\/span>Secrets from the Center of the World.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>am<\/span> M<\/span>aio.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nHa<\/span>rmon,<\/span> Jo<\/span>shua.<\/span>\u00a0<\/span>Quinnehtukqut.<\/i>\u00a0Re<\/span>viewed<\/span> by Sr<\/span>uthi<\/span> The<\/span>kkiam.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nHa<\/span>rmon,<\/span> Jo<\/span>shua.<\/span>\u00a0<\/span>Le Spleen de Poughkeepsie.\u00a0<\/i>Re<\/span>viewed<\/span> by B<\/span>rad<\/span> Mo<\/span>dlin.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

Ha<\/span>rmon,<\/span> Jo<\/span>shua.<\/span> <\/span><\/span>The Soft Path. <\/span><\/i>Re<\/span>viewed<\/span> by Tu<\/span>rner<\/span> Wi<\/span>lson.<\/span> v<\/span>.XL,<\/span> n<\/span>o.<\/span> 2.<\/span><\/span><\/p>\n

Hat<\/span>haway,<\/span> Wi<\/span>lliam.<\/span>\u00a0<\/span>Churlsgrace.<\/i>\u00a0Re<\/span>viewed<\/span> by N<\/span>aton<\/span> Le<\/span>slie.<\/span> v. X<\/span>IV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nH<\/span>aug,<\/span> Ja<\/span>mes.<\/span>\u00a0<\/span>Walking Liberty.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nHe<\/span>aney,<\/span> Se<\/span>amus.<\/span>\u00a0<\/span>Electric Light.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>erry<\/span> H<\/span>arp.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHea<\/span>thcock,<\/span> A<\/span>lan.<\/span>\u00a0<\/span>Volt<\/i>\u00a0Rev<\/span>iewed.<\/span> by Mo<\/span>rris<\/span> Co<\/span>llins.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHe<\/span>ller,<\/span> St<\/span>eve.<\/span>\u00a0<\/span>The Automotive History of Lucky Kellerman.<\/i>\u00a0Re<\/span>viewed<\/span> by Ro<\/span>bert<\/span> Ea<\/span>rly.<\/span> v. V<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nHem<\/span>mingson,<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>Pictures of Houses With Water Damage.<\/i>\u00a0Re<\/span>viewed<\/span> by Da<\/span>niel<\/span> St<\/span>ory.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nH<\/span>erd,<\/span> N<\/span>iki.<\/span>\u00a0<\/span>The Language of Shedding Skin.<\/i>\u00a0Re<\/span>viewed<\/span> by Be<\/span>njamin<\/span> S. Gro<\/span>ssberg.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHer<\/span>nandez,<\/span> Lo<\/span>lita.<\/span>\u00a0<\/span>Autopsy of an Engine and Other Stories From the Cadillac Plant.<\/i>\u00a0Re<\/span>viewed<\/span> by Al<\/span>icia<\/span> Co<\/span>nroy.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHi<\/span>cks,<\/span> M<\/span>icah<\/span> D<\/span>ean.<\/span>\u00a0<\/span>Electricity & Other Dreams.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>on<\/span> Na<\/span>rdone.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nHi<\/span>cok,<\/span> B<\/span>ob.<\/span>\u00a0<\/span>Animal Soul.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>aul<\/span> Bi<\/span>ssa.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHi<\/span>cok,<\/span> B<\/span>ob.<\/span>\u00a0<\/span>Insomnia Diary.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>aul<\/span> Bi<\/span>ssa.<\/span> v.<\/span>XXIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nH<\/span>ill,<\/span> Ro<\/span>bert.<\/span>\u00a0<\/span>When All is Said and Done.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>eth<\/span> Ka<\/span>ufka.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nHi<\/span>llman,<\/span> Br<\/span>enda.<\/span>\u00a0<\/span>Pieces of Air in the Epic.<\/i>\u00a0Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v.<\/span>XXVII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nHi<\/span>rsch,<\/span> Ed<\/span>ward.<\/span>\u00a0<\/span>Wild Gratitude.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. V<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHo<\/span>ffman,<\/span> Cy<\/span>nthia<\/span> Ma<\/span>rie.<\/span>\u00a0<\/span>Sightseer.<\/i>\u00a0Re<\/span>viewed<\/span> by E<\/span>mily<\/span> M<\/span>ae<\/span> And<\/span>erson.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHo<\/span>gan,<\/span> Li<\/span>nda.<\/span>\u00a0<\/span>Mean Spirit.<\/i>\u00a0Re<\/span>viewed<\/span> by Ju<\/span>dith<\/span> Mi<\/span>nty.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nH<\/span>oks,<\/span> Na<\/span>than.<\/span>\u00a0<\/span>The Narrow Circle.\u00a0<\/i>Re<\/span>viewed<\/span> by S<\/span>arah<\/span> R<\/span>ose<\/span> Nor<\/span>dgren.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nHol<\/span>laday,<\/span> C<\/span>ary.<\/span>\u00a0<\/span>The Quick-Change Artist: Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>eth<\/span> Ka<\/span>ufka.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHol<\/span>lander,<\/span> Je<\/span>ssica.<\/span>\u00a0<\/span>In These Times the Home Is a Tired Place.<\/i>\u00a0Re<\/span>viewed<\/span> by M<\/span>ia<\/span> Ta<\/span>ylor.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nHo<\/span>llars,<\/span> B<\/span>.J.<\/span>\u00a0<\/span>Sightings.<\/i>\u00a0Re<\/span>viewed<\/span> by Du<\/span>stin<\/span> Pa<\/span>rsons.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHo<\/span>lley,<\/span> Mar<\/span>garet.<\/span>\u00a0<\/span>Morning Star.<\/i>\u00a0Re<\/span>viewed<\/span> by E<\/span>ric<\/span> Ne<\/span>lson.<\/span> v. X<\/span>IV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHol<\/span>inger,<\/span> Wi<\/span>lliam.<\/span>\u00a0<\/span>The Fence Walker.<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>ean<\/span> H<\/span>all.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nHo<\/span>lmes,<\/span> Ja<\/span>net.<\/span>\u00a0<\/span>F2f.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>nna<\/span> Le<\/span>ahy.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHo<\/span>lmes,<\/span> Ja<\/span>net.<\/span>\u00a0<\/span>T<\/span>he<\/span> MS of My K<\/span>in.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ca<\/span>llista<\/span> Bu<\/span>chen.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHo<\/span>pes,<\/span> D<\/span>avid<\/span> Br<\/span>endan.<\/span>\u00a0<\/span>The Glacier’s Daughters.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>cott<\/span> Ca<\/span>irns.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nHo<\/span>pler,<\/span> J<\/span>ay.<\/span>\u00a0<\/span>Green Squall.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ulie<\/span> Pl<\/span>att.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHo<\/span>ward,<\/span> Jo<\/span>anna.<\/span>\u00a0<\/span>On t<\/span>he<\/span> Wi<\/span>nding<\/span> St<\/span>air.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by M<\/span>att<\/span> B<\/span>ell.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nHu<\/span>ddle,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>Paper Boy.<\/i>\u00a0Re<\/span>viewed<\/span> by Ca<\/span>meron<\/span> We<\/span>bster.<\/span> v. I, n<\/span>o.<\/span> 1.<\/span>
\nHu<\/span>ddle,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>Only the Little Bone.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>inda<\/span> Pe<\/span>rez.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHu<\/span>dgins,<\/span> An<\/span>drews.<\/span>\u00a0<\/span>Saints and Strangers.<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>avid<\/span> Cr<\/span>aig.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nHu<\/span>nter,<\/span> Li<\/span>ndsay.<\/span>\u00a0<\/span>Don’t Kiss Me.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> Czyz<\/span>niejewski.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nHu<\/span>nter,<\/span> Li<\/span>ndsay.<\/span>\u00a0<\/span>U<\/span>gly<\/span> Gi<\/span>rls.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Z<\/span>ach<\/span> Van<\/span>deZande.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nH<\/span>urt,<\/span> Roc<\/span>helle.<\/span>\u00a0<\/span>T<\/span>he<\/span> Ru<\/span>sted<\/span> C<\/span>ity.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ka<\/span>trin<\/span> Tsc<\/span>hirgi.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nH<\/span>yde,<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>What Are You Afraid Of?<\/i>\u00a0Re<\/span>viewed<\/span> by Je<\/span>nnifer<\/span> Br<\/span>yan.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

I<\/b><\/h3>\n

I<\/span>rby,<\/span> Sam<\/span>antha.<\/span>\u00a0<\/span>Meaty: Essays.<\/i>\u00a0Re<\/span>viewed<\/span> by Sop<\/span>hfronia<\/span> Sc<\/span>ott.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nIr<\/span>win,<\/span> M<\/span>ark,<\/span> Tr<\/span>ans.<\/span>\u00a0<\/span>Notebook of Shadows: Selected Poems by Phillipe Denis.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> K<\/span>arl.<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nI<\/span>ves,<\/span> R<\/span>ich.<\/span>\u00a0<\/span>Notes from the Water Journals.<\/i>\u00a0Re<\/span>veiwed<\/span> By L<\/span>ex<\/span> Run<\/span>ciman.<\/span> v. I, n<\/span>o.<\/span> 2.<\/span><\/p>\n

J<\/b><\/h3>\n

Ja<\/span>cobik,<\/span> G<\/span>ray.<\/span>\u00a0<\/span>The Surface of Last Scattering.<\/i>\u00a0Re<\/span>viewed<\/span> by La<\/span>nette<\/span> Fre<\/span>eseman.<\/span> v. X<\/span>X,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nJac<\/span>obstein,<\/span> R<\/span>oy.<\/span>\u00a0<\/span>A Form of Optimism.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> Fr<\/span>eeman.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nJa<\/span>rrett,<\/span> T<\/span>J.<\/span>\u00a0<\/span>A<\/span>in’t<\/span> No Gr<\/span>ave.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Je<\/span>nelle<\/span> Cl<\/span>ausen.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nJ<\/span>emc,<\/span> J<\/span>ac.<\/span>\u00a0<\/span>My Only Wife.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chelle<\/span> Zu<\/span>ppa.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nJ<\/span>en,<\/span> G<\/span>ish.<\/span>\u00a0<\/span>Who’s Irish?<\/i>\u00a0Re<\/span>viewed<\/span> by Ra<\/span>chael<\/span> Pe<\/span>rry.<\/span> v. X<\/span>X,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nJo<\/span>hnson,<\/span> A<\/span>dam.<\/span>\u00a0<\/span>Emporium.<\/i>\u00a0Re<\/span>viewed<\/span> by Du<\/span>stin<\/span> Pa<\/span>rsons.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nJo<\/span>hnson,<\/span> D<\/span>on.<\/span>\u00a0<\/span>The Importance of Visible Scars.<\/i>\u00a0Re<\/span>viewed<\/span> by Be<\/span>rwyn<\/span> J. Mo<\/span>ore.<\/span> v. V, n<\/span>o.<\/span> 1.<\/span>
\nJo<\/span>hnson,<\/span> Ro<\/span>nald.<\/span>\u00a0<\/span>Ark: The Foundations 1-33.<\/i>\u00a0Re<\/span>viewed<\/span> by Ho<\/span>ward<\/span> Mc<\/span>Cord.<\/span> v. 1, n<\/span>o.<\/span> 1.<\/span>
\nJo<\/span>hnson,<\/span> K<\/span>ent,<\/span> Tr<\/span>ans.<\/span>\u00a0<\/span>A Nation of Poets: Writings from the Poetry Workshops of Nicaragua.<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>iane<\/span> Ke<\/span>ndig.<\/span> v. V<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nJo<\/span>hnson,<\/span> Mi<\/span>chael<\/span> L, Tr<\/span>ans.<\/span>\u00a0<\/span>The Birds From I Know Where: Translations of Poems in Spanish.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> K<\/span>arl<\/span> (Ri<\/span>tchie).<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nJoh<\/span>nston,<\/span> B<\/span>ret<\/span> An<\/span>thony.<\/span>\u00a0<\/span>Co<\/span>rpus<\/span> Ch<\/span>risti.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by Du<\/span>stin<\/span> Pa<\/span>rsons.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

K<\/b><\/p>\n

Ka<\/span>lich,<\/span> Ri<\/span>chard.<\/span>\u00a0<\/span>The Nihilesthete.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>aul<\/span> Ja<\/span>blon.<\/span> v. V<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nKa<\/span>ndpal,<\/span> Ka<\/span>wita.<\/span>\u00a0<\/span>Folding a River: Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by Chr<\/span>istina<\/span> Vel<\/span>adota.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nKara<\/span>petkova,<\/span> Ho<\/span>lly.<\/span>\u00a0<\/span>Words We Might One Day Say.\u00a0<\/i>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os<\/span> 1 & 2.<\/span>
\nK<\/span>atz,<\/span> J<\/span>oy<\/span> a<\/span>nd<\/span> K<\/span>evin<\/span> Pr<\/span>ufer,<\/span> e<\/span>ds.<\/span>\u00a0<\/span>Dark Horses: Poets on Overlooked Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by T<\/span>om<\/span> Ho<\/span>lmes.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nKa<\/span>valer,<\/span> Re<\/span>becca.<\/span>\u00a0<\/span>Tigers in the Wood.<\/i>\u00a0Re<\/span>viewed<\/span> by H<\/span>olly<\/span> H<\/span>unt<\/span> K<\/span>ost.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

Kell, Charles. <\/span>Cage of Lit Glass. <\/span><\/i>Reviewed by Nicholas Gardner. v.XL, no. 2.<\/span>
\nKe<\/span>lly,<\/span> D<\/span>ave.<\/span>\u00a0<\/span>Northern Letter.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> K<\/span>arl<\/span> (Ri<\/span>tchie).<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

Kelly, Jennifer Wisner. <\/span>Stone Skimmers. <\/span><\/i>Reviewed by Brenna Hosman. v.XL, no. 2.<\/span>
\nKe<\/span>nnedy,<\/span> Sa<\/span>rah.<\/span>\u00a0<\/span>Double Exposure.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>nna<\/span> Le<\/span>ahy.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nKe<\/span>nnedy,<\/span> X<\/span>.J.<\/span>\u00a0<\/span>Cross Ties: Selected Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>eter<\/span> W<\/span>ild.<\/span> v. V<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nKe<\/span>nny,<\/span> Ma<\/span>urice.<\/span>\u00a0<\/span>Greyhounding This America: Poems and Dialog.<\/i>\u00a0Re<\/span>viewed<\/span> by Sa<\/span>muel<\/span> M<\/span>aio.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nKe<\/span>nny,<\/span> Ma<\/span>urice.<\/span>\u00a0<\/span>Humors And\/Or Not So Humorous.<\/i>\u00a0Re<\/span>viewed<\/span> by Sa<\/span>muel<\/span> M<\/span>aio.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nKep<\/span>linger,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>The Prayers of Others.<\/i>\u00a0Re<\/span>viewed<\/span> by G<\/span>ary<\/span> L. McD<\/span>owell.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nKe<\/span>sey,<\/span> R<\/span>oy.<\/span>\u00a0<\/span>All Over.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>eth<\/span> Fr<\/span>ied.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nKe<\/span>sey,<\/span> R<\/span>oy.<\/span>\u00a0<\/span>Any Deadly Things.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ason<\/span> M<\/span>arc<\/span> Ha<\/span>rris.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nKhou<\/span>ry-Ghata,<\/span> V\u00e8<\/span>nus.<\/span>\u00a0<\/span>A House at the Edge of Tears.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>eth<\/span> Ka<\/span>ufka.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nKil<\/span>patrick,<\/span> L<\/span>ynn<\/span> K.\u00a0<\/span>In T<\/span>he<\/span> Ho<\/span>use.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by Jac<\/span>queline<\/span> Vo<\/span>gtman.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nKi<\/span>nder,<\/span> R<\/span>.M.<\/span>\u00a0<\/span>A Near-Perfect Gift.<\/i>\u00a0Re<\/span>viewed<\/span> by J. A<\/span>lbin<\/span> La<\/span>rson.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nKi<\/span>nsley,<\/span> Ro<\/span>bert.<\/span>\u00a0<\/span>Endangered Species.<\/i>\u00a0Re<\/span>viewed<\/span> by R<\/span>oy<\/span> Be<\/span>ntley.<\/span> v. I<\/span>X,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nKi<\/span>rby,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>I Think I Am Going to Call My Wife Paraguay: Selected Early Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>eth<\/span> B<\/span>erg.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nKi<\/span>tchen,<\/span> Ju<\/span>dith.<\/span>\u00a0<\/span>Perennials.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>.A.<\/span> Fl<\/span>eming.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nK<\/span>lam,<\/span> Ma<\/span>tthew.<\/span>\u00a0<\/span>Sam the Cat and Other Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>avid<\/span> Am<\/span>adio.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nKlim<\/span>asewiski,<\/span> Ma<\/span>rshall<\/span> N.\u00a0<\/span>Tyrants: Stories<\/i>\u00a0Rev<\/span>iewed.<\/span> by Du<\/span>stin<\/span> M. Ho<\/span>ffman.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nKn<\/span>ight,<\/span> Ly<\/span>nne.<\/span>\u00a0<\/span>Ag<\/span>ain.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ga<\/span>rvice<\/span> Br<\/span>annon.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nKno<\/span>epfle,<\/span> J<\/span>ohn<\/span> a<\/span>nd<\/span> W<\/span>ang<\/span> Sh<\/span>ouyi,<\/span> Tr<\/span>ans.<\/span>\u00a0<\/span>Tang Dynasty. Poems<\/i>\u00a0Re<\/span>viewed<\/span> by Gwa<\/span>ng-Wen<\/span> G<\/span>ao.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nKno<\/span>epfle,<\/span> J<\/span>ohn<\/span> a<\/span>nd<\/span> W<\/span>ang<\/span> Sh<\/span>ouyi,<\/span> Tr<\/span>ans.<\/span>\u00a0<\/span>Song Dynasty Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by Gwa<\/span>ng-Wen<\/span> G<\/span>ao.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nKo<\/span>ertge,<\/span> R<\/span>on.<\/span>\u00a0<\/span>Making Love to Roget’s Wife: Poems New and Selected.<\/i>\u00a0Re<\/span>viewed<\/span> by T<\/span>om<\/span> Ha<\/span>nsen.<\/span> v. X<\/span>IX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nK<\/span>oo,<\/span> Ja<\/span>son.<\/span>\u00a0<\/span>Ame<\/span>rica’s<\/span> Fa<\/span>vorite<\/span> P<\/span>oem.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Sa<\/span>ndra<\/span> Mar<\/span>chetti.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nKry<\/span>gowsky,<\/span> Na<\/span>ncy.<\/span>\u00a0<\/span>Velocity.<\/i>\u00a0Re<\/span>viewed<\/span> by El<\/span>inor<\/span> Ben<\/span>edict.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nKu<\/span>zma,<\/span> G<\/span>reg.<\/span>\u00a0<\/span>Everyday Life.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> K<\/span>arl<\/span> (Ri<\/span>tchie).<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

L<\/b><\/h3>\n

La<\/span>ndry,<\/span> Ben<\/span>jamin.<\/span>\u00a0<\/span>Pa<\/span>rticle<\/span> a<\/span>nd<\/span> W<\/span>ave.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ju<\/span>stin<\/span> Ca<\/span>rter.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nLa<\/span>nge,<\/span> Ri<\/span>chard.<\/span>\u00a0<\/span>Dead Boys: Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by Mo<\/span>rris<\/span> Co<\/span>llins.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nLaven<\/span>der-Smith,<\/span> E<\/span>van.<\/span>\u00a0<\/span>Avatar.<\/i>\u00a0Re<\/span>viewed<\/span> by C<\/span>hris<\/span> McC<\/span>lelland.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nLe<\/span>ahy,<\/span> A<\/span>nna.<\/span>\u00a0<\/span>Constituents of Matter.<\/i>\u00a0Re<\/span>viewed<\/span> by Be<\/span>njamin<\/span> S. Gro<\/span>ssberg.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nL<\/span>ee,<\/span> Li-<\/span>Young.<\/span>\u00a0<\/span>The City in Which I Love You.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>lan<\/span> Na<\/span>pier.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nLe<\/span>iby,<\/span> Je<\/span>anne<\/span> M.\u00a0<\/span>Downriver: Short Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by Na<\/span>talie<\/span> D. Sy<\/span>polt.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nLe<\/span>rner,<\/span> B<\/span>en.<\/span>\u00a0<\/span>Leaving the Atocha Station.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>on<\/span> Fu<\/span>llmer.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nLev<\/span>ertov,<\/span> De<\/span>nise,<\/span> E<\/span>d.<\/span>\u00a0<\/span>The Collected Poems of Beatrice Hawley.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>ee<\/span> Up<\/span>ton.<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nLe<\/span>vine,<\/span> Je<\/span>ffrey.<\/span>\u00a0<\/span>Mortal, Everlasting.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>eth<\/span> B<\/span>erg.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nLe<\/span>wis,<\/span> Le<\/span>sle.<\/span>\u00a0<\/span>Landscapes I and II.<\/i>\u00a0Re<\/span>viewed<\/span> by Ste<\/span>phanie<\/span> K<\/span>ing.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nLe<\/span>wis,<\/span> Tr<\/span>udy.<\/span>\u00a0<\/span>T<\/span>he<\/span> Em<\/span>pire<\/span> Ro<\/span>lls.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> R<\/span>ose.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nL<\/span>evy,<\/span> E<\/span>.J.<\/span>\u00a0<\/span>Love, In Theory.<\/i>\u00a0Re<\/span>viewed<\/span> by Io<\/span>anna<\/span> Ma<\/span>vrou.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nLi<\/span>ndsay,<\/span> Fr<\/span>annie.<\/span>\u00a0<\/span>Where She Always Was.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>nna<\/span> Le<\/span>ahy.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nL<\/span>ink,<\/span> A<\/span>aron<\/span> R<\/span>az<\/span> a<\/span>nd<\/span> H<\/span>ilda<\/span> R<\/span>az.<\/span>\u00a0<\/span>What Becomes You.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>esse<\/span> Hi<\/span>cks.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nLi<\/span>nney,<\/span> Ro<\/span>mulus.<\/span>\u00a0<\/span>Jesus Tales.<\/i>\u00a0Re<\/span>viewed<\/span> by Ro<\/span>bert<\/span> Ea<\/span>rly.<\/span> v. I, n<\/span>o.<\/span> 1.<\/span>
\nL<\/span>iu,<\/span> Ti<\/span>mothy.<\/span>\u00a0<\/span>Of Thee I Sing.<\/i>\u00a0Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nL<\/span>iu,<\/span> Ti<\/span>mothy.<\/span>\u00a0<\/span>For Dust Thou Art.<\/i>\u00a0Re<\/span>viewed<\/span> by G<\/span>ary<\/span> L. McD<\/span>owell.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nLoc<\/span>kwood,<\/span> Di<\/span>ane.<\/span>\u00a0<\/span>Tem<\/span>ptation<\/span> by Wa<\/span>ter.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ka<\/span>thleen<\/span> Fle<\/span>nniken.<\/span>\u00a0v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nLoc<\/span>kwood,<\/span> Pat<\/span>ricia.<\/span>\u00a0<\/span>Mot<\/span>herland<\/span> Fat<\/span>herland<\/span> Homel<\/span>andsexuals.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by D<\/span>oug<\/span> P<\/span>aul<\/span> C<\/span>ase.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nLom<\/span>bardo,<\/span> Bi<\/span>lly.<\/span>\u00a0<\/span>H<\/span>ow<\/span> to H<\/span>old<\/span> a Wo<\/span>man.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by D<\/span>avid<\/span> Mc<\/span>Clure.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nLo<\/span>pez,<\/span> Ba<\/span>rry.<\/span>\u00a0<\/span>Crow and Weasel.<\/i>\u00a0Re<\/span>viewed<\/span> by Su<\/span>eEllen<\/span> Cam<\/span>pbell.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nLo<\/span>pez,<\/span> Ro<\/span>bert.<\/span>\u00a0<\/span>K<\/span>amby<\/span> Bo<\/span>longo.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by J<\/span>ack<\/span> Sm<\/span>ith.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nLo<\/span>pez,<\/span> Ro<\/span>bert.<\/span>\u00a0<\/span>Part of the World: A Novel.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ason<\/span> Jo<\/span>nes.<\/span> v.X<\/span>XVIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nLo<\/span>uie,<\/span> D<\/span>avid<\/span> W<\/span>ong.<\/span>\u00a0<\/span>Pangs of Love.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ames<\/span> L<\/span>ee.<\/span> v. X<\/span>IV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nLo<\/span>uthan,<\/span> Ro<\/span>bert.<\/span>\u00a0<\/span>Shrunken Planets.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>ven<\/span> Bir<\/span>kerts.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nL<\/span>um,<\/span> Da<\/span>rrell<\/span> H<\/span>.Y.<\/span>\u00a0<\/span>Pass On, No Pass Back.<\/i>\u00a0Re<\/span>viewed<\/span> by Sy<\/span>lvia<\/span> A. Wa<\/span>tanbe.<\/span> v. X<\/span>IV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nL<\/span>utz,<\/span> G<\/span>ary.<\/span>\u00a0<\/span>I Looked Alive.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>isa<\/span> De<\/span>Cook.<\/span> v.<\/span>XXIV,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

M<\/b><\/h3>\n

Ma<\/span>ckall,<\/span> J<\/span>oe.<\/span>\u00a0<\/span>Plain Secrets: An Outsider Among the Amish.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ames<\/span> S<\/span>ilas<\/span> Ro<\/span>gers.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMac<\/span>millan,<\/span> I<\/span>an.<\/span>\u00a0<\/span>Light and Power.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>teve<\/span> He<\/span>ller.<\/span> v. I, n<\/span>o.<\/span> 1.<\/span>
\nMad<\/span>zirov,<\/span> Ni<\/span>kola.<\/span>\u00a0<\/span>Remnants of Another Age.\u00a0<\/i>Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMag<\/span>innes,<\/span> A<\/span>l.<\/span>\u00a0<\/span>Inventing Constellations.<\/i>\u00a0Re<\/span>viewed<\/span> \u00a0by Ro<\/span>bert<\/span> Mas<\/span>terson.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMa<\/span>kuck,<\/span> Pe<\/span>ter.<\/span>\u00a0<\/span>Breaking and Entering.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ack<\/span> Tour<\/span>tellotte.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMa<\/span>kuck,<\/span> Pe<\/span>ter.<\/span>\u00a0<\/span>Where We Live<\/i>\u00a0Rev<\/span>iewed.<\/span> by K<\/span>aren<\/span> Bla<\/span>nsfield.<\/span> v. I<\/span>V,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMa<\/span>kuck,<\/span> Pe<\/span>ter.<\/span>\u00a0<\/span>Pil<\/span>grims.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. V<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMali<\/span>szewski,<\/span> P<\/span>aul.<\/span>\u00a0<\/span>Prayer and Parable: Stories.\u00a0<\/i>Re<\/span>viewed<\/span> by J<\/span>ames<\/span> Du<\/span>nham.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMal<\/span>outas,<\/span> Ba<\/span>rabra.<\/span>\u00a0<\/span>In a Combination of Practices.<\/i>\u00a0Re<\/span>viewed<\/span> by Am<\/span>anda<\/span> Mc<\/span>Guire.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMa<\/span>rtin,<\/span> L<\/span>ee.<\/span>\u00a0<\/span>Turning Bones.<\/i>\u00a0Re<\/span>viewed<\/span> by J. A<\/span>lbin<\/span> La<\/span>rson.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMar<\/span>t\u00ednez,<\/span> Di<\/span>onisio<\/span> D.\u00a0<\/span>Bad Alchemy.<\/i>\u00a0Re<\/span>viewed<\/span> by Chr<\/span>istopher<\/span> Woo<\/span>dward.<\/span> v. X<\/span>VI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMar<\/span>t\u00ednez,<\/span> Di<\/span>onisio<\/span> D.\u00a0<\/span>History as a Second Language.<\/i>\u00a0Re<\/span>viewed<\/span> by Sa<\/span>muel<\/span> M<\/span>aio.<\/span> v. X<\/span>V,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nMa<\/span>sih,<\/span> T<\/span>ara<\/span> L.\u00a0<\/span>T<\/span>he<\/span> R<\/span>ose<\/span> M<\/span>etal<\/span> P<\/span>ress<\/span> F<\/span>ield<\/span> G<\/span>uide<\/span> to Wr<\/span>iting<\/span> F<\/span>lash<\/span> Fi<\/span>ction:<\/span> T<\/span>ips<\/span> f<\/span>rom<\/span> Ed<\/span>itors,<\/span> Tea<\/span>chers,<\/span> a<\/span>nd<\/span> Wr<\/span>iters<\/span> in t<\/span>he<\/span> Fi<\/span>eld.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by An<\/span>drew<\/span> Sc<\/span>ott.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nMat<\/span>thews,<\/span> Wi<\/span>lliam.<\/span>\u00a0<\/span>A Happy Childhood.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. I<\/span>V,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nM<\/span>ayo,<\/span> We<\/span>ndell.<\/span>\u00a0<\/span>T<\/span>he<\/span> Cu<\/span>cumber<\/span> K<\/span>ing<\/span> of Ked<\/span>ainiai.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by B<\/span>rad<\/span> Fe<\/span>lver.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMc<\/span>Cabe,<\/span> Me<\/span>lanie.<\/span>\u00a0<\/span>History of the Body.<\/i>\u00a0Re<\/span>viewed<\/span> by Chr<\/span>istina<\/span> Vel<\/span>adota.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMcC<\/span>lanahan,<\/span> Re<\/span>becca.<\/span>\u00a0<\/span>Deep Light: New and Selected Poems 1987-2007.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>eff<\/span> Gu<\/span>ndy.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMc<\/span>Cord,<\/span> Ho<\/span>ward.<\/span>\u00a0<\/span>The Sorrows of Loruhama.<\/i>\u00a0Re<\/span>viewed<\/span> by E. S. Mo<\/span>rales.<\/span> v. X<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMc<\/span>Cord,<\/span> Ho<\/span>ward.<\/span>\u00a0<\/span>The Wisdom of Silenus & Other Essays.<\/i>\u00a0Re<\/span>viewed<\/span> by La<\/span>rissa<\/span> Szp<\/span>orluk.<\/span> v. X<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMc<\/span>Cord,<\/span> Ho<\/span>ward.<\/span>\u00a0<\/span>The Complete Poems of Howard McCord.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>aren<\/span> Cr<\/span>aigo.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMc<\/span>Cord,<\/span> Ho<\/span>ward.<\/span>\u00a0<\/span>Swamp Songs & Tales.<\/i>\u00a0Re<\/span>viewed<\/span> by Chr<\/span>istoff<\/span> Sc<\/span>heele.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMcD<\/span>owell,<\/span> G<\/span>ary.<\/span>\u00a0<\/span>Am<\/span>erican<\/span> A<\/span>men.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ro<\/span>xane<\/span> G<\/span>ay.<\/span>\u00a0v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMc<\/span>Ilvoy,<\/span> Ke<\/span>vin.<\/span>\u00a0<\/span>A Waltz.<\/i>\u00a0Re<\/span>viewed<\/span> by Ri<\/span>chard<\/span> Ru<\/span>sso.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMcG<\/span>ookey,<\/span> Kat<\/span>hleen.<\/span>\u00a0<\/span>Whatever Shines.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>eth<\/span> Mar<\/span>tinelli.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMc<\/span>Griff,<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>O<\/span>ur<\/span> Se<\/span>cret<\/span> L<\/span>ife<\/span> in t<\/span>he<\/span> Mo<\/span>vies.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by S<\/span>asha<\/span> Kha<\/span>lifeh.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMc<\/span>Hugh,<\/span> Ha<\/span>ther,<\/span> Tr<\/span>ans.<\/span>\u00a0<\/span>D’Apres Tout: Poems by Jean Follain.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> K<\/span>arl<\/span> (Ri<\/span>tchie).<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMe<\/span>acham,<\/span> Re<\/span>becca.<\/span>\u00a0<\/span>Let’s Do.<\/i>\u00a0Re<\/span>viewed<\/span> by M<\/span>ark<\/span> Baum<\/span>gartner.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nM<\/span>eek,<\/span> Sa<\/span>ndra.<\/span>\u00a0<\/span>Biog<\/span>eography.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by Ra<\/span>chel<\/span> Me<\/span>nnies.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nM<\/span>eek,<\/span> Sa<\/span>ndra.<\/span>\u00a0<\/span>B<\/span>urn.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by F. Da<\/span>niel<\/span> Rzi<\/span>cznek.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nM<\/span>eek,<\/span> Sa<\/span>ndra.<\/span>\u00a0<\/span>Road Scatter.\u00a0<\/i>Re<\/span>viewed<\/span> by Le<\/span>wEllyn<\/span> Ha<\/span>llett.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMe<\/span>higan,<\/span> Jo<\/span>shua.<\/span>\u00a0<\/span>The Optimist.<\/i>\u00a0Re<\/span>viewed<\/span> by Je<\/span>annie<\/span> Ki<\/span>dera.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMei<\/span>ssner,<\/span> B<\/span>ill.<\/span>\u00a0<\/span>The Sleepwalker’s Son.<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>avid<\/span> Th<\/span>oreen.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMei<\/span>ssner,<\/span> Wi<\/span>lliam.<\/span>\u00a0<\/span>Le<\/span>arning<\/span> To Br<\/span>eathe<\/span> Und<\/span>erwater.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMe<\/span>itner,<\/span> Er<\/span>ika.<\/span>\u00a0<\/span>Co<\/span>pia.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ro<\/span>berto<\/span> C. Eli<\/span>zondo.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMe<\/span>itner,<\/span> Er<\/span>ika.<\/span>\u00a0<\/span>Inventory at the All-Night Drugstore.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMe<\/span>itner,<\/span> Er<\/span>ika.<\/span>\u00a0<\/span>Makeshift Instructions for Vigilant Girls.<\/i>\u00a0Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMe<\/span>jia,<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>Forg<\/span>etfulness.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ed Sk<\/span>oog.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMe<\/span>llas,<\/span> Te<\/span>ssa.<\/span>\u00a0<\/span>Lungs Full of Noise.\u00a0<\/i>Re<\/span>viewed<\/span> by M<\/span>att<\/span> Kim<\/span>berlin.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMe<\/span>mmer,<\/span> Ph<\/span>ilip.<\/span>\u00a0<\/span>Th<\/span>reat<\/span> of Ple<\/span>asure.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ka<\/span>thleen<\/span> Fle<\/span>nniken.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMe<\/span>tres,<\/span> Ph<\/span>ilip.<\/span>\u00a0<\/span>To See the Earth.<\/i>\u00a0Re<\/span>viewed<\/span> by Vi<\/span>rginia<\/span> Ko<\/span>nchan.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMey<\/span>erhofer,<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>Leaving Iowa.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>aren<\/span> Cr<\/span>aigo.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMey<\/span>erhofer,<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>Damnatio Memoraie.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>aul<\/span> Ar<\/span>rand<\/span> Ro<\/span>dgers.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nMil<\/span>itello,<\/span> Jen<\/span>nifer.<\/span>\u00a0<\/span>Body Thesaurus.\u00a0<\/i>Re<\/span>viewed<\/span> by D<\/span>an<\/span> La<\/span>mbert.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMil<\/span>itello,<\/span> Jen<\/span>nifer.<\/span>\u00a0<\/span>Fl<\/span>inch<\/span> of S<\/span>ong.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by Ca<\/span>llista<\/span> Bu<\/span>chen.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nMi<\/span>ller,<\/span> M<\/span>ary.<\/span>\u00a0<\/span>T<\/span>he<\/span> L<\/span>ast<\/span> D<\/span>ays<\/span> of Cal<\/span>ifornia.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Cat<\/span>herine<\/span> Car<\/span>berry.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMil<\/span>liken,<\/span> K<\/span>ate.<\/span>\u00a0<\/span>If I’d Known You Were Coming.\u00a0<\/i>Re<\/span>viewed<\/span> by L<\/span>ori<\/span> W<\/span>ald<\/span> Co<\/span>mpton.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMin<\/span>czeski,<\/span> J<\/span>ohn.<\/span>\u00a0<\/span>A Le<\/span>tter<\/span> to Se<\/span>rafin.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by B<\/span>rad<\/span> Mo<\/span>dlin.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nMi<\/span>nor,<\/span> K<\/span>yle.<\/span>\u00a0<\/span>In t<\/span>he<\/span> De<\/span>vil’s<\/span> Ter<\/span>ritory.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by L<\/span>isa<\/span> Bo<\/span>wer.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMi<\/span>nor,<\/span> K<\/span>yle.<\/span>\u00a0<\/span>Pr<\/span>aying<\/span> Dr<\/span>unk.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Le<\/span>wEllyn<\/span> Ha<\/span>llett.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMle<\/span>koday,<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>T<\/span>he<\/span> D<\/span>ead<\/span> E<\/span>at<\/span> Eve<\/span>rything.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ju<\/span>stin<\/span> Ca<\/span>rter.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMo<\/span>ffett,<\/span> Ke<\/span>lly.<\/span>\u00a0<\/span>Wa<\/span>iting<\/span> f<\/span>or<\/span> a W<\/span>arm<\/span> B<\/span>ody<\/span> to F<\/span>ill<\/span> I<\/span>t.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by L<\/span>ori<\/span> D’A<\/span>ngelo.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMol<\/span>inary,<\/span> M<\/span>ary.<\/span>\u00a0<\/span>Mary & the Giant Mechanism.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>aren<\/span> Cr<\/span>aigo.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMo<\/span>maday,<\/span> N. Sc<\/span>ott.<\/span>\u00a0<\/span>The Ancient Child.<\/i>\u00a0Re<\/span>viewed<\/span> by Jo<\/span>seph<\/span> Br<\/span>uchac.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMo<\/span>nson,<\/span> An<\/span>der.<\/span>\u00a0<\/span>O<\/span>ther<\/span> Elec<\/span>tricities.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by L<\/span>isa<\/span> De<\/span>Cook.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMont<\/span>emarano,<\/span> Nic<\/span>holas.<\/span>\u00a0<\/span>A Fine Place.<\/i>\u00a0Re<\/span>viewed<\/span> by N<\/span>ina<\/span> Or<\/span>echwa.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMo<\/span>ore,<\/span> Di<\/span>nty.<\/span>\u00a0<\/span>Between Panic and Desire.<\/i>\u00a0Re<\/span>viewed<\/span> by Ba<\/span>rbara<\/span> Go<\/span>odman<\/span> Sh<\/span>overs.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMo<\/span>ore,<\/span> Lo<\/span>rrie.<\/span>\u00a0<\/span>A G<\/span>ate<\/span> at t<\/span>he<\/span> St<\/span>airs.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by A<\/span>nne<\/span> Va<\/span>lente.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nMo<\/span>rris,<\/span> He<\/span>rbert.<\/span>\u00a0<\/span>Dream Palace.<\/i>\u00a0Re<\/span>viewed<\/span> by Be<\/span>rwyn<\/span> J. Mo<\/span>ore.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMo<\/span>rris,<\/span> K<\/span>eith<\/span> L<\/span>ee.<\/span>\u00a0<\/span>T<\/span>he<\/span> Gre<\/span>yhound<\/span> G<\/span>od.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by J. A<\/span>lbin<\/span> La<\/span>rson.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nMor<\/span>rison,<\/span> Ru<\/span>sty.<\/span>\u00a0<\/span>Be<\/span>yond<\/span> t<\/span>he<\/span> Cha<\/span>inlink.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ro<\/span>berto<\/span> C. Eli<\/span>zondo.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

Moskovich, Yelena. <\/span>Virtuoso. <\/span><\/i>Reviewed by Nicholas Gardner. v.XL, no. 2.<\/span>
\nM<\/span>oss,<\/span> Th<\/span>ylias.<\/span>\u00a0<\/span>Hosiery Seams on a Bowlegged Woman.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> K<\/span>arl<\/span> (Ri<\/span>tchie).<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nM<\/span>ott,<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>Corday.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ean<\/span> Jo<\/span>nes.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nM<\/span>uir,<\/span> Sh<\/span>arona.<\/span>\u00a0<\/span>Inv<\/span>isible<\/span> Be<\/span>asts.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Eli<\/span>zabeth<\/span> Bre<\/span>azeale.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nMu<\/span>llins,<\/span> M<\/span>att.<\/span>\u00a0<\/span>Three Ways of the Saw.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>rad<\/span> Fe<\/span>lver.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nMu<\/span>nro,<\/span> Al<\/span>ice.<\/span>\u00a0<\/span>Dance of the Happy Shades.<\/i>\u00a0Re<\/span>viewed<\/span> by H. Schjot<\/span>z-Christensen.<\/span> v. I, n<\/span>o.<\/span> 2.<\/span>
\nMu<\/span>rphy,<\/span> Ya<\/span>nnick.<\/span>\u00a0<\/span>In a Bear’s Eye.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>ate<\/span> L<\/span>ane.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

N<\/b><\/h3>\n

Ne<\/span>lson,<\/span> E<\/span>ric.<\/span>\u00a0<\/span>The Interpretation of Waking Life.<\/i>\u00a0Re<\/span>viewed<\/span> by Ed<\/span>ward<\/span> Fa<\/span>lco.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nNe<\/span>lson,<\/span> K<\/span>ent.<\/span>\u00a0<\/span>Cold Wind.<\/i>\u00a0Re<\/span>viewed<\/span> by Ri<\/span>chard<\/span> Me<\/span>sser.<\/span> v. I, n<\/span>o.<\/span> 2.<\/span>
\nNe<\/span>mec,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>Bright Lights, Dark Rooms.<\/i>\u00a0Re<\/span>viewed<\/span> by Ro<\/span>bert<\/span> Ea<\/span>rly.<\/span> v. I, n<\/span>o.<\/span> 1.<\/span>
\nNezhu<\/span>kumatathil,<\/span> Ai<\/span>mee.<\/span>\u00a0<\/span>Miracle Fruit.<\/i>\u00a0Re<\/span>viewed<\/span> by Ca<\/span>roline<\/span> Mo<\/span>rrell.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nNezhu<\/span>kumatathil,<\/span> Ai<\/span>mee.<\/span>\u00a0<\/span>At the Drive-In Volcano.<\/i>\u00a0Re<\/span>viewed<\/span> by Chr<\/span>istina<\/span> Vel<\/span>adota.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nNezhu<\/span>kumatathil,<\/span> Ai<\/span>mee.<\/span>\u00a0<\/span>Lucky Fish.\u00a0<\/i>Re<\/span>viewed<\/span> by Ni<\/span>kkita<\/span> Co<\/span>hoon.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nNi<\/span>elsen,<\/span> Ca<\/span>rsten<\/span> R<\/span>en\u00e9.<\/span> D<\/span>avid<\/span> Kep<\/span>linger,<\/span> Tr<\/span>ans.<\/span>\u00a0<\/span>H<\/span>ouse<\/span> Insp<\/span>ections.<\/span> <\/span><\/em>Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span>\u00a0v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nNor<\/span>dgren,<\/span> S<\/span>arah<\/span> R<\/span>ose.<\/span>\u00a0<\/span>B<\/span>est<\/span> Bo<\/span>nes.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Je<\/span>nelle<\/span> Cl<\/span>ausen.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nNo<\/span>rris,<\/span> Kat<\/span>hleen.<\/span>\u00a0<\/span>Dakota: A Spiritual Geography.<\/i>\u00a0Re<\/span>viewed<\/span> by T<\/span>om<\/span> Ha<\/span>nsen.<\/span> v. X<\/span>IV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nNo<\/span>yes,<\/span> T<\/span>om.<\/span>\u00a0<\/span>Spooky Action at a Distance and Other Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by R<\/span>andy<\/span> De<\/span>Vita.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nNu<\/span>tting,<\/span> Al<\/span>issa.<\/span> “<\/span>Rock<\/span> ‘n R<\/span>oll<\/span> Soo<\/span>thsayer:<\/span> T<\/span>he<\/span> Por<\/span>tended<\/span> As<\/span>cent<\/span> of t<\/span>he<\/span> F<\/span>rame<\/span> Mon<\/span>ster.”<\/span>\u00a0P<\/span>art<\/span> of <\/span>Rev<\/span>isiting<\/span> t<\/span>he<\/span> 1962 Na<\/span>tional<\/span> B<\/span>ook<\/span> Aw<\/span>ards.<\/span><\/span><\/em> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1<\/span>
\nNu<\/span>tting,<\/span> Al<\/span>issa.<\/span>\u00a0<\/span>Tampa.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ason<\/span> M<\/span>arc<\/span> Ha<\/span>rris.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nNu<\/span>tting,<\/span> Al<\/span>issa.<\/span> <\/span>Unclean Jobs for Women and Girls.\u00a0<\/i>Re<\/span>viewed<\/span> by Mi<\/span>chelle<\/span> Zu<\/span>ppa.<\/span>\u00a0v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

O<\/b><\/h3>\n

O’<\/span>Brien,<\/span> T<\/span>im.<\/span>\u00a0<\/span>The Things They Carried.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> M. O’C<\/span>onnor.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nO’<\/span>Brien,<\/span> T<\/span>im.<\/span>\u00a0<\/span>Tomcat in Love.<\/i>\u00a0Re<\/span>viewed<\/span> by St<\/span>even<\/span> P. Lip<\/span>arulo.<\/span> v. X<\/span>IX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nOc<\/span>kert,<\/span> Ja<\/span>son.<\/span>\u00a0<\/span>Neighbors of Nothing.<\/i>\u00a0Re<\/span>viewed<\/span> by Ka<\/span>trin<\/span> Tsc<\/span>hirgi.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nOe<\/span>ding,<\/span> Ca<\/span>rrie.<\/span>\u00a0<\/span>Our List of Solutions.<\/i>\u00a0Re<\/span>viewed<\/span> by Tr<\/span>ista<\/span> M. Ed<\/span>wards.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nOl<\/span>iver,<\/span> L<\/span>ouis<\/span> Lit<\/span>tlecoon.<\/span>\u00a0<\/span>Chasers of the Sun: Creek Indian Thoughts.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>rian<\/span> C. Ru<\/span>sso.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nOl<\/span>iver,<\/span> M<\/span>ary.<\/span>\u00a0<\/span>New and Selected Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by Re<\/span>becca<\/span> Ba<\/span>ggett.<\/span> v. X<\/span>IV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nOl<\/span>iver,<\/span> M<\/span>ary.<\/span>\u00a0<\/span>What Do We Know: Poems and Prose Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>aren<\/span> Cr<\/span>aigo.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nOlm<\/span>stead,<\/span> Ro<\/span>bert.<\/span>\u00a0<\/span>Coal Black Horse.<\/i>\u00a0Re<\/span>viewed<\/span> by An<\/span>drew<\/span> Sc<\/span>ott.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nOlm<\/span>stead,<\/span> Ro<\/span>bert.<\/span>\u00a0<\/span>F<\/span>ar<\/span> Br<\/span>ight<\/span> S<\/span>tar:<\/span> A No<\/span>vel.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by J<\/span>ason<\/span> B. Jo<\/span>nes.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nOl<\/span>sen,<\/span> W. Sc<\/span>ott.<\/span>\u00a0<\/span>At Speed: Traveling the Long Road Between Two Points.<\/i>\u00a0Re<\/span>viewed<\/span> by N<\/span>aton<\/span> Le<\/span>slie.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nOls<\/span>zewska,<\/span> Da<\/span>niela.<\/span>\u00a0<\/span>citizen j.\u00a0<\/i>Re<\/span>viewed<\/span> by Je<\/span>ssica<\/span> D<\/span>awn<\/span> Z<\/span>inz.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nOr<\/span>ozco,<\/span> O<\/span>lga.<\/span>\u00a0<\/span>Engravings Torn From Insomnia<\/i>, Tra<\/span>nslated<\/span> by M<\/span>ary<\/span> C<\/span>row.<\/span> Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nOr<\/span>tiz,<\/span> Si<\/span>mon,<\/span> E<\/span>d.<\/span>\u00a0<\/span>F<\/span>rom<\/span> S<\/span>and<\/span> C<\/span>reek<\/span><\/span><\/em>. Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> B<\/span>rent<\/span> (Ch<\/span>eyenne)<\/span> a<\/span>nd<\/span> J<\/span>oe<\/span> Na<\/span>pora.<\/span> v. V, n<\/span>o.<\/span> 2.<\/span><\/p>\n

P<\/b><\/h3>\n

Pa<\/span>ncake,<\/span> A<\/span>nn.<\/span>\u00a0<\/span>Given Ground.<\/i>\u00a0Re<\/span>viewed<\/span> by Ga<\/span>briel<\/span> We<\/span>lsch.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPa<\/span>nkey,<\/span> E<\/span>ric.<\/span>\u00a0<\/span>Apocrypha.<\/i>\u00a0Re<\/span>viewed<\/span> by Da<\/span>niel<\/span> J<\/span>ames<\/span> Su<\/span>ndahl.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nPa<\/span>nkey,<\/span> E<\/span>ric.<\/span>\u00a0<\/span>Trace: Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>im\u00e9e<\/span> Fa<\/span>gent.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPa<\/span>nning,<\/span> A<\/span>nne.<\/span>\u00a0<\/span>Super America.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>isa<\/span> Bo<\/span>wer.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPa<\/span>ppas,<\/span> Th<\/span>eresa.<\/span>\u00a0<\/span>Flash Paper.<\/i>\u00a0Re<\/span>viewed<\/span> by Ma<\/span>riann<\/span> Ho<\/span>fer.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nPa<\/span>rdi,<\/span> Ph<\/span>ilip.<\/span>\u00a0<\/span>Med<\/span>itations<\/span> on Ri<\/span>sing<\/span> a<\/span>nd<\/span> Fa<\/span>lling.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPa<\/span>rker,<\/span> A<\/span>lan<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>Love Song with Motor Vehicles.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>eth<\/span> B<\/span>erg.<\/span> v.<\/span>XXIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nPa<\/span>rker,<\/span> A<\/span>lan<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>Elephants and Butterflies.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> Fr<\/span>eeman.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.2.<\/span><\/span>
\nPa<\/span>rker,<\/span> J<\/span>eff.<\/span>\u00a0<\/span>Ovenman: A Novel.<\/i>\u00a0Re<\/span>viewed<\/span> by Kr<\/span>istina<\/span> M<\/span>arie<\/span> Da<\/span>rling.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nPa<\/span>rker,<\/span> J<\/span>eff.<\/span>\u00a0<\/span>T<\/span>he<\/span> T<\/span>aste<\/span> of Pe<\/span>nny.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by B<\/span>rad<\/span> Fe<\/span>lver.<\/span>\u00a0v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPa<\/span>rsons,<\/span> Ale<\/span>xander.<\/span>\u00a0<\/span>In t<\/span>he<\/span> Sh<\/span>adow<\/span> of t<\/span>he<\/span> S<\/span>un.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Du<\/span>stin<\/span> Pa<\/span>rsons.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPau<\/span>lenich,<\/span> Cr<\/span>aig.<\/span>\u00a0<\/span>B<\/span>lood<\/span> W<\/span>ill<\/span> T<\/span>ell.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Je<\/span>ssica<\/span> L. St<\/span>ump.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nPe<\/span>den,<\/span> Ma<\/span>rgaret<\/span> Sa<\/span>yers,<\/span> Tr<\/span>ans.<\/span>\u00a0<\/span>Selected Odes of Pablo Neruda.<\/i>\u00a0Re<\/span>viewed<\/span> by Sa<\/span>muel<\/span> M<\/span>aio.<\/span> v. X<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPe<\/span>levin,<\/span> Vi<\/span>ctor.<\/span>\u00a0<\/span>A Werewolf Problem in Central Russia and Other Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>avid<\/span> Am<\/span>adio.<\/span> v. X<\/span>X,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nPel<\/span>izzon,<\/span> V. Pen<\/span>elope.<\/span>\u00a0<\/span>Nostos.<\/i>\u00a0Re<\/span>viewed<\/span> by Al<\/span>isha<\/span> Be<\/span>nson.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nPe<\/span>rchik,<\/span> Si<\/span>mon.<\/span>\u00a0<\/span>The Gandolf Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by N<\/span>aton<\/span> Le<\/span>slie.<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nPe<\/span>rcy,<\/span> Ben<\/span>jamin.<\/span>\u00a0<\/span>T<\/span>he<\/span> Wi<\/span>lding.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by An<\/span>drew<\/span> Sc<\/span>ott.<\/span>\u00a0v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

Perry, Andre. <\/span>Some of Us Are Very Hungry Now. <\/span><\/i>Reviewed by Matthew Stewart. v.XL, no. 2.<\/span>
\nPhi<\/span>llips,<\/span> C<\/span>arl.<\/span>\u00a0<\/span>Coin of the Realm: Essays on the Life and Art of Poetry.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> Fr<\/span>eeman.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPhi<\/span>llips,<\/span> D<\/span>ale<\/span> R<\/span>ay.<\/span>\u00a0<\/span>My People’s Waltz.<\/i>\u00a0Re<\/span>viewed<\/span> by Du<\/span>stin<\/span> Pa<\/span>rsons.<\/span> v. X<\/span>X,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nPi<\/span>erce,<\/span> Cat<\/span>herine.<\/span>\u00a0<\/span>The Girls of Peculiar.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>aul<\/span> Ro<\/span>dgers.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPi<\/span>erce,<\/span> T<\/span>odd<\/span> Ja<\/span>mes.<\/span>\u00a0<\/span>T<\/span>he<\/span> Aus<\/span>tralia<\/span> St<\/span>ories.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by N<\/span>ina<\/span> Or<\/span>echwa.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPi<\/span>erce,<\/span> T<\/span>odd<\/span> Ja<\/span>mes.<\/span>\u00a0<\/span>Newsworld.<\/i>\u00a0Re<\/span>viewed<\/span> by Jo<\/span>shua<\/span> Ch<\/span>apman.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPi<\/span>erman,<\/span> C<\/span>arol<\/span> J.\u00a0<\/span>The Age of Krypton.<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>iane<\/span> Ra<\/span>ptosh.<\/span> v. I<\/span>X,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nPi<\/span>irto,<\/span> J<\/span>ane.<\/span>\u00a0<\/span>The Three-Week Trance Diet.<\/i>\u00a0Re<\/span>viewed<\/span> by R<\/span>ick<\/span> He<\/span>nry.<\/span> v. V<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPiz<\/span>zolatto,<\/span> N<\/span>ic.<\/span>\u00a0<\/span>Between Here and the Yellow Sea.<\/i>\u00a0Re<\/span>viewed<\/span> by R<\/span>andy<\/span> De<\/span>Vita.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPo<\/span>krass,<\/span> M<\/span>eg.<\/span>\u00a0<\/span>Damn Sure Right.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ason<\/span> T<\/span>eal.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nPref<\/span>ontaine,<\/span> J<\/span>ay<\/span> a<\/span>nd<\/span> J<\/span>ason<\/span> L<\/span>ee<\/span> Br<\/span>own.<\/span>\u00a0<\/span>New Stories from the Midwest.<\/i>\u00a0Re<\/span>viewed<\/span> by Sh<\/span>aron<\/span> Har<\/span>rigan.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nPri<\/span>tchard,<\/span> Me<\/span>lissa.<\/span>\u00a0<\/span>Disappearing Ingenue: The Misadventures of Eleanor Stoddard.<\/i>\u00a0Re<\/span>viewed<\/span> by Al<\/span>icia<\/span> Co<\/span>nroy.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPri<\/span>tchard,<\/span> S<\/span>ara.<\/span>\u00a0<\/span>Lately.<\/i>\u00a0Re<\/span>viewed<\/span> by Sr<\/span>uthi<\/span> The<\/span>kkiam.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nPri<\/span>vitello,<\/span> Me<\/span>ghan.<\/span>\u00a0<\/span>A N<\/span>ew<\/span> La<\/span>nguage<\/span> f<\/span>or<\/span> Fa<\/span>lling<\/span> O<\/span>ut<\/span> of L<\/span>ove<\/span><\/span><\/em>. Re<\/span>viewed<\/span> by Ju<\/span>stin<\/span> Ca<\/span>rter.<\/span>\u00a0v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nPr<\/span>ufer,<\/span> Ke<\/span>vin.<\/span>\u00a0<\/span>Fa<\/span>llen<\/span> F<\/span>rom<\/span> a Ch<\/span>ariot.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

Q<\/b><\/h3>\n

Qu<\/span>ade,<\/span> M<\/span>ary.<\/span>\u00a0<\/span>Guide to Native Beasts.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>arin<\/span> Wr<\/span>aley.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

R<\/b><\/h3>\n

Ra<\/span>der,<\/span> D<\/span>ean.<\/span>\u00a0<\/span>Lan<\/span>dscape<\/span> Po<\/span>rtrait<\/span> Fi<\/span>gure<\/span> F<\/span>orm.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ka<\/span>rtin<\/span> Tsc<\/span>hirgi.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nRa<\/span>mke,<\/span> B<\/span>in.<\/span>\u00a0<\/span>White Monkeys.<\/i>\u00a0Re<\/span>viewed<\/span> by Ba<\/span>rbara<\/span> Fia<\/span>lkowski.<\/span> v. I, n<\/span>o.<\/span> 2.<\/span>
\nRas<\/span>mussen,<\/span> Re<\/span>becca.<\/span>\u00a0<\/span>T<\/span>he<\/span> B<\/span>ird<\/span> Si<\/span>sters.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by D<\/span>avid<\/span> Mc<\/span>Clure.<\/span>\u00a0v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nRa<\/span>venel,<\/span> Sh<\/span>annon,<\/span> E<\/span>d.<\/span>\u00a0<\/span>New Stories from the South.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>ewis<\/span> A. La<\/span>wson.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nRaw<\/span>lings,<\/span> We<\/span>ndy.<\/span>\u00a0<\/span>The Agnostics.<\/i>\u00a0Re<\/span>viewed<\/span> by Chr<\/span>istopher<\/span> Hi<\/span>ggs.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nR<\/span>az,<\/span> Hi<\/span>lda.<\/span>\u00a0<\/span>A<\/span>ll<\/span> O<\/span>dd<\/span> a<\/span>nd<\/span> Spl<\/span>endid.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nRe<\/span>ctor,<\/span> L<\/span>iam.<\/span>\u00a0<\/span>The Sorrow of Architecture.<\/i>\u00a0Re<\/span>viewed<\/span> by W<\/span>yn<\/span> Co<\/span>oper.<\/span> v. V, n<\/span>os.<\/span> 1 & 2.<\/span>
\nRe<\/span>eves,<\/span> Tr<\/span>ish.<\/span>\u00a0<\/span>Returning the Question.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>ee<\/span> Up<\/span>ton.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nRe<\/span>eves,<\/span> Tr<\/span>ish.<\/span>\u00a0<\/span>In the Knees of the Gods.<\/i>\u00a0Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> A. Cl<\/span>oud.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nRe<\/span>yes,<\/span> Ca<\/span>rlos.<\/span>\u00a0<\/span>Nightmarks.<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>avid<\/span> St<\/span>arkey.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nR<\/span>ich,<\/span> Adr<\/span>ienne.<\/span>\u00a0<\/span>Fox.<\/i>\u00a0Re<\/span>viewed<\/span> by J. Ga<\/span>briel<\/span> Scal<\/span>a-White.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nRic<\/span>hards,<\/span> S<\/span>usan<\/span> St<\/span>arr.<\/span>\u00a0<\/span>The Hanging in the Foaling Barn.<\/i>\u00a0Re<\/span>viewed<\/span> by Sr<\/span>uthi<\/span> The<\/span>kkiam.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nRi<\/span>gby,<\/span> Ka<\/span>ren.<\/span>\u00a0<\/span>Chinoiserie.\u00a0<\/i>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nRipa<\/span>trazone,<\/span> N<\/span>ick.<\/span>\u00a0<\/span>This Is Not About Birds.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>aul<\/span> Ar<\/span>rand<\/span> Ro<\/span>dgers.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nRi<\/span>vers,<\/span> J<\/span>.W.<\/span>\u00a0<\/span>Pround and On My Feet.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> K<\/span>arl<\/span> (Ri<\/span>tchie).<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nRose<\/span>nwasser,<\/span> Pe<\/span>nny.<\/span>\u00a0<\/span>Voices from a ‘Promised Land’: Palestinian & Israeli Peace Activists Speak Their Hearts.<\/i>\u00a0Re<\/span>viewed<\/span> by Ed<\/span>ward<\/span> Dou<\/span>gherty.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nR<\/span>oss,<\/span> Wi<\/span>lliam<\/span> T.\u00a0<\/span>Weldon Kees.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ames<\/span> Re<\/span>idel.<\/span> v. V<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nRot<\/span>henberg,<\/span> Je<\/span>rome.<\/span>\u00a0<\/span>Further Sightings and Conversations.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>eff<\/span> Gu<\/span>ndy.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nRu<\/span>bin,<\/span> S<\/span>tan<\/span> Sa<\/span>nvel.<\/span>\u00a0<\/span>Midnight.<\/i>\u00a0Re<\/span>viewed<\/span> by T<\/span>ony<\/span> Ha<\/span>ynes.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nRu<\/span>efle,<\/span> M<\/span>ary.<\/span>\u00a0<\/span>The Adamant.<\/i>\u00a0Re<\/span>viewed<\/span> by Ma<\/span>rianna<\/span> Ho<\/span>fer.<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nRu<\/span>efle,<\/span> M<\/span>ary.<\/span>\u00a0<\/span>Apparition Hill.<\/i>\u00a0Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nRu<\/span>efle,<\/span> M<\/span>ary.<\/span>\u00a0<\/span>A Little White Shadow.<\/i>\u00a0Re<\/span>viewed<\/span> by Am<\/span>anda<\/span> Mc<\/span>Guire.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nRu<\/span>nkle,<\/span> M<\/span>att.<\/span>\u00a0<\/span>T<\/span>he<\/span> S<\/span>tory<\/span> of H<\/span>ow<\/span> A<\/span>ll<\/span> An<\/span>imals<\/span> A<\/span>re<\/span> E<\/span>qual<\/span> & O<\/span>ther<\/span> Ta<\/span>les.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Za<\/span>chary<\/span> Ko<\/span>canda.<\/span>\u00a0v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nRu<\/span>nyan,<\/span> Ta<\/span>nia.<\/span>\u00a0<\/span>Simple Weight.<\/i>\u00a0Re<\/span>viewed<\/span> by Chr<\/span>istina<\/span> Vel<\/span>adota.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nRu<\/span>nyan,<\/span> Ta<\/span>nia.<\/span>\u00a0<\/span>A Thousand Vessels.<\/i>\u00a0Re<\/span>viewed<\/span> by Be<\/span>njamin<\/span> S. Gro<\/span>ssberg.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nR<\/span>ust,<\/span> El<\/span>issa<\/span> Mi<\/span>nor.<\/span>\u00a0<\/span>The Prisoner Pear: Stories From the Lake.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>eth<\/span> Po<\/span>lzin.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nRzi<\/span>cznek,<\/span> Da<\/span>niel<\/span> F.\u00a0<\/span>Neck of the World.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>aren<\/span> Cr<\/span>aigo.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

S<\/b><\/h3>\n

Sa<\/span>gan,<\/span> Mi<\/span>riam.<\/span>\u00a0<\/span>True Body.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>eff<\/span> Gu<\/span>ndy.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nS\u00e1<\/span>enz,<\/span> Be<\/span>njamin<\/span> Al<\/span>ire.<\/span>\u00a0<\/span>Calendar of Dust.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> H<\/span>art.<\/span> v. X<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSa<\/span>lcman,<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>The Clock Made of Confetti.<\/i>\u00a0Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSa<\/span>myn,<\/span> M<\/span>ary<\/span> A<\/span>nn.<\/span>\u00a0<\/span>Be<\/span>auty<\/span> Br<\/span>eaks<\/span> I<\/span>n.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Je<\/span>ssica<\/span> L. St<\/span>ump.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nSa<\/span>nders,<\/span> T<\/span>ed.<\/span>\u00a0<\/span>No Animals We Could Name.<\/i>\u00a0Re<\/span>viewed<\/span> by Tr<\/span>ista<\/span> M. Ed<\/span>wards.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSau<\/span>nders,<\/span> Ge<\/span>orge.<\/span>\u00a0<\/span>Pastoralia.<\/i>\u00a0Re<\/span>viewed<\/span> by Du<\/span>stin<\/span> Pa<\/span>rsons.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSa<\/span>yers,<\/span> Th<\/span>omas.<\/span>\u00a0<\/span>T<\/span>he<\/span> Ma<\/span>verick<\/span> R<\/span>oom.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by A<\/span>nna<\/span> Le<\/span>ahy.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSc<\/span>arry,<\/span> Si<\/span>obh\u00e1n.<\/span>\u00a0<\/span>Pil<\/span>grimly.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSc<\/span>hmidt,<\/span> Ge<\/span>off.<\/span>\u00a0<\/span>Out of Time.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ason<\/span> T<\/span>eal.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nSc<\/span>ott,<\/span> An<\/span>drew.<\/span>\u00a0<\/span>Naked Summer.<\/i>\u00a0Re<\/span>viewed<\/span> by N<\/span>ick<\/span> Ripa<\/span>trazone.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSe<\/span>lgin,<\/span> Pe<\/span>ter.<\/span>\u00a0<\/span>L<\/span>ife<\/span> F<\/span>oes<\/span> to t<\/span>he<\/span> Mo<\/span>vies.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by TJ Ge<\/span>rlach.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSe<\/span>rpas,<\/span> Ma<\/span>rtha.<\/span>\u00a0<\/span>T<\/span>he<\/span> Di<\/span>ener.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ju<\/span>stin<\/span> Ca<\/span>rter.<\/span>\u00a0v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSe<\/span>xton,<\/span> El<\/span>aine.<\/span>\u00a0<\/span>Cau<\/span>seway.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by El<\/span>inor<\/span> Ben<\/span>edict.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSe<\/span>yburn,<\/span> Pa<\/span>tty.<\/span>\u00a0<\/span>Mechanical Cluster.<\/i>\u00a0Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSh<\/span>ankar,<\/span> R<\/span>avi.<\/span>\u00a0<\/span>Instrumentality.<\/i>\u00a0Re<\/span>viewed<\/span> by M<\/span>att<\/span> Mc<\/span>Bride.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSh<\/span>apard,<\/span> Ro<\/span>bert<\/span> a<\/span>nd<\/span> J<\/span>ames<\/span> Th<\/span>omas,<\/span> E<\/span>ds.<\/span>\u00a0<\/span>Sudden Fiction International.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> Br<\/span>adley.<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nSh<\/span>apard,<\/span> Ro<\/span>bert,<\/span> J<\/span>ames<\/span> Th<\/span>omas,<\/span> a<\/span>nd<\/span> R<\/span>ay<\/span> Gon<\/span>z\u00e1lez,<\/span> E<\/span>ds.<\/span>\u00a0<\/span>Su<\/span>dden<\/span> Fi<\/span>ction<\/span> La<\/span>tino:<\/span> Sho<\/span>rt-Short<\/span> St<\/span>ories<\/span> F<\/span>rom<\/span> t<\/span>he<\/span> Un<\/span>ited<\/span> St<\/span>ates<\/span> a<\/span>nd<\/span> L<\/span>atin<\/span> Am<\/span>erica.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by M<\/span>ark<\/span> Bu<\/span>dman.<\/span>\u00a0v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSh<\/span>apiro,<\/span> Ja<\/span>nice.<\/span> <\/span>Bummer: And Other Stories.\u00a0<\/i>Re<\/span>viewed<\/span> by S<\/span>eth<\/span> Fr<\/span>ied.<\/span>\u00a0v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nS<\/span>hea,<\/span> Sa<\/span>ndra.<\/span>\u00a0<\/span>The Realm of Secondhand Souls.<\/i>\u00a0Re<\/span>viewed<\/span> by Al<\/span>icia<\/span> Co<\/span>nroy.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSh<\/span>eehy,<\/span> H<\/span>ugh.<\/span>\u00a0<\/span>The Invisibles.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>ori<\/span> W<\/span>ald<\/span> Co<\/span>mpton.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nShe<\/span>lnutt,<\/span> E<\/span>ve.<\/span>\u00a0<\/span>T<\/span>he<\/span> Mus<\/span>ician.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ro<\/span>bert<\/span> Ea<\/span>rly.<\/span> v. V<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nShe<\/span>lnutt,<\/span> E<\/span>ve.<\/span>\u00a0<\/span>Recital in a Private Home.<\/i>\u00a0Re<\/span>viewed<\/span> by Ma<\/span>rianna<\/span> Ho<\/span>fer.<\/span> v. I<\/span>X,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSh<\/span>epard,<\/span> N<\/span>eil.<\/span>\u00a0<\/span>Scavenging the Country for a Heartbeat.<\/i>\u00a0Re<\/span>viewed<\/span> by N<\/span>aton<\/span> Le<\/span>slie.<\/span> v. X<\/span>V,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nShe<\/span>pherd,<\/span> P<\/span>aul.<\/span> <\/span>M<\/span>ore<\/span> L<\/span>ike<\/span> N<\/span>ot<\/span> Ru<\/span>nning<\/span> A<\/span>way.<\/span><\/span><\/em> Re<\/span>viewed<\/span> by Sr<\/span>uthi<\/span> The<\/span>kkiam.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSh<\/span>ipley,<\/span> Vi<\/span>vian.<\/span>\u00a0<\/span>When There Is No Shore.<\/i>\u00a0Re<\/span>viewed<\/span> by Ca<\/span>roline<\/span> Mo<\/span>rrell.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nShi<\/span>pstead,<\/span> Ma<\/span>ggie.<\/span>\u00a0<\/span>As<\/span>tonish<\/span> M<\/span>e.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Sop<\/span>hfronia<\/span> Sc<\/span>ott.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSh<\/span>umate,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>The Floating Bridge: Prose Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>rad<\/span> Mo<\/span>dlin.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSh<\/span>umate,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>Kimonos in the Closet.<\/i>\u00a0Re<\/span>viewed<\/span> by He<\/span>ather<\/span> C<\/span>ox.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

Sickels, Carter. <\/span>The Prettiest Star. <\/span><\/i>Reviewed by Chad Merrell. v.XL, no. 2.<\/span>
\nSi<\/span>lberg,<\/span> Ri<\/span>chard.<\/span>\u00a0<\/span>The Fields.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>eff<\/span> Gu<\/span>ndy.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSi<\/span>mic,<\/span> Ch<\/span>arles.<\/span>\u00a0<\/span>Classic Ballroom Dances.<\/i>\u00a0Re<\/span>viewed<\/span> by F<\/span>red<\/span> Wo<\/span>lven.<\/span> v. 1, n<\/span>o.<\/span> 1.<\/span>
\nSim<\/span>oneau.<\/span>\u00a0<\/span>R<\/span>iver<\/span> Bo<\/span>und.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSi<\/span>mpson,<\/span> C<\/span>had.<\/span>\u00a0<\/span>Tell Everyone I Said Hi.<\/i>\u00a0Re<\/span>viewed<\/span> by Jo<\/span>seph<\/span> Lu<\/span>cido.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nS<\/span>ims,<\/span> La<\/span>ura.<\/span>\u00a0<\/span>Practice, Restraint.<\/i>\u00a0Re<\/span>viewed<\/span> by Am<\/span>anda<\/span> Mc<\/span>Guire.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSk<\/span>inner,<\/span> Kn<\/span>ute.<\/span>\u00a0<\/span>The Flame Room.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> K<\/span>arl<\/span> (Ri<\/span>tchie).<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSk<\/span>loot,<\/span> Fl<\/span>oyd.<\/span>\u00a0<\/span>Patient 002.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>.J.<\/span> Ho<\/span>llars.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSk<\/span>oog,<\/span> E<\/span>d.<\/span>\u00a0<\/span>Mi<\/span>ster<\/span> Sky<\/span>light.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ca<\/span>llista<\/span> Bu<\/span>chen.<\/span>\u00a0v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSm<\/span>ith,<\/span> Cu<\/span>rtis.<\/span>\u00a0<\/span>An Unadorned Life.<\/i>\u00a0Re<\/span>viewed<\/span> by Chr<\/span>istine<\/span> Pe<\/span>ters<\/span> Cuc<\/span>ciare.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSm<\/span>ith,<\/span> Cu<\/span>rtis.<\/span>\u00a0<\/span>The Species Crown.<\/i>\u00a0Re<\/span>viewed<\/span> by T<\/span>erez<\/span> R<\/span>ose.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSm<\/span>ith,<\/span> Do<\/span>minic.<\/span>\u00a0<\/span>the beautiful miscellaneous.<\/i>\u00a0Re<\/span>viewed<\/span> by R<\/span>enne<\/span> Nic<\/span>holson.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSm<\/span>ith,<\/span> Do<\/span>minic.<\/span>\u00a0<\/span>The Mercury Visions of Louis Daguerre.<\/i>\u00a0Re<\/span>viewed<\/span> by Je<\/span>remy<\/span> Sc<\/span>hnee.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSm<\/span>ith,<\/span> J<\/span>ack.<\/span>\u00a0<\/span>H<\/span>og<\/span> to H<\/span>og.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by S<\/span>teve<\/span> Edg<\/span>ehouse.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSm<\/span>ith,<\/span> La<\/span>rry.<\/span>\u00a0<\/span>Inside the Garden.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>eff<\/span> Gu<\/span>ndy.<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nSo<\/span>bin,<\/span> An<\/span>thony.<\/span>\u00a0<\/span>The Sunday Naturalist.<\/i>\u00a0Re<\/span>viewed<\/span> by Al<\/span>bert<\/span> Gol<\/span>dbarth.<\/span> v. I<\/span>V,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nS<\/span>ong,<\/span> Ca<\/span>thy.<\/span>\u00a0<\/span>The Land of Bliss.<\/i>\u00a0Re<\/span>viewed<\/span> by Si<\/span>lvana<\/span> Un<\/span>ciano.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSou<\/span>thworth,<\/span> Lu<\/span>cas.<\/span>\u00a0<\/span>Ev<\/span>eryone<\/span> H<\/span>ere<\/span> H<\/span>as<\/span> a G<\/span>un.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ja<\/span>ckie<\/span> Cu<\/span>mmins.<\/span> v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSp<\/span>arks,<\/span> Am<\/span>ber.<\/span>\u00a0<\/span>May We Shed These Human Bodies.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ason<\/span> T<\/span>eal.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSp<\/span>encer,<\/span> M<\/span>ark.<\/span>\u00a0<\/span>The Masked Demon.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>on<\/span> Na<\/span>rdone.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nS<\/span>t.<\/span> Cl<\/span>air,<\/span> Ph<\/span>ilip.<\/span>\u00a0<\/span>Little-Dog-of-Iron.<\/i>\u00a0Re<\/span>viewed<\/span> by Ma<\/span>urice<\/span> Ki<\/span>lwein.<\/span> v. V<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSta<\/span>llings,<\/span> A. E.\u00a0<\/span>Archaic Smile.<\/i>\u00a0Re<\/span>viewed<\/span> by La<\/span>nette<\/span> Fre<\/span>eseman.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSt<\/span>ansel,<\/span> I<\/span>an.<\/span>\u00a0<\/span>Eve<\/span>rybody’s<\/span> Ir<\/span>ish.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by S<\/span>asha<\/span> Kha<\/span>lifeh.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nS<\/span>taw,<\/span> J<\/span>ane<\/span> A<\/span>nn<\/span> a<\/span>nd<\/span> M<\/span>ary<\/span> Sw<\/span>ander.<\/span>\u00a0<\/span>Parsnips in the Snow.<\/i>\u00a0Re<\/span>viewed<\/span> by Ma<\/span>lachi<\/span> C. To<\/span>pping.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSt<\/span>evens,<\/span> J. Da<\/span>vid.<\/span>\u00a0<\/span>Mexico Is Missing and Other Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> Czyz<\/span>niejewski.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSt<\/span>ewart,<\/span> Fr<\/span>ank,<\/span> E<\/span>d.<\/span>\u00a0<\/span>Passages to the Dreamshore: Short Stories of Contemporary Hawaii.<\/i>\u00a0Re<\/span>viewed<\/span> by Pa<\/span>mela<\/span> Joh<\/span>nston.<\/span> v. I<\/span>X,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSt<\/span>ine,<\/span> Al<\/span>ison.<\/span>\u00a0<\/span>O<\/span>hio<\/span> Vio<\/span>lence.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSt<\/span>ine,<\/span> Al<\/span>ison.<\/span>\u00a0<\/span>Wait.<\/i>\u00a0Re<\/span>viewed<\/span> by Je<\/span>ssica<\/span> Z<\/span>inz.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSt<\/span>okes,<\/span> Te<\/span>rry.<\/span>\u00a0<\/span>Intimate Apparel.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSto<\/span>kesbury,<\/span> Le<\/span>aon,<\/span> e<\/span>d.<\/span>\u00a0<\/span>The Light the Dead See Poems of Frank Stanford.<\/i>\u00a0Re<\/span>viewed<\/span> by L<\/span>ee<\/span> Up<\/span>ton.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSt<\/span>one,<\/span> R<\/span>uth.<\/span>\u00a0<\/span>Second-Hand Coat: Poems News and Selected.<\/i>\u00a0Re<\/span>viewed<\/span> by Ma<\/span>riann<\/span> Ho<\/span>fer.<\/span> v. V<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSt<\/span>owell,<\/span> Ph<\/span>yllis.<\/span>\u00a0<\/span>Who Is Alice?<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>iane<\/span> Ra<\/span>ptosh.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSt<\/span>rand,<\/span> M<\/span>ark.<\/span>\u00a0<\/span>Selected Poems.<\/i>\u00a0Re<\/span>viewed<\/span> by Ma<\/span>tthew<\/span> Br<\/span>ennan.<\/span> v. I, n<\/span>o.<\/span> 2.<\/span>
\nSt<\/span>ryk,<\/span> Lu<\/span>cien.<\/span>\u00a0<\/span>Of Pen and Ink and Paper Scraps.<\/i>\u00a0Re<\/span>viewed<\/span> by S<\/span>usan<\/span> A<\/span>zar<\/span> Port<\/span>erfield.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSt<\/span>uart,<\/span> Da<\/span>bney.<\/span>\u00a0<\/span>Common Ground: Poems by Dabney Stuart<\/i>. Re<\/span>viewed<\/span> by Ba<\/span>rbara<\/span> Fia<\/span>lkowski<\/span> McM<\/span>illen.<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSu<\/span>tton,<\/span> Ba<\/span>rbara.<\/span>\u00a0<\/span>The Send-Away Girl.<\/i>\u00a0Re<\/span>viewed<\/span> by Li<\/span>ndsey<\/span> Ik<\/span>egami.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nS<\/span>wan,<\/span> Gl<\/span>adys.<\/span>\u00a0<\/span>Of Memory and Desire (Stories).<\/i>\u00a0Re<\/span>viewed<\/span> by De<\/span>nise<\/span> M. Mar<\/span>shall.<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nSw<\/span>eeney,<\/span> Je<\/span>nnifer<\/span> K.\u00a0<\/span>Li<\/span>ttle<\/span> Sp<\/span>ells<\/span><\/span><\/em>. Re<\/span>viewed<\/span> by N<\/span>aomi<\/span> No<\/span>rth.<\/span>\u00a0v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nSzp<\/span>orluk,<\/span> La<\/span>rissa.<\/span>\u00a0<\/span>Embryos and Idiots.<\/i>\u00a0Re<\/span>viewed<\/span> by Ga<\/span>briel<\/span> We<\/span>lsch.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nSzp<\/span>orluk,<\/span> La<\/span>rissa.<\/span>\u00a0<\/span>The Wind, Master Cherry, the Wind.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>nna<\/span> Le<\/span>ahy.<\/span> v.<\/span>XXIV,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

T<\/b><\/h3>\n

Ta<\/span>bor,<\/span> M<\/span>ary<\/span> L.\u00a0<\/span>The Woman Who Never Cooked.<\/i>\u00a0Re<\/span>viewed<\/span> by J. A<\/span>lbin<\/span> La<\/span>rson.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nTa<\/span>nner,<\/span> R<\/span>on.<\/span>\u00a0<\/span>A Bed of Nails.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> Czyz<\/span>niejewski.<\/span> v.<\/span>XXIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nTa<\/span>nner,<\/span> R<\/span>on.<\/span>\u00a0<\/span>Kiss Me, Stranger.\u00a0<\/i>Re<\/span>viewed<\/span> by B<\/span>ess<\/span> Wi<\/span>nter.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nTap<\/span>ahonso,<\/span> L<\/span>uci.<\/span>\u00a0<\/span>A Breeze Swept Through.<\/i>\u00a0Re<\/span>viewed<\/span> by El<\/span>inor<\/span> Ben<\/span>edict.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nTa<\/span>ylor,<\/span> Ju<\/span>dith.<\/span>\u00a0<\/span>Se<\/span>lected<\/span> Dr<\/span>eams<\/span> f<\/span>rom<\/span> t<\/span>he<\/span> An<\/span>imal<\/span> Ki<\/span>ngdom.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> A. Cl<\/span>oud.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

T<\/span>eal,<\/span> Ja<\/span>son.<\/span> <\/span><\/span>We Are Called Specimens: An Oral Archive of Deity Marjorie. <\/span><\/i>Re<\/span>viewed<\/span> by A<\/span>lise<\/span> Mi<\/span>ller.<\/span> v<\/span>.XL,<\/span> n<\/span>o.<\/span> 2.<\/span><\/span><\/p>\n

T<\/span>eig,<\/span> Mi<\/span>chael.<\/span>\u00a0<\/span>Th<\/span>ere’s<\/span> a B<\/span>ox<\/span> in t<\/span>he<\/span> Ga<\/span>rage<\/span> Y<\/span>ou<\/span> C<\/span>an<\/span> B<\/span>eat<\/span> w<\/span>ith<\/span> a St<\/span>ick.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by La<\/span>uren<\/span> Bo<\/span>ulton.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nTe<\/span>itman,<\/span> R<\/span>yan.<\/span>\u00a0<\/span>Litany for the City.<\/i>\u00a0Re<\/span>viewed<\/span> by Je<\/span>annine<\/span> H<\/span>all<\/span> Ga<\/span>iley.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nTe<\/span>pper,<\/span> Su<\/span>san.<\/span>\u00a0<\/span>D<\/span>eer<\/span> & O<\/span>ther<\/span> St<\/span>ories.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Je<\/span>nnifer<\/span> Br<\/span>yan.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nTe<\/span>rman,<\/span> Ph<\/span>ilip.<\/span>\u00a0<\/span>B<\/span>ook<\/span> of t<\/span>he<\/span> Unb<\/span>roken.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nTe<\/span>rman,<\/span> Ph<\/span>ilip.<\/span>\u00a0<\/span>Rabbits of the Air.<\/i>\u00a0Re<\/span>viewed<\/span> by Ge<\/span>orge<\/span> Lo<\/span>oney.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nTe<\/span>ster,<\/span> Wi<\/span>lliam.<\/span>\u00a0<\/span>Head.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>my<\/span> Cza<\/span>rnecki.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nTh<\/span>omas,<\/span> J<\/span>ames<\/span> a<\/span>nd<\/span> De<\/span>nise<\/span> Th<\/span>omas,<\/span> E<\/span>ds.<\/span>\u00a0<\/span>The Best of the West 2: New Short Stories from the Wide Side of the Missouri.<\/i>\u00a0Re<\/span>viewed<\/span> by C<\/span>had<\/span> Kl<\/span>inger.<\/span> v. X, n<\/span>o.<\/span> 2.<\/span>
\nTho<\/span>mpson,<\/span> J<\/span>ean.<\/span>\u00a0<\/span>City Boy: A Novel.<\/i>\u00a0Re<\/span>viewed<\/span> by M<\/span>ark<\/span> Baum<\/span>gartner.<\/span> v. X<\/span>XV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nTho<\/span>mpson,<\/span> J<\/span>ean.<\/span>\u00a0<\/span>Do N<\/span>ot<\/span> D<\/span>eny<\/span> M<\/span>y:<\/span> St<\/span>ories.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Mi<\/span>chelle<\/span> Zu<\/span>ppa.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nTho<\/span>mpson,<\/span> J<\/span>ean.<\/span>\u00a0<\/span>Throw Like a Girl: Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ill<\/span> My<\/span>ers.<\/span> v. XX<\/span>VIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nThun<\/span>derhorse,<\/span> I<\/span>ron<\/span> a<\/span>nd<\/span> D<\/span>onne<\/span> Le V<\/span>ie,<\/span> J<\/span>r.<\/span>\u00a0<\/span>Return of the Thunderbeings: A New Paradigm of Ancient Shamanism.<\/i>\u00a0Re<\/span>viewed<\/span> by G<\/span>erry<\/span> Sm<\/span>ith.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nTre<\/span>mblay,<\/span> B<\/span>ill.<\/span>\u00a0<\/span>Duhamel.<\/i>\u00a0Re<\/span>viewed<\/span> by Ma<\/span>urice<\/span> Ki<\/span>lwein.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nTre<\/span>thewey,<\/span> Na<\/span>tasha.<\/span>\u00a0<\/span>Domestic Work.<\/i>\u00a0Re<\/span>viewed<\/span> by Si<\/span>lvana<\/span> Un<\/span>ciano.<\/span> v. X<\/span>XI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nTri<\/span>gilio,<\/span> T<\/span>ony.<\/span>\u00a0<\/span>Historic Diary.<\/i>\u00a0Re<\/span>viewed<\/span> by P<\/span>aul<\/span> Ar<\/span>rand<\/span> Ro<\/span>dgers.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nT<\/span>roy,<\/span> M<\/span>ary.<\/span>\u00a0<\/span>The Alibi Caf\u00e9 and Other Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by M<\/span>ark<\/span> Baum<\/span>gartner.<\/span> v.<\/span>XXIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nTu<\/span>rner,<\/span> Br<\/span>ian.<\/span>\u00a0<\/span>H<\/span>ere,<\/span> Bu<\/span>llet.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by J<\/span>ohn<\/span> Fr<\/span>eeman.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nTu<\/span>rpin,<\/span> M<\/span>ark.<\/span>\u00a0<\/span>Hammer.<\/i>\u00a0Re<\/span>viewed<\/span> by M<\/span>ark<\/span> Je<\/span>nkins.<\/span> v.<\/span>XXIV,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

U<\/b><\/h3>\n

Up<\/span>ton,<\/span> L<\/span>ee.<\/span>\u00a0<\/span>The Invention of Kindness.<\/i>\u00a0Re<\/span>viewed<\/span> by W<\/span>.P.<\/span> Os<\/span>born.<\/span> v. V, n<\/span>o.<\/span> 1.<\/span>
\nUn<\/span>ferth,<\/span> D<\/span>eb<\/span> O<\/span>lin.<\/span>\u00a0<\/span>Vac<\/span>ation.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by St<\/span>ephen<\/span> De<\/span>laney.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nUs<\/span>chuk,<\/span> Pa<\/span>mela.<\/span>\u00a0<\/span>Lights From Dead Stars.<\/i>\u00a0Re<\/span>viewed<\/span> by Wi<\/span>lliam<\/span> P<\/span>itt<\/span> R<\/span>oot.<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

V<\/b><\/h3>\n

Va<\/span>lente,<\/span> A<\/span>nne.<\/span> <\/span>By Light We Knew Our Names.\u00a0<\/i>Re<\/span>viewed<\/span> by L<\/span>aura<\/span> Ma<\/span>ylene<\/span> Wa<\/span>lter.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nV<\/span>an<\/span> D<\/span>en<\/span> B<\/span>erg,<\/span> La<\/span>ura.<\/span>\u00a0<\/span>w<\/span>hat<\/span> t<\/span>he<\/span> w<\/span>orld<\/span> w<\/span>ill<\/span> l<\/span>ook<\/span> l<\/span>ike<\/span> w<\/span>hen<\/span> a<\/span>ll<\/span> t<\/span>he<\/span> w<\/span>ater<\/span> le<\/span>aves<\/span> u<\/span>s.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by As<\/span>hley<\/span> Ka<\/span>ine.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nVan<\/span>denberg,<\/span> Wi<\/span>lliam.<\/span>\u00a0<\/span>L<\/span>ake<\/span> of Ea<\/span>rth.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by J<\/span>ames<\/span> Or<\/span>besen.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nV<\/span>an<\/span> Pr<\/span>ooyen,<\/span> La<\/span>ura.<\/span>\u00a0<\/span>O<\/span>ur<\/span> H<\/span>ouse<\/span> W<\/span>as<\/span> on F<\/span>ire.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Je<\/span>nelle<\/span> Cl<\/span>ausen.<\/span> v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nVa<\/span>rallo,<\/span> An<\/span>thony.<\/span>\u00a0<\/span>T<\/span>his<\/span> D<\/span>ay<\/span> in Hi<\/span>story.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Li<\/span>ndsey<\/span> Ik<\/span>egami.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nVa<\/span>rallo,<\/span> An<\/span>thony.<\/span>\u00a0<\/span>O<\/span>ut<\/span> L<\/span>oud.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Je<\/span>nnifer<\/span> Br<\/span>yan.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nVi<\/span>ckers,<\/span> De<\/span>nnis.<\/span>\u00a0<\/span>Bluehart.<\/i>\u00a0Re<\/span>viewed<\/span> by N<\/span>ina<\/span> Or<\/span>echwa.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nVo<\/span>llmer,<\/span> Ma<\/span>tthew.<\/span>\u00a0<\/span>Inscriptions for Headstones.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>aren<\/span> Cr<\/span>aigo.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

W<\/b><\/h3>\n

Wag<\/span>enaar,<\/span> Ch<\/span>elsea.<\/span>\u00a0<\/span>M<\/span>ercy<\/span> \u00a0S<\/span>purs<\/span> t<\/span>he<\/span> B<\/span>one.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by B<\/span>ess<\/span> Wh<\/span>itby.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

Wagenaar, Chelsea. <\/span>The Spinning Place. <\/span><\/i>Reviewed by Cloe Watson. v.XL, no. 2.<\/span>
\nWa<\/span>goner,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>Landfall.<\/i>\u00a0Re<\/span>viewed<\/span> by Ba<\/span>rbara<\/span> Fia<\/span>lkowski.<\/span> v. I, n<\/span>o.<\/span> 1.<\/span>
\nWa<\/span>ldner,<\/span> L<\/span>iz.<\/span>\u00a0<\/span>Self and Simulacra.<\/i>\u00a0Re<\/span>viewed<\/span> by Ca<\/span>roline<\/span> Mo<\/span>rrell.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nWa<\/span>ldrep,<\/span> G<\/span>.C.<\/span> a<\/span>nd<\/span> J<\/span>ohn<\/span> Gal<\/span>laher.<\/span>\u00a0<\/span>Your Father on the Train of Ghosts.\u00a0<\/i>Re<\/span>viewed<\/span> by J<\/span>ason<\/span> Ta<\/span>ndon.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nWa<\/span>lker,<\/span> S<\/span>ue<\/span> a<\/span>nd<\/span> Eu<\/span>genie<\/span> Ha<\/span>mner,<\/span> e<\/span>ds.<\/span>\u00a0<\/span>Ways of Knowing: Essays on Marge Piercy.<\/i>\u00a0Re<\/span>viewed<\/span> by El<\/span>inor<\/span> Ben<\/span>edict.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nWa<\/span>llace,<\/span> An<\/span>thony.<\/span>\u00a0<\/span>T<\/span>he<\/span> O<\/span>ld<\/span> Pr<\/span>iest.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ja<\/span>ckie<\/span> Cu<\/span>mmins.<\/span> v. XX<\/span>XIV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nWa<\/span>llace,<\/span> Ro<\/span>nald.<\/span>\u00a0<\/span>The Makings of Happiness.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>lan<\/span> Na<\/span>pier.<\/span> v. X<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nWe<\/span>aver,<\/span> Go<\/span>rden.<\/span>\u00a0<\/span>Circling Byzantium.<\/i>\u00a0Re<\/span>viewed<\/span> by Ph<\/span>ilip<\/span> O’C<\/span>onnor.<\/span> v. I, n<\/span>o.<\/span> 1.<\/span>
\nWe<\/span>aver,<\/span> Go<\/span>rden.<\/span>\u00a0<\/span>Getting Serious.<\/i>\u00a0Re<\/span>viewed<\/span> by Ph<\/span>ilip<\/span> O’C<\/span>onnor.<\/span> v. I, n<\/span>o.<\/span> 1.<\/span>
\nW<\/span>ebb,<\/span> Ch<\/span>arles<\/span> Ha<\/span>rper.<\/span>\u00a0<\/span>B<\/span>rain<\/span> C<\/span>amp.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ro<\/span>berto<\/span> C. Eli<\/span>zondo.<\/span>\u00a0v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nWei<\/span>nberg,<\/span> Vi<\/span>ola.<\/span>\u00a0<\/span>The Sum Complexities of the Humble Field.<\/i>\u00a0Re<\/span>viewed<\/span> by D<\/span>iane<\/span> Ra<\/span>ptosh.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

Weise, Jillian. <\/span>Cyborg Detective. <\/span><\/i>Reviewed by Aryanna Falkner. v.XL, no. 2.<\/span>
\nWei<\/span>sgarber,<\/span> A<\/span>nn.<\/span>\u00a0<\/span>T<\/span>he<\/span> Pe<\/span>rsonal<\/span> Hi<\/span>story<\/span> of Ra<\/span>chel<\/span> Du<\/span>Pree.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by E<\/span>rin<\/span> Fla<\/span>nagan.<\/span>\u00a0v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n

We<\/span>lls,<\/span> Br<\/span>andi.<\/span>\u00a0<\/span>T<\/span>his<\/span> Bo<\/span>ring<\/span> Apo<\/span>calypse.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by A<\/span>ndy<\/span> My<\/span>ers.<\/span>\u00a0v. XX<\/span>XVI,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nWe<\/span>lsch,<\/span> Ga<\/span>briel.<\/span>\u00a0<\/span>Dirt and All Its Dense Labor.<\/i>\u00a0Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. X<\/span>XVI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nWe<\/span>lsch,<\/span> Ga<\/span>briel.<\/span>\u00a0<\/span>The Four Horsepersons of a Disappointing Apocalypse.\u00a0<\/i>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nWh<\/span>eeler,<\/span> Le<\/span>sley.<\/span>\u00a0<\/span>He<\/span>athen.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ka<\/span>thleen<\/span> Fle<\/span>nniken.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nWh<\/span>elan,<\/span> Gl<\/span>oria.<\/span>\u00a0<\/span>Playing with Shadows.<\/i>\u00a0Re<\/span>viewed<\/span> by El<\/span>inor<\/span> D. Ben<\/span>edict.<\/span> v. X, n<\/span>o.<\/span> 1.<\/span>
\nWh<\/span>ite,<\/span> Al<\/span>lison<\/span> Be<\/span>nis.<\/span>\u00a0<\/span>Self<\/span>-Portrait<\/span> W<\/span>ith<\/span> Cr<\/span>ayon.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by D<\/span>avid<\/span> D. Wil<\/span>liams.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nWhi<\/span>teman,<\/span> Ro<\/span>berta<\/span> H<\/span>ill.<\/span>\u00a0<\/span>Star Quilt.<\/i>\u00a0Re<\/span>viewed<\/span> by Je<\/span>annie.<\/span> Ludl<\/span>ow-Daniel.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nWh<\/span>itt,<\/span> Lau<\/span>relyn.<\/span>\u00a0<\/span>Interstices.<\/i>\u00a0Re<\/span>viewed<\/span> by El<\/span>inor<\/span> Ben<\/span>edict.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nW<\/span>ier,<\/span> Al<\/span>len.<\/span>\u00a0<\/span>Dep<\/span>arting<\/span> As A<\/span>ir.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ro<\/span>bert<\/span> Ea<\/span>rly.<\/span> v. I<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nW<\/span>ier,<\/span> D<\/span>ara.<\/span>\u00a0<\/span>The 8-Step Grapevine.<\/i>\u00a0Re<\/span>viewed<\/span> by Ph<\/span>ilip<\/span> F. O’C<\/span>onnor.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nW<\/span>ier,<\/span> D<\/span>ara.<\/span>\u00a0<\/span>T<\/span>he<\/span> B<\/span>ook<\/span> of Kno<\/span>wledge.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ro<\/span>bert<\/span> Ea<\/span>rly.<\/span> v. V<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nW<\/span>ier,<\/span> D<\/span>ara.<\/span>\u00a0<\/span>Remnants of Hannah.<\/i>\u00a0Re<\/span>viewed<\/span> by Am<\/span>anda<\/span> Mc<\/span>Guire.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nW<\/span>ier,<\/span> D<\/span>ara.<\/span>\u00a0<\/span>Se<\/span>lected<\/span> Po<\/span>ems.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Ab<\/span>igail<\/span> Cl<\/span>oud.<\/span> v. X<\/span>XX,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nW<\/span>ild,<\/span> Pe<\/span>ter,<\/span> E<\/span>d.<\/span>\u00a0<\/span>The Desert Reader.<\/i>\u00a0Re<\/span>viewed<\/span> by St<\/span>even<\/span> R. M<\/span>ohr.<\/span> v. X<\/span>II,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

Wilkinson, Sunni Brown. <\/span>The Marriage of the Moon and the Field. <\/span><\/i>Reviewed by Micaela Tore. v.XL, no. 2.<\/span>
\nWil<\/span>liams,<\/span> A<\/span>nn<\/span> Jo<\/span>slin.<\/span>\u00a0<\/span>The Woman in the Woods: Linked Stories.<\/i>\u00a0Re<\/span>viewed<\/span> by B<\/span>eth<\/span> Po<\/span>lzin.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nWil<\/span>liams,<\/span> Th<\/span>eresa.<\/span>\u00a0<\/span>The Secret of Hurricanes.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>ulie<\/span> Ha<\/span>ught.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nWil<\/span>liamson,<\/span> Co<\/span>rrie.<\/span>\u00a0<\/span>S<\/span>weet<\/span> H<\/span>usk<\/span><\/span><\/em>. Re<\/span>viewed<\/span> by Ni<\/span>cole<\/span> Con<\/span>nolly.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nWi<\/span>lson,<\/span> E<\/span>liot<\/span> Kh<\/span>alil.<\/span>\u00a0<\/span>T<\/span>he<\/span> S<\/span>aint<\/span> of Le<\/span>tting<\/span> S<\/span>mall<\/span> F<\/span>ish<\/span> G<\/span>o.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by K<\/span>aren<\/span> Wr<\/span>aley.<\/span> v. X<\/span>XIV,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nWi<\/span>lson,<\/span> Ke<\/span>vin.<\/span>\u00a0<\/span>Tun<\/span>neling<\/span> to t<\/span>he<\/span> Ce<\/span>nter<\/span> of t<\/span>he<\/span> Ea<\/span>rth.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by As<\/span>hley<\/span> Ka<\/span>ine.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nWi<\/span>ngate,<\/span> St<\/span>even.<\/span>\u00a0<\/span>Wife<\/span>shopping.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by J<\/span>ack<\/span> Sm<\/span>ith.<\/span> v. X<\/span>XIX,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nWi<\/span>seman,<\/span> La<\/span>ura.<\/span>\u00a0<\/span>W<\/span>ake.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by C<\/span>at<\/span> Di<\/span>xon.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nWis<\/span>niewski,<\/span> M<\/span>ark.<\/span>\u00a0<\/span>Shut Up, Look Good.\u00a0<\/i>Re<\/span>viewed<\/span> by Su<\/span>zanna<\/span> And<\/span>erson.<\/span> v. XX<\/span>XII,<\/span> n<\/span>os.<\/span> 1 & 2.<\/span>
\nWo<\/span>jahn,<\/span> Da<\/span>vid.<\/span>\u00a0<\/span>Icehouse Lights.<\/i>\u00a0Re<\/span>viewed<\/span> by J<\/span>eff<\/span> Wo<\/span>rley.<\/span> v. I<\/span>V,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nWo<\/span>ody,<\/span> Eli<\/span>zabeth.<\/span>\u00a0<\/span>Hand Into Stone.<\/i>\u00a0Re<\/span>viewed<\/span> by Je<\/span>annie<\/span> Ludl<\/span>ow-Daniel.<\/span> v. X<\/span>I,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nWo<\/span>lff,<\/span> Re<\/span>becca.<\/span>\u00a0<\/span>Manderley.<\/i>\u00a0Re<\/span>viewed<\/span> by A<\/span>nna<\/span> Le<\/span>ahy.<\/span> v. X<\/span>XII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nWr<\/span>ight,<\/span> Ja<\/span>mes.<\/span>\u00a0<\/span>The Culmination of a Career: James Wright’s This Journey.<\/i>\u00a0Re<\/span>viewed<\/span> by Ma<\/span>tthew<\/span> Br<\/span>ennan.<\/span> v. I<\/span>I,<\/span> n<\/span>o.<\/span> 2.<\/span><\/p>\n

X<\/b><\/h3>\n

Y<\/b><\/h3>\n

Yo<\/span>ung,<\/span> M<\/span>ike.<\/span>\u00a0<\/span>Look! Look! Feathers.<\/i>\u00a0Re<\/span>viewed<\/span> by I<\/span>an<\/span> De<\/span>nning.<\/span> v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nY<\/span>u,<\/span> Ch<\/span>arles.<\/span>\u00a0<\/span>Third Class Superhero.<\/i>\u00a0Re<\/span>viewed<\/span> by Mi<\/span>chael<\/span> Czyz<\/span>niejewski.<\/span> v. XX<\/span>VII,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nY<\/span>u,<\/span> Ch<\/span>arles.<\/span> “Tran<\/span>sfiguration,<\/span> Gro<\/span>kking,<\/span> a<\/span>nd<\/span> Sola<\/span>ristics:<\/span> A T<\/span>rio<\/span> of All<\/span>-Timers<\/span> f<\/span>rom<\/span> 1961.”\u00a0P<\/span>art<\/span> of <\/span>Rev<\/span>isiting<\/span> t<\/span>he<\/span> 1962 Na<\/span>tional<\/span> B<\/span>ook<\/span> Aw<\/span>ards.<\/span><\/span><\/em> v. XX<\/span>XIII,<\/span> n<\/span>o.<\/span> 1<\/span><\/p>\n

Z<\/b><\/h3>\n

Za<\/span>fris,<\/span> Na<\/span>ncy.<\/span>\u00a0<\/span>The Metal Shredders.<\/i>\u00a0Re<\/span>viewed<\/span> by K<\/span>aren<\/span> Cr<\/span>aigo.<\/span> v. XX<\/span>III,<\/span> n<\/span>o.<\/span> 1.<\/span>
\nZ<\/span>ink,<\/span> N<\/span>ell.<\/span>\u00a0<\/span>Wall<\/span>creeper.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by Su<\/span>zanne<\/span> Ho<\/span>dsden.<\/span>\u00a0v. X<\/span>XXV,<\/span> n<\/span>o.<\/span> 2.<\/span>
\nZo<\/span>lbrod,<\/span> Z<\/span>oe.<\/span>\u00a0<\/span>Cur<\/span>rency.<\/span>\u00a0<\/span><\/em>Re<\/span>viewed<\/span> by B<\/span>ess<\/span> Wi<\/span>nter.<\/span>\u00a0v. X<\/span>XXI,<\/span> n<\/span>o.<\/span> 1.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

A Ackerman, Diane.\u00a0Lady Faustus.\u00a0Reviewed by Michael J. Bugeja. v. IV, no. 1. Adcox, James Tadd.\u00a0The Map of the System of… <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-120","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=120"}],"version-history":[{"count":20,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/120\/revisions"}],"predecessor-version":[{"id":3946,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/120\/revisions\/3946"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}