{"id":1176,"date":"2014-12-09T19:18:59","date_gmt":"2014-12-09T19:18:59","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=1176"},"modified":"2014-12-09T19:20:14","modified_gmt":"2014-12-09T19:20:14","slug":"volume-xxxiv-no-2","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/volume-xxxiv-no-2\/","title":{"rendered":"Volume XXXIV, no. 2"},"content":{"rendered":"<h1><\/h1>\n<p>&nbsp;<\/p>\n<table width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td id=\"archiveTable\" width=\"45%\">\n<div><center><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-content\/uploads\/2014\/03\/MARhalfcover34_2.jpg\" width=\"119\" height=\"161\" \/><\/center><\/div>\n<p><center><span style=\"font-family: Garamond; font-size: small;\">Volume XXXIV, Number 2<br \/>\nSpring 2014<br \/>\n<span style=\"font-size: medium;\">Cover Art: <a href=\"http:\/\/www.fishburnarts.com\/home.html\">Katherine Fishburn<\/a>. Photographed by <a href=\"http:\/\/www.youngbloodstudios.com\/mp_client\/gallery.asp\">Mark Youngblood.<\/a><\/span><\/span><\/center>&nbsp;<\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"55%\">\n<h2>Table of Contents<\/h2>\n<p><b><b>Fiction<\/b><br \/>\n<\/b>Lesley Nneka Arimah &#8211; &#8220;War Stories&#8221;<br \/>\nBrian Costello &#8211; &#8220;Tracking the &#8216;Choose Life&#8217; Balloons: Our Findings Thus Far&#8221;<br \/>\nPhilip Jason &#8211; &#8220;Panacea&#8221;<br \/>\nJames Warner &#8211; &#8220;Using the Word &#8216;Posterity&#8217; in a Sentence&#8221;<br \/>\nRoger Sollenberger &#8211; &#8220;Close Enough to See&#8221;<\/p>\n<p><b>Poetry<\/b><br \/>\nRobert Segall &#8211; &#8220;May 4, 1970, Kent, Ohio&#8221;<br \/>\nKate Rutledge Jaffe &#8211; &#8220;Coastal Again&#8221;<br \/>\nMelissa Cundieff-Pexa &#8211; &#8220;After the Stroke&#8221;<br \/>\nMary-Alice Daniel &#8211; &#8220;Hagiography of a Pillar of Salt&#8221;<br \/>\nEna Djordjevic &#8211; Two Poems<br \/>\nElizabeth Lindsey Rogers &#8211; &#8220;Hinge&#8221;<br \/>\nMary Ann Samyn &#8211; Three Poems<br \/>\nAnne Barngrover &#8211; Two Poems<br \/>\nCorrie Williamson &#8211; &#8220;While Picking Berries, I Recall the Childhood Practice of Tying June Bugs to Strings, Swinging Them Overhead like Balloons&#8221;<br \/>\nMax Schleicher &#8211; &#8220;Grape Picker&#8217;s Song&#8221;<br \/>\nDaniel Carter &#8211; Two Poems<br \/>\nRosalie Moffett &#8211; Two Poems<br \/>\nJames Henry Knippen &#8211; &#8220;Raspberries&#8221;<br \/>\nJeannine Hall Gailey &#8211; &#8220;Every Human Is a Black Box&#8221;<br \/>\nJeff Oaks &#8211; &#8220;At the End of the Street&#8221;<br \/>\nEstanislao Lopez &#8211; &#8220;The Politics of Rivers&#8221;<br \/>\nCarroll Beauvais &#8211; &#8220;Porch Light, Moonlight, or the Neighbor&#8217;s Bedroom&#8221;<br \/>\nMelissa Stephenson &#8211; &#8220;After Mating for Life&#8221;<br \/>\nCarrie Shipers &#8211; &#8220;How Sandbag Lives Up to His Name&#8221;<br \/>\nLisa Ampleman &#8211; &#8220;Love-Scrawls&#8221;<\/p>\n<p><b>Translation Chapbook<\/b><br \/>\nCarmen V\u00e1scones &#8211; &#8220;The Absolute Shattering on the Lips&#8221;<br \/>\nTranslated From the Spanish by Alexis Levitin<\/p>\n<p><b>Nonfiction<\/b><br \/>\nLaura Madeline Wiseman &#8211; &#8220;From Russia with <del>Love<\/del> Melancholia&#8221;<\/p>\n<p><b>The 2013-2014 James Wright Poetry Award<\/b><br \/>\nWinner: Jude Nutter &#8211; &#8220;The Shipping Forecast&#8221;<br \/>\nRunner-Up: Cate Lycurgus &#8211; &#8220;[It wasn&#8217;t a fast break]&#8221;<br \/>\nFinalists:<br \/>\nCarol V. Davis &#8211; &#8220;The Autopsy, a Love Poem&#8221;<br \/>\nNate Liederbach &#8211; &#8220;Siege&#8221;<br \/>\nJanet Smith &#8211; &#8220;To Do List&#8221;<\/p>\n<p><b>The 2013-2014 Sherwood Anderson Fiction Award <\/b><br \/>\nWinner: Gabriel Houck &#8211; &#8220;Hero&#8217;s Theater&#8221;<br \/>\nRunner-Up: Dana Fitz Gale &#8211; &#8220;Cousin&#8221;<br \/>\nEditor&#8217;s Choice: Courtney Craggett &#8211; &#8220;Kansas Before Oz&#8221;<\/p>\n<p><b>What We&#8217;re Reading<\/b><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Volume XXXIV, Number 2 Spring 2014 Cover Art: Katherine Fishburn. Photographed by Mark Youngblood.&nbsp; &nbsp; Table of Contents Fiction&hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1176","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/1176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/comments?post=1176"}],"version-history":[{"count":1,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/1176\/revisions"}],"predecessor-version":[{"id":1177,"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/pages\/1176\/revisions\/1177"}],"wp:attachment":[{"href":"https:\/\/casit.bgsu.edu\/midamericanreview\/wp-json\/wp\/v2\/media?parent=1176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}