{"id":486,"date":"2015-03-18T16:37:39","date_gmt":"2015-03-18T20:37:39","guid":{"rendered":"https:\/\/casit.bgsu.edu\/marblog\/?p=486"},"modified":"2015-03-18T16:37:39","modified_gmt":"2015-03-18T20:37:39","slug":"mar-asks-rachel-morgan-answers","status":"publish","type":"post","link":"https:\/\/casit.bgsu.edu\/marblog\/mar-asks-rachel-morgan-answers\/","title":{"rendered":"MAR Asks, Rachel Morgan Answers"},"content":{"rendered":"<figure id=\"attachment_487\" aria-describedby=\"caption-attachment-487\" style=\"width: 294px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/casit.bgsu.edu\/marblog\/wp-content\/uploads\/2015\/03\/Rachel-Morgan.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-487\" src=\"https:\/\/casit.bgsu.edu\/marblog\/wp-content\/uploads\/2015\/03\/Rachel-Morgan.jpg\" alt=\"Rachel Morgan\" width=\"294\" height=\"359\" srcset=\"https:\/\/casit.bgsu.edu\/marblog\/wp-content\/uploads\/2015\/03\/Rachel-Morgan.jpg 500w, https:\/\/casit.bgsu.edu\/marblog\/wp-content\/uploads\/2015\/03\/Rachel-Morgan-245x300.jpg 245w\" sizes=\"auto, (max-width: 294px) 100vw, 294px\" \/><\/a><figcaption id=\"caption-attachment-487\" class=\"wp-caption-text\">Rachel Morgan<\/figcaption><\/figure>\n<p>If you&#8217;re afraid of outer space, then today&#8217;s contributor interview with Rachel Morgan is for you.<\/p>\n<p>Rachel Morgan lives, teaches, and writes in Iowa. She is co-editor of <em>Fire Under the Moon: An Anthology of Contemporary Slovene Poetry<\/em> (Black Dirt Press). Her work recently appears or is forthcoming in <em>Crazyhorse<\/em>, <em>Fence<\/em>, <em>Denver Quarterly<\/em>, <em>Bellevue Literary Review<\/em>, <em>DIAGRAM<\/em>, <em>Barrow Street<\/em>, and <em>Poet Lore<\/em>. She is a graduate of the Iowa Writers\u2019 Workshop. Currently she teaches at the University of Northern Iowa and is the Poetry Editor for the <em>North American Review<\/em>.<\/p>\n<p>Rachel\u2019s poem, \u201cFever of Unknown Origin,\u201d appears in <em>MAR <\/em>35.1. She joins us on the blog today to discuss making family members cry, listening to Sigur R\u00f3s on repeat, the terrors of outer space, and, of course, poetry.<\/p>\n<p><strong>Quick! Summarize your poem in 10 words or fewer. <\/strong><\/p>\n<p>Childhood, motherhood, widowhood, but not in that order.<\/p>\n<p><strong>What can you share about this piece prior to its MAR publication?<\/strong><\/p>\n<p>This poem emerged from a writing exercise I often use in creative writing classes. The exercise asks students to consider an artifact they encountered as a child that they later come to understand. In parts of Appalachia, a tight nest of feathers recovered from the feather pillows of the deceased is knows as a \u201cdeath crown\u201d or \u201cangel crown.\u201d A death crown is considered a good omen\u2014a sign the deceased is in heaven. When I was a young girl, my grandmother showed me two death crowns recovered from her seven year old brother\u2019s pillow. The initial poem emerged quickly, but I tinkered with it for about a year and a half before submitting it.<\/p>\n<p><strong>What was your reaction upon receiving your MAR acceptance?<\/strong><\/p>\n<p>\u201cFever of Unknown Origin\u201d is part of my manuscript <em>Coal<\/em>, which includes found text narratives against the landscape of the southeastern Appalachian mountains, and I was visiting family at Grandfather Mountain when I read the kind acceptance email. <em>MAR<\/em> is a journal I\u2019ve long admired, so I was happy.<\/p>\n<p><strong>What was the worst\/best feedback you received on this piece?<\/strong><\/p>\n<p>A family member (besides my mother) said, \u201cWhy does what you write always make me cry?\u201d<\/p>\n<p><strong>What do you consider your biggest writing-related success? <\/strong><\/p>\n<p>It sounds saccharine, but honestly each time I write a poem feels like success. I think writing a poem is like spell-making, and I love the brief moment of being enchanted by the process of linking word to word.<\/p>\n<p><strong>Your biggest writing-related regret?<\/strong><\/p>\n<p>For a few years after getting my MFA I become unmoored from the writing practice. With the expectation to produce work for workshop and the critiques from my peers gone, my concerns turned toward earning a living and writing when I could. I wrote very little and sent out even less, and then I let the inevitable rejections take care of my remaining motivation. I wish I\u2019d taken time to think of myself as a poet and writer in these years.<\/p>\n<p><strong>Tell us one strange thing about yourself that does not involve<\/strong> <strong>writing.<\/strong><\/p>\n<p>I\u2019m terrified of outer space.<\/p>\n<p><strong>Tell us one strange thing about yourself that <em>does <\/em>involve writing.<\/strong><\/p>\n<p>I listen to songs on repeat when I write. Right now I\u2019m listening to a lot of Sigur R\u00f3s.<\/p>\n<p><strong>Do you have another favorite piece of writing in this MAR issue? If so, name it and tell us why.<\/strong><\/p>\n<p>I enjoyed Ryan Teitman\u2019s piece from the Special Section, \u201cOne Hundred Names for the Moon\u201d for the way it plays with what cannot be translated across language and age. I read Teitman\u2019s book <em>Litany for the City <\/em>three years ago, and it took my breath away with its still moments in strange cities. Reading this collection as I moved from Los Angeles to the Midwest was both a type of litany and elegy.<\/p>\n<p><strong>Thanks for the interview, Rachel!<\/strong><em><br \/>\nLaura Maylene Walter, Fiction Editor<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you&#8217;re afraid of outer space, then today&#8217;s contributor interview with Rachel Morgan is for you. 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