{"id":112,"date":"2014-04-16T17:55:16","date_gmt":"2014-04-16T17:55:16","guid":{"rendered":"https:\/\/casit.bgsu.edu\/midamericanreview\/?page_id=112"},"modified":"2026-02-18T18:10:48","modified_gmt":"2026-02-18T18:10:48","slug":"author-index-nonfiction","status":"publish","type":"page","link":"https:\/\/casit.bgsu.edu\/midamericanreview\/author-index-nonfiction\/","title":{"rendered":"Author Index: Nonfiction"},"content":{"rendered":"<h3><strong>A<\/strong><\/h3>\n<p>Allison, Sue. &#8220;Taking a Reading.&#8221; v. XXIX no. 1.<br \/>\nAnaporte-Easton, Jean. &#8220;Healing Our Wounds: The Direction of Difference in the Poetry of Lucille Clifton and Judith Johnson.&#8221; v. XIV, no. 2.<br \/>\nAnderson, Richard. &#8220;Robert Coover&#8217;s Dissident Works.&#8221; v. IV, no. 1.<br \/>\nAngel, George. &#8220;Goyen Canto.&#8221; v. XIII, no. 1<br \/>\nArdizzone, Tony. &#8220;The Fog in the Relish: On the Writer&#8217;s Responsibility to Society.&#8221; v. XI, no. 2.<\/p>\n<h3><strong>B<\/strong><\/h3>\n<p>Bar-Nadav, Hadara, Jacob Knabb, Kevin Prufer, James Englehardt, and John Gallaher. &#8220;Rising From the Cornfields: Literary Culture in the Midwest and the World.&#8221; v. XXXII, nos. 1 &amp; 2.<br \/>\nBailey, Peter. &#8220;Stanley Elkin&#8217;s Tales of Last Resorts.&#8221; v. V, no. 1.<br \/>\nBaker, David. Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nBakker, Dee. &#8220;Women Writers and Their Critics: A Room With a View.&#8221; v. XIII, no. 2.<br \/>\nBarbarese, J. T. &#8220;The Voice in the Workshop.&#8221; v. IV, no. 2.<br \/>\nBarnden, Saskia. &#8220;Poetic Voice: Some Problems of Definition.&#8221; v. IV, no. 2.<br \/>\nBarham, Wayne. &#8220;Aslant From the Poet&#8217;s Mouth (A Dialogue).&#8221; v. XI, no. 1.<br \/>\nBell, Madison Smartt. &#8220;That Powerful Sense of Wonder: A Memory of William Goyen.&#8221; v. XIII, no. 1.<br \/>\nBenedict, Elinor. &#8220;Workshops and Workshops.&#8221; v. IX, no. 1.<br \/>\nBergamino, Jaclyn. Two Shorts. v. XXXVI, no. 2.<br \/>\nBergman, David. Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nBerry, Ellen and Charles L. Crow. &#8220;Interview with Sheila Roberts.&#8221; v. IX, no. 2.<br \/>\nBertolino, James. &#8220;Ruminations after reading McCord.&#8221; v. VIII, no. 2.<br \/>\nBiguenet, John. &#8220;The Art of Reading.&#8221; v. IX, no. 2.<br \/>\nBird, Roy K. &#8220;Wright Morris: Through a Flaw in the Window of Fiction.&#8221; v. III, no. 1.<br \/>\nBond, Bruce. &#8220;Immanent Distance: Silence and the Poetry of Charles Simic.&#8221; v. VIII, no. 1.<br \/>\nBourne, Daniel. Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nBrimhall, Traci. &#8220;10 Signs the Dead Are Communicating with You.&#8221;\u00a0v. XXXVI, no. 1.<br \/>\nBuchanan, Lisa K. &#8220;All That I Missed.&#8221; v. XXVII, no. 2.<br \/>\nBugeja, Michael. &#8220;James Wright: The Mastery of Personification in This Journey.&#8221; v. IV, no. 2.<br \/>\nButts, W.E. Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nByers, Thomas B. &#8220;Mountain Man McCord and the Schoolmarm.&#8221; v. VIII, no. 2.<br \/>\nByk, John. &#8220;From Fact to Fiction: Gabriel Garcia Marquez and the Short Story.&#8221; v. VI, no. 2.<\/p>\n<h3><strong>C<\/strong><\/h3>\n<p>Call, Ryan. &#8220;Snowden&#8217;s Death: An Appreciation.&#8221; v. XXXIII, no. 1.<br \/>\nCamoin, Francois. Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nCarr, Pat. &#8220;American Women and the Missed Opportunity.&#8221; v. XII, no. 2.<br \/>\nCarter, Mary. &#8220;&#8216;Literary&#8217; Writing.&#8221; v. IX, no. 1.<br \/>\nCasey, Emily Arnason. &#8220;The World Is Lucky with Birds.&#8221; v. XXXIII, no. 2.<br \/>\nChappell, Fred. &#8220;The Making of Wonderful Plant: An Interview with Stuart Wright.&#8221; v. XIII, no. 1.<br \/>\nCismaru, Alfred. &#8220;Julien Green&#8217;s Journal: A Contemporary Look Backwards.&#8221; v. IX, no. 2.<br \/>\nCitino, David. Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nClinton, DeWitt. &#8220;A Long Way from Hiawatha: Contemporary Improvisations of American Tribal Histories.&#8221; v. V, no. 1.<br \/>\nClinton, DeWitt. &#8220;Boundaries of Contemporary Improvisational Epic Poetry.&#8221; v. V, no. 2.<br \/>\nConnor, Joan. &#8220;Forsaken Places.&#8221; v. XXIII, no. 2.<br \/>\nCooley, Beth. &#8220;Colleville-Montgomery.&#8221;\u00a0v. XXXVI, no. 1.<br \/>\nCooper, Bernard. &#8220;Blank Canvas.&#8221; v. XIX, no. 1.<br \/>\nCoppula, Kathleen A. &#8220;Not for Literary Reasons: The Fiction of Grace Paley.&#8221; v. VII, no. 1.<br \/>\nCorman, Cid. &#8220;Three Essays.&#8221; v. X, no. 1.<br \/>\nCortese, Claudia. &#8220;The Red Essay.&#8221; v. XXXIV, no. 1.<br \/>\nCox, Clyde. &#8220;A Lasting Legacy: Brotherly Love and the Language of Jazz in &#8216;Sonny&#8217;s Blues'&#8221; v. X, no. 2.<br \/>\nCraigo, Karen. &#8220;At the Camden Deli: An Interview With Richard Russo.&#8221; v. XXV, nos. 1 &amp; 2.<br \/>\nCrane, Cynthia. &#8220;Re-Creating the Invisible City: A Situated Reading.&#8221; v. XII, no. 2.<br \/>\nCrew, Carolina. &#8220;Divisions of the Body.&#8221; v. XXXVII, no. 1.<br \/>\nCrowell, Douglas E. &#8220;From Providence to Paranoia: The Puritan Epistemology Transformed in Pynchon&#8217;s Gravity&#8217;s Rainbow.&#8221; v. II, no. 1.<\/p>\n<h3><strong>D<\/strong><\/h3>\n<p>Dacey, Philip. &#8220;Keat&#8217;s Lovers: Poetry and Music.&#8221; v. XI, no. 1.<br \/>\nDacey, Philip. &#8220;Vive La Resistance!: Orwell Mutatis Mutandis.&#8221; v. XI, no. 2.<br \/>\nDacey, Philip. Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nDameron, Jim. &#8220;In Praise of Bad Reception.&#8221; v. XXIX, no. 1.<br \/>\nDaniels, Jim. Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nDarling, Kristina Marie. Essays on Props. v. XXXVI, no. 2.<br \/>\nDavenport, Doris. &#8220;Music in Poetry: if you can&#8217;t feel it\/you can&#8217;t fake it.&#8221; v. X, no. 2.<br \/>\nDavis, Matthew. &#8220;How We Move From Here to There.&#8221; v. XXVIII, no. 1.<br \/>\nDi, Xue. &#8220;Homeland.&#8221; v. XIV, no. 1.<br \/>\nDighiera, Nicholas. &#8220;The Book of Love.&#8221; v. XLIII, no. 1.<br \/>\nDobbs, Kevin. &#8220;Voyeur.&#8221; v. XXIV, no. 1.<br \/>\nDodd, Elizabeth. &#8220;Prospect.&#8221; v. XXIII, no. 2.<br \/>\nDoody, Terrence. &#8220;After Modernism.&#8221; v. II, nos. 1 &amp; 2.<br \/>\nDougherty, Edward A. &#8220;Toward a Poetry of Witness.&#8221; v. XI, no. 1.<br \/>\nDrager, Lindsey. &#8220;Lament for a Dead Sister.&#8221; v. XXXI, no. 2.<br \/>\nDriscoll, Jack.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nDubud, Andre. &#8220;Two Ghosts.&#8221; v. V, no. 2.<br \/>\nDuhamel, Denise and Maureen Seaton. &#8220;Ecofeminism in the Year 2000.&#8221; v. XIII, no. 2.<br \/>\nDuhamel, Denise and Marueen Seaton. &#8220;Thoughts on the Collaboration of &#8216;Ecofeminism in the Year 2000.'&#8221; v. XIII, no. 2.<br \/>\nDunn, Stephen. &#8220;Poetry and Music.&#8221; v. XI, no. 1.<br \/>\nDunn, Stephen. &#8220;Degrees of Fidelity.&#8221; v. XXI, no. 1.<br \/>\nDunn, Stephen.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<\/p>\n<h3><strong>E<\/strong><\/h3>\n<p>Elliott, David L. &#8220;Precarious Balances: A Conversation With Stephen Dunn.&#8221; v. XV, nos. 1 &amp; 2.<br \/>\nEnslin, Theodore. &#8220;Where There is Life.&#8221; v. X, no. 2.<br \/>\nEspada, Mart\u00edn.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nEssinger, Cathryn. &#8220;Recreating Fairyland&#8211; A Feminist Perspective: <em>Transformations<\/em> by Anne Sexton.&#8221; v. XIV, no. 2.<\/p>\n<h3><strong>F<\/strong><\/h3>\n<p>Fellner, Steve. &#8220;Ten Anecdotes About the Destruction of Books.&#8221; v. XXII, no. 1.<br \/>\nFellner, Steve. &#8220;Gratitude.&#8221; v. XXV, no. 1.<br \/>\nFernandez-Acuna, Yasbel. &#8220;Ghost Story.&#8221; v. XXVII, no. 1.<br \/>\nFincke, Gary.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nForsythe, Matt. &#8220;Rev. Blankespoor\u2014Or, How I Scrapped the Semicolon and Learned to Love the Dash.&#8221; v. XXXI, no. 2.<br \/>\nFowler, Amelia. &#8220;Moonrise in Utero.&#8221; v. XXXVII, no. 1.<br \/>\nFrank, Matthew Gavin. &#8220;A Blow to the Head for St. Louis Barbecue.&#8221; v. XXXIV, no. 1.<br \/>\nFranklin, Joey. &#8220;Houseguest.&#8221; v. XXXV, no. 1.<br \/>\nFrederick, Melissa. &#8220;Rape Stories.&#8221; v. XXVII, no. 2.<br \/>\nFriebert, Stuart. &#8220;Some (Pitiful) Remarks on Schulte&#8217;s Essay on Translation.&#8221; v. IX, no. 2.<br \/>\nFutrell, Ryan L. &#8220;Peacock.&#8221; v. XXIX, no. 1.<\/p>\n<h3><strong>G<\/strong><\/h3>\n<p>Gaitonde, Vishwas R. &#8220;The Graveyard of Doubts.&#8221; v. XXVII, no. 1.<br \/>\nGalang, M. Evelina. &#8220;Are You From Vietnam?&#8221; v. XIV, no. 1.<br \/>\nGallo, Louis. &#8220;W.S. Merwin&#8217;s Ontological Parables.&#8221; v. I, no. 2.<br \/>\nGay, Roxane. &#8220;Sentimental Lies, Marvelous Creatures, Stiff Creams, and Velout\u00e9.&#8221; v. XXXIII, no. 1.<br \/>\nGitzen, Julian. &#8220;Charles Wright and Presences in Absence.&#8221; v. XIV, no. 2.<br \/>\nGlancy, Diane. \u00a0&#8220;Ethnic Arts: The Cultural Bridge.&#8221; v. XI, no. 1.<br \/>\nGoldbarth, Albert.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nGolding, Alan. &#8220;Language-Bashing Again.&#8221; v. VIII, no. 2.<br \/>\nGonzalez, Ray. &#8220;With Neruda in the Desert.&#8221; v. XII, no. 1.<br \/>\nGoodman, Henrietta. &#8220;Animals.&#8221; v. XXXVIII, no. 1.<br \/>\nGoyen, Doris Roberts. &#8220;Gifts: A Mosaic.&#8221; v. XIII, no. 1.<br \/>\nGoyen, William. &#8220;Frieda.&#8221; v. XIII, no. 1.<br \/>\nGoyen, William. &#8220;On the Failure of Work to Find a Life When Published.&#8221; v. XIII, no. 1.<br \/>\nGoyen, William. &#8220;Palm.&#8221; v. XIII, no. 1.<br \/>\nGraham, Philip. &#8220;Our Own House of Mbari.&#8221; v. XI, no. 2.<br \/>\nGrant, Kerry. &#8220;On and Off the Main Line: The Failure of Compromise in the Fiction of Thomas McGuane.&#8221; v. III, no. 1.<br \/>\nGreenberg, Alvin. &#8220;Immortal Consequences.&#8221; v. V, no. 1.<br \/>\nGreenberg, Alvin.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nGreenway, William. &#8220;Dream Lover: The Muse and the Subconscious.&#8221; v. XIX, no. 1.<br \/>\nGreenway, William. &#8220;Foundlings: The Parents of the Writer, the Writer of the Parents.&#8221; v. XXIII, no. 2.<br \/>\nGruesser, John C. &#8220;White on Black: Contemporary Versions of a Fantastic Africa.&#8221; v. IX, no. 2.<br \/>\nGuess, Carol. &#8220;Nebraska.&#8221; v. XXVIII, no. 2.<br \/>\nGundy, Jeff. &#8220;The Breath of the World.&#8221; v. XXXI, no. 1.<\/p>\n<h3><strong>H<\/strong><\/h3>\n<p>Hamill, Sam. &#8220;Honoris causa.&#8221; v. IX, no. 2.<br \/>\nHamill, Sam. &#8220;Against the Tide.&#8221; v. XII, no. 1.<br \/>\nHankla, Cathryn. &#8220;The Door to the Mansion of Memory and of Art.&#8221; v. XIII, no. 1.<br \/>\nHatfield, Kimberly. &#8220;Nature and Interference.&#8221;\u00a0v. XXXVI, no. 1.<br \/>\nHawkins, Amanda. &#8220;Lessons on Ashes.&#8221; v. XXXIX, no. 1.<br \/>\nHogan, Linda. &#8220;The Voyagers.&#8221; v. XI, no. 1.<br \/>\nHolden, Jonathan. &#8220;West Marginal Way: Richard Hugo&#8217;s Poetry as Self- Psychoanalysis.&#8221; v. XVI, no. 1.<br \/>\n<span style=\"line-height: 1.5em;\">Hollars, B.J. &#8220;Dispatches from the Drownings.&#8221; v. XXXIII, no. 2.<br \/>\n<\/span><span style=\"line-height: 1.5em;\">Holmes, John Clellon. &#8220;ARM: A Memory of Nelson Algren.&#8221; v. VIII, no. 2.<br \/>\n<\/span>Houser, Catherine. &#8220;Missing in Action: Alienation in the Fiction of Award-Winning Women Writers.&#8221; v. XIV, no. 2.<br \/>\nHuddle, David. &#8220;Issues and Character: The Saint at the Typewriter.&#8221; v. III, no. 2.<br \/>\nHui, Yu. &#8220;How American Literature Finds Its Way to China.&#8221; v. V, no. 1.<br \/>\nHull, M. Ann. &#8220;Sound is a wave of pressure.&#8221; v. XXXI, no. 2.<\/p>\n<h3><strong>I<\/strong><\/h3>\n<p>Irwin, Mark. &#8220;Immediacy in Poetry.&#8221; v. IV, no. 1.<br \/>\nIrwin, Mark.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<\/p>\n<h3><strong>J<\/strong><\/h3>\n<p>James, Patrick Clement. Two Works. v. XXXVII, no. 2.<br \/>\nJohnson, Kent. &#8220;Howard McCord and L=A=N=G=U=A=G=E.&#8221; v. VIII, no. 1.<br \/>\nJohnson, Michele Finn. &#8220;Goose Farm.&#8221; v. XXXVI, no. 2.<br \/>\nJones, Kirkland C. &#8220;Love and Lovemaking: Spiritual Dimensions in Just Above My Head.&#8221; v. X, no. 2.<br \/>\nJunquera, Mercedes. &#8220;Ana Maria Fagundo Is\/ Is Not an Island?&#8221; v. VIII, no. 2.<\/p>\n<h3><strong>K<\/strong><\/h3>\n<p>Kalaidjian, Walter. &#8220;Contending with &#8216;Contentions&#8217;: Response to Howard McCord.&#8221; v. VIII, no. 2.<br \/>\nKarl (Ritchie), Michael. &#8220;Deaf Echoes in the Aviary: Poetry and Translation.&#8221; v. IX, no. 2.<br \/>\nKatrovas, Richard. &#8220;A Brief History of My Heart.&#8221; v. XXIX, no. 2.<br \/>\nKauffmann, Jay. &#8220;Sumo.&#8221; v. XXIX, no. 1.<br \/>\nKellman, Steven G. &#8220;The Great American Novel: 1938-83.&#8221; v. II, no. 2.<br \/>\nKhalifeh, Sasha. &#8220;A Conversation with\u00a0<em>MAR\u00a0<\/em>Editors, Past and Present.&#8221; v. XXXV, no. 2.<br \/>\nKim, Elizabeth Marie. &#8220;Lake of the Sky.&#8221; v. XIV, no. 1.<br \/>\nKirby, David. &#8220;Like a Twin-Engine Bomber.&#8221; v. XXVI, no. 1.<br \/>\nKirby, David.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nKomunyakaa, Yusef. &#8220;Changes: or, Reveries at a Window Overlooking a Country Road, with Two Women Talking Blues in the Kitchen.&#8221; v. X, no. 2.<\/p>\n<h3><strong>L<\/strong><\/h3>\n<p>Lake, Tom. &#8220;Bessie Harvey&#8217;s Visions.&#8221; v. XXXII, nos. 1 &amp; 2.<br \/>\nLarabee, Ann. &#8220;Death in Delphi: Susan Glaspell and the Companionate Marriage.&#8221; v. VII, no. 2.<br \/>\nLeahy, Anna and Larissa Szporluk. &#8220;Good Counsel: A Conversation About Poetry Writing, the Imagination, and Teaching.&#8221; v. XXX nos. 1 &amp; 2.<br \/>\nLederer, Katherine. &#8220;Of Time, William Goyen, and His River.&#8221; v. XIII, no. 1.<br \/>\nLee, James. &#8220;Adrift in America.&#8221; v. XIV, no. 1.<br \/>\nLefer, Diane. &#8220;&#8216;Intellectual Women Aren&#8217;t Interesting&#8217;: Literature and Woman&#8217;s Quest for Knowledge.&#8221; v. XIV, no. 2.<br \/>\nLeslie, Naton. &#8220;On the Tracks.&#8221; v. XXIII, no. 2.<br \/>\nLevitin, Alexis.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nLieu, Jocelyn. &#8220;Something to Do With Luck: On Being a Chinese Coyote.&#8221; v. XIV, no. 1.<br \/>\nLindsley, Dart. &#8220;So Holy and so Flesh: The Boundless Fiction of William Goyen.&#8221; v. XIII, no. 1.<\/p>\n<h3><strong>M<\/strong><\/h3>\n<p>MacEnulty, Pat. &#8220;<em>Thelma and Louise:<\/em> A Feminist Fable.&#8221; v. XIII, no. 2.<br \/>\nMachan, Katharyn Howd. &#8220;Breath Into Fire: Feminism and Poetry Readings.&#8221; v. XII, no. 2.<br \/>\nMaginnes, Al.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nMaliszewski, Paul. &#8220;My Sense of Slack.&#8221; v. XXI, no. 2.<br \/>\nMalouf, Melissa.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nMarquart, Debra. &#8220;Great Falls, 1976.&#8221; v. XXVI, no. 2.<br \/>\nMartin, Lee. &#8220;Never Thirteen.&#8221; v. XXIII, no. 2.<br \/>\nMartin, Lee. &#8220;Somniloquy.&#8221; v. XXV, no. 1.<br \/>\nMart\u00ednez, Dionisio D.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nMason, David. &#8220;Seamus Heaney&#8217;s Gutteral Muse.&#8221; v. IV, no. 2.<br \/>\nMatson, Suzanne. &#8220;Without Relation: Family and Freedom in the Poetry of Louise Gl\u00fcck.&#8221; v. XIV, no. 2.<br \/>\nMcCarthy, Gerald. &#8220;Static Essentials: Voices of Vietnam in War Literature.&#8221; v. IV, no. 2.<br \/>\nMcCord, Howard. &#8220;Contentions.&#8221; v. VII, no. 2.<br \/>\nMcCord, Howard. &#8220;Intemperance.&#8221; v. IX, no. 1.<br \/>\nMcDaniel, Jeffrey. &#8220;Anatomy of Poem: Cate Marvin&#8217;s &#8216;I Live Where the Leaves Are Pointed At.'&#8221; v. XXV, nos. 1 &amp; 2.<br \/>\nMcDonald, Walter.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nMercalf, Paul. &#8220;The Eye Hears, The Voice Looks.&#8221; v. IV, no. 2.<br \/>\nMeredith, Mairi. &#8220;Voice and Image in Two Contemporary American Poets.&#8221; v. III, no. 2.<br \/>\nMiller, B. J. &#8220;Good Night.&#8221; v. XXXV, no. 1.<br \/>\nMiller, Ben. &#8220;Designs.&#8221; v. XXII, no 2.<br \/>\nMinor, Kyle. &#8220;Lay Me Down in the Blue Grass.&#8221; v. XXVI, no. 2.<br \/>\nMitchell, Felicia. &#8220;From Object to Equal: Modern Love Poems by Women.&#8221; v. XI, no. 1.<br \/>\nMilitello, Jennifer. &#8220;Two Works.&#8221; v. XXVIII, no. 1.<br \/>\nMoore, Dinty W. &#8220;Apparently, Good Men Are Still Hard to Find.&#8221; v. XXIV, no. 2.<br \/>\nMorley, Hilda. &#8220;Music and Poetry.&#8221; v. X, no. 2.<\/p>\n<h3><strong>N<\/strong><\/h3>\n<p>Nameroff, Rochelle. &#8220;An Essay on &#8216;Yellow Dog Blues.'&#8221; v. X, no. 1.<br \/>\nNelson, Sandra. &#8220;Blood Taboo: A Response to Margaret Atwood&#8217;s &#8216;Lives of the Poets.'&#8221; v. XII, no. 2.<br \/>\nNeville, Susan. &#8220;Seeds: A Meditation on the Body.&#8221; v. XIII, no. 2.<br \/>\nNeville, Susan.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nNeville, Tam Lin. &#8220;I Write in a Diary for Kathy.&#8221; v. XII, no. 2.<br \/>\nNovakovich, Josip. &#8220;Flags and Hymns.&#8221; v. XXI, no. 2.<br \/>\nNutting, Alissa. &#8220;Rock &#8216;n Roll Soothsayer: The Portended Ascent of the Fame Monster.&#8221; v. XXXIII, no. 1.<br \/>\nNye, Naomi Shihab. &#8220;Music of the Deep Well.&#8221; v. XIII, no. 1.<br \/>\nNye, Naomi Shihab.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nNye, Naomi Shihab. &#8220;One Moment on Top of the Earth.&#8221; v. XV, nos. 1 &amp; 2.<\/p>\n<h3><strong>O<\/strong><\/h3>\n<p>Olsen, W. Scott. &#8220;Aileron Jazz.&#8221; v. XXVIII, no. 1.<br \/>\nOlsen, W. Scott. &#8220;The World Record.&#8221; v. XXX, nos. 1 &amp; 2.<\/p>\n<h3><strong>P<\/strong><\/h3>\n<p>Paino, Frankie.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nPape, Greg.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nParadis, Phillip. &#8220;Richard Hugo&#8217;s &#8216;The Art of Poetry,&#8217; A Post-Modernist&#8217;s Ars Poetic.&#8221; v. VII, no. 1.<br \/>\nPalmer, Daryl W. &#8220;Wendell Berry and the Postmodern Author, a translation.&#8221; v. X, no. 1.<br \/>\nPanky, Eric. &#8220;Craft and Community in the Writers&#8217; Workshop.&#8221; v. IX, no. 1.<br \/>\nPeterson, Beth. &#8220;Wittgenstein&#8217;s Cabin.&#8221; v. XXXVIII, no. 1.<br \/>\nPierman, Carol. &#8220;Making It New: The Writers&#8217; Workshop.&#8221; v. IX, no. 1.<br \/>\nPhillips, Robert. &#8220;What We Ask of Each Other: Letters by William Goyen.&#8221; v. XIII, no. 1.<br \/>\nPoulin, A. Jr. &#8220;The Village Idiot.&#8221; v. XV, nos. 1 &amp; 2.<\/p>\n<h3><strong>Q<\/strong><\/h3>\n<p>Quade, Mary. &#8220;Zoo World.&#8221; v. XXXI, no. 1.<\/p>\n<h3><strong>R<\/strong><\/h3>\n<p>Randall, Margaret. &#8220;Eating Our Hearts: Censorship and Memory.&#8221; v. XIII, no. 2.<br \/>\nRenwick, Joyce. &#8220;Stanley Elkin: An Interview.&#8221; v. V, no. 1.<br \/>\nRepusseau, Patrice. &#8220;Lunar Plexus: On William Goyen&#8217;s &#8216;In the Icebound Hothouse.'&#8221; v. XIII, no. 1.<br \/>\nR\u00edos, Alberto.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nRobinson, James Curry. &#8220;Joiner as a Resurrection of the Hero in Contemporary Fiction.&#8221; v. II, no. 2.<br \/>\nRodriguez, Luis J. &#8220;Living on the Hyphen: Multicultural Diversity in the Arts.&#8221; v. XII, no. 1.<br \/>\nRusso, Brian. &#8220;Litost: Expanding Our Psychological Vocabulary Through Comedy.&#8221; v. VI, no. 2.<\/p>\n<h3><strong>S<\/strong><\/h3>\n<p>Sallaska, Stephanie. &#8220;She&#8217;ll Be Writing Around the Erection When She Comes.&#8221; v. XII, no. 2.<br \/>\nSaltzman, Arthur. &#8220;Watch This Space.&#8221; v. XXVI, no. 1.<br \/>\nSasanov, Catherine.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nSchulte, Rainer. &#8220;The Study of Translation: Re-creative Dynamics in Literature and the Humanities.&#8221; v. IX, no. 2.<br \/>\nSchwartz, Sheila. &#8220;Dolls.&#8221; v. XXIII, no. 2.<br \/>\nSchwartz, Steven.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nShelnutt, Eve. &#8220;More Than the Mere Gesture of Teaching.&#8221; v. XII, no. 1.<br \/>\nShepherd, Steven L. &#8220;My First Bra.&#8221; v. XXVI, no. 2.<br \/>\nShoaf, Diann Blakely. &#8220;Thinking Back Through Our Mothers.&#8221; v. XIII, no. 2.<br \/>\nSmith, Douglas. &#8220;The Strangest of Tongues.&#8221; v. XIII, no. 1.<br \/>\nSmith, Mack. &#8220;Ulyesses in Penn Villas: Joyce&#8217;s Ulysses as Structural Model for Updike&#8217;s Rabbit Redux.&#8221; v. I, no. 2.<br \/>\nSnyder, Jennifer.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nSt. Germain, Sheryl. &#8220;Communion.&#8221; v. XXII, no. 1.<br \/>\nStein, Agnes.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nStein, George. &#8220;The Arts and Adaptation.&#8221; v. IX, no. 2.<br \/>\nStummer, Peter O. &#8220;I Go to the Theatre a Lot Because I Care So Much About Anarchy: The Problems of Contemporaryt &#8216;Women&#8217;s Theatre&#8217;.&#8221; v. VIII, no. 2.<br \/>\nStryk, Lucien. &#8220;Reply to Rainer Schulte&#8217;s Commentary.&#8221; v. IX, no. 2.<br \/>\nSturgeon, Tandy. &#8220;From the Margins: Young Writers, Small Presses and Howard McCord.&#8221; v. VIII, no. 2.<br \/>\nSundberg, Kelly. &#8220;Indian Creek Solitaire.&#8221; v. XXXIII, no. 1.<br \/>\nSwanson, Fritz. &#8220;The Invisible Girl.&#8221; v. XXV, no. 2.<br \/>\nSweeney, Dennis James. &#8220;My First Will and Testament: Words as Ameliorating Death.&#8221; v. XXXIII, no. 1.<br \/>\nSzporluk, Larissa; Leahy, Anna. &#8220;Good Counsel: A Conversation About Poetry Writing, the Imagination, and Teaching.&#8221; v. XXX, nos. 1 &amp; 2.<\/p>\n<h3><strong>T<\/strong><\/h3>\n<p>Talbot, Allison. &#8220;Incomplete Encyclopedia of Downeast Maine.&#8221; v. XXXV, no. 2.<br \/>\nTallman, Jenniey. &#8220;Our Belmont.&#8221; v. XXXX, no. 1.<br \/>\nThayler, Carl. &#8220;The Oral Foundation of Post-modern American Poetry.&#8221; v. V, no. 2.<br \/>\nThompson, Jean. &#8220;In Search of Anarchy.&#8221; v. IX, no. 1.<br \/>\nThompson, Jean. &#8220;Enemy Lines: Television, Language, War, and Art.&#8221; v. XI, no. 2.<br \/>\nThompson, Jean.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nThon, Melanie Rae. &#8220;The Tribal Tour.&#8221; v. XXV, no. 1.<br \/>\nThoreen, David. &#8220;Djinn: A Logical Trap.&#8221; v. VI, no. 1.<br \/>\nTomas, Pappi. &#8220;The Right Floor.&#8221; v. XXVII, no. 1.<br \/>\nTyree, J.M. &#8220;Other Brooklyns.&#8221; v. XXVII, no. 2.<\/p>\n<h3><strong>U<\/strong><\/h3>\n<p>Upton, Lee. &#8220;Women&#8217;s Uncommon Labors in the Poetry of Carolyn Kizer.&#8221; v. X, no. 1.<\/p>\n<h3><strong>V<\/strong><\/h3>\n<p>Valley, June B. &#8220;A New Social and Artistic Direction in the American Grain: James Alan McPherson&#8217;s Elbow Room.&#8221; v. IV, no. 1.<br \/>\nVivian, Robert. &#8220;Death of a Shortstop.&#8221; v. XXIV, no. 2.<\/p>\n<h3><strong>W<\/strong><\/h3>\n<p>Wild, Peter.\u00a0Commentary. v. XV, nos. 1 &amp; 2.<br \/>\nWier, Allen. &#8220;William Goyen: In the Current of Life.&#8221; v. XIII, no. 1.<br \/>\nWilner, Eleanor. &#8220;&#8216;The Roadrunner in Woolworth&#8217;s&#8217;: An Appreciation.&#8221; v. XIII, no. 1.<br \/>\nWiseman, Laura Madeline. &#8220;From Russia with <span style=\"text-decoration: line-through;\">Love<\/span>\u00a0Melancholia.&#8221; v. XXXIV, no. 2.<\/p>\n<h3><strong>X<\/strong><\/h3>\n<h3><strong>Y<\/strong><\/h3>\n<p>Yu, Charles. &#8220;Transfiguration, Grokking, and Solaristics: A Trio of All-Timers from 1961.&#8221; v. XXXIII, no. 1.<\/p>\n<h3><strong>Z<\/strong><\/h3>\n<p>Zamora, Lois Parkinson. &#8220;The Animate Earth: American Books of the Dead by William Goyen, Elena Garro, and Juan Rulfo.&#8221; v. XIII, no. 1.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Allison, Sue. &#8220;Taking a Reading.&#8221; v. XXIX no. 1. 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